Thursday, August 8, 2013

Godspeed Karen Black

Karen Black, known for her roles in Easy Rider, Five Easy Pieces, and many other films, died today (8 August 2013) at the age of 74. The cause was ampullary cancer.

Karen Black was born Karen Blanche Ziegler on 1 July 1939 in Park Ridge, Illinois. Her mother was children's novelist Elsie Reif and her father was Norman Ziegler.  She attended Northwestern University in Chicago for two years before moving to New York City to pursue acting. She studied acting under Lee Strasberg and appeared in a few off-Broadway revues.

She made her film debut in a small part in The Prime Time in 1959. She was an understudy on Broadway in Take Her, She's Mine (1961-1962) and appeared on Broadway in The Playroom (1965-1966).  In the Sixties she also appeared on Broadway in Happily Never After (1966) and Keep It In the Family (1967). She appeared in the films You're a Big Boy Now (1966), Hard Contract (1969), Easy Rider (1969), Freedom (1970), and Five Easy Pieces (1970), for which she was nominated for the Oscar for Best Actress in a Supporting Role. She appeared on such television shows as The F.B.I., Run for Your Life, The Big Valley, Iron Horse, and Adam-12.

In the Seventies Miss Black appeared in such films as Drive, He Said (1971), Born to Win (1971), Cisco Pike (1972), Portnoy's Complaint (1972), Little Laura and Big John (1973), The Outfit (1973), Rhinoceros (1974), The Great Gatsby (1974) , The Day of the Locust (1975), Nashville (1975), Family Plot (1976), Burnt Offerings (1976), Capricorn One (1977), and The Last Word (1979).

In the Eighties she appeared in such films as Separate Ways (1981), Chanel Solitaire (1981), La donna giusta (1982), Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982), Can She Bake a Cherry Pie? (1983), A Stroke of Genius (1984), Martin's Day (1985), Savage Dawn (1985), Flight of the Spruce Goose (1986), It's Alive III: Island of the Alive (1987), Hostage (1987), The Legendary Life of Ernest Hemingway (1988), Homer and Eddie (1989), and The Children (1990).  She appeared on Broadway in Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean. She appeared on television in the shows E/R, The Hitchhiker, Murder She Wrote, and Faerie Tale Theatre.

In the Nineties she appeared in such films as Rubin and Ed (1991), Caged Fear (1992), Tuesday Never Comes (1993), Too Bad About Jack (1994), Starstruck (1995), Every Minute Is Goodbye (1996), Dogtown (1996), Men (1997), Fallen Arches (1998), Bury the Evidence (1998), Charades (1998), Mascara (1999), and Inviati speciali (2000). She appeared on television in the shows The Hunger, Profiler, and Party of Five.

From the Naughts into the Teens, Miss Black appeared in such films as Hard Luck (2001), A Light in the Darkness (2002), Curse of the Forty-Niner (2002), Buttleman (2003), House of 1000 Corpses (2003), Paris (2003) , Summer Solstice (2003), Birth of Industry (2004), Crazy for Love (2005), Firecracker (2005), A Single Woman (2008), Irene in Time (2009), Maria My Love (2011), and Ooga Booga (2013). She appeared on television in the show Law & Order: Criminal Intent.

Karen Black was an extremely versatile actress, something that can be told simply by looking at her best known roles. She played a prostitute who trips on acid with Wyatt and Billy in Easy Rider, a glamorous but not particularly talented country singer in Nashville, an aspiring actress in Day of the Locust, and the waitress attached (rather unhappily) to musician Bobby Dupea (Jack Nicholson) in Five Easy Pieces. These roles were diverse enough that they could have been played by different actresses, and yet they were all played convincingly by Karen Black. She was an actress of great talent, making it little wonder that she was exceedingly prolific until her untimely death. Few actors displayed the talent that she did.

Wednesday, August 7, 2013

Actress Gail Kobe Passes On

Actress Gail Kobe, who was a regular on Peyton Place and later a producer on the soap opera The Bold and the Beautiful, died on 1 August 2013 at the age of 82.

Gail Kobe was born Gabriella Kieliszewski on 19 March 1931 in Hamtramck, Michigan. She made her screen debut in an uncredited role in East of Eden in 1955. She made her television debut in an episode of Dragnet in 1956. In the late Fifties she appeared on such shows as The Millionaire, Highway Patrol, Alfred Hitchcock Presents, Studio 57, Cheyenne, Fireside Theatre, Goodyear Theatre, Sugarfoot, Zane Grey Theatre, Trackdown, Wagon Train, Richard Diamond Private Detective, Mike Hammer, M Squad, and The Rebel. She appeared in a very small part in the film The Ten Commandments (1956),

In the Sixties she was a regular on the prime time soap opera Peyton Place. She guest starred on such shows as Maverick, The Detectives, The Alfred Hitchcock Hour, Rawhide, Laramie, Have Gun--Will Travel, Combat, The Untouchables, The Fugitive, The Virginian, 77 Sunset Strip, The Twilight Zone, Ben Casey, The Outer Limits, Dr. Kildare, Tarzan, Mission: Impossible, Hogan's Heroes, Ironside, Bewitched, and Daniel Boone. In the Seventies she appeared on Mannix.

Gail Kobe retired from acting and began working as a producer on various shows, starting with a supervising producer position on The Edge of Night. She went onto serve as a producer on The Guiding Light, Texas, and The Bold and the Beautiful.

Tuesday, August 6, 2013

The 2nd Mrs. de Winter: Joan Fontaine in Rebecca (1940)

There are those roles with which certain actresses are forever identified, regardless of what numerous other parts they might play during their career.  Vivien Leigh will always be Scarlett O'Hara in Gone with the Wind (1939).  Ingrid Bergman will always be Ilsa Lund in Casablanca (1942). Margaret Lockwood will always be Barbara Worth in The Wicked Lady (1945). Being identified with a a particular role is no less true of Joan Fontaine, who for many will always be Mrs. de Winter, or more precisely the second Mrs. de Winter, in Rebecca (1940).

In many respects it is understandable that the second Mrs. de Winter would be Joan Fontaine's best known role. The film was based on the Daphne du Maurier novel of the same name and directed by Alfred Hitchcock. The film did very well at the box office--it was the third highest grossing film in the United States for 1940, after Boomtown and The Great Dictator.  Rebecca also received its share of awards. It won the Oscar for Best Picture and Best Cinematography and was nominated for nine more. Indeed, Joan Fontaine received a nomination for the Academy Award for Best Actress in a Leading Role.

Today it seems impossible that anyone but Joan Fontaine would have been considered for the role of Mrs. de Winter. That having been said, over twenty actresses were considered for the role. Among them were Maureen O'Hara, Anne Baxter, Loretta Young, and Anita Louise. David O. Selznick wanted Joan Fontaine's sister Olivia de Havilland for the role of the second 2nd Mrs. de Winter. In the end Olivia de Havilland would not get the part for several reasons, not he least of which was she was hesitant to take a role for which her sister was also being considered. Among the hurdles in Miss de Havilland taking the role of Mrs. de Winter were the fact that she was committed to appear in the film Raffles (1939) and Warner Brothers was being very stubborn about lending her out. Laurence Olivier wanted his lover Vivien Leigh for the role, but David O. Selznick felt that she was the "wrong type (the same reason that Loretta Young would not get the role)". Joan Fontaine was cast in the role of the second Mrs. de Winter after Alfred Hitchcock saw her performance in The Women (1939).

Joan Fontaine would not have an easy time during the shooting of Rebecca. Her co-star, Laurence Olivier, resented her for having been cast in the role rather than Vivien Leigh, and treated her horribly throughout the filming. Miss Fontaine also found herself largely isolated from the largely English cast, who tended to stick to themselves. Worse yet, to a small degree Joan Fontaine's situation in real life reflected the second Mrs. de Winter's situation in Rebecca. She had just married British actor Brian Aherne,  and was still learning to manage the Aherne household at the time Rebeccca was being shot.

Given all of this, it should not be surprising that Joan Fontaine would give a convincing performance as the second Mrs. de Winter, a woman competing with the memory of the beautiful and seeming perfect first Mrs. de Winter (the "Rebecca" of the title) while at the same time adjusting the aristocratic lifestyle of Maximilian de Winter and dealing with the icy housekeeper Mrs. Danvers (played by the great Judith Anderson). Particularly given the situation on the set and to a small degree Miss Fontaines' real life at the time, in the hands of a lesser actress Mrs. de Winter might have come off as a weak, gutless woman spooked by the memory of a dead wife and fearful of her husband's admittedly frightening housekeeper. In the hands of Joan Fontaine, however, the second Mrs. de Winter is much more than this.

Indeed, the overriding emotion that Joan Fontaine brings to the second Mrs. de Winter is not fear, but instead a desire to be accepted, a desire for her husband to love her at least as much as the late Rebecca and for his aristocratic society to accept her on her own terms. To this degree one sometimes sees flashes of strength beneath the docile facade of the second Mrs. de Winter. This is perhaps no more apparent when the second Mrs. de Winter finally defies Mrs. Danvers and orders her to destroy Rebbecca's papers. There are perhaps only a few times in the history of cinema that an actress has delivered a line so strongly, so defiantly, as when Joan Fontaine as the second Mrs. de Winter tells Mrs. Danvers, "I am Mrs. de Winter now." Joan Fontaine as the second Mrs. de Winter isn't some simpering idiot, but instead a woman who has been bullied to the point that she discovers the spine she had all along.

Joan Fontaine was only 21 years old and inexperienced as a lead actress when she starred Rebecca. The film would prove a turning point in her career. She would go onto deliver several strong performances, appearing in such films as Suspicion (1941--once more working with Alfred Hitchcock), The Constant Nymph (1943), Jane Eyre (1944), and Letter from an Unknown Woman (1948). If the film Rebecca is about a woman who discovers strength she never knew she had, Rebecca could be considered the film that proved to Hollywood that Joan Fontaine was an actress with talent that they never thought she had.


Saturday, August 3, 2013

Michael Ansara R.I.P.

Michael Ansara, who played Deputy Marshal Buckhart on the TV show Law of the Plainsman, Cochise on the TV show Broken Arrow, and made an large number of guest appearances on other shows, died on 31 July 2013 at the age of 91.

Michael Ansara was born in Syria on 15 April 1922. He immigrated to the United States with his parents when he was two years old. He attended Los Angeles City College with the intent of becoming a physician, but while there became interested in acting. He graduated from Los Angeles City College with a Bachelor of Arts degree, and then studied acting at the Pasadena Playhouse in Pasadena, California. He made his film debut in an uncredited part in Action in Arabia (1944).  He went onto small roles in such films as Intrigue (1947), Queen Esther (1948), and Kim (1950).

Mr. Ansara made his television debut in an episode of Family Theatre in 1951. During the Fifties he starred in two prime times television series. He appeared as Cochise in Broken Arrow, which ran from 1956 to 1958, and then as Deputy U.S. Marshal Sam Buckhart in Law of the Plainsman, which ran from 1959 to 1960.  He guest starred on such shows as China Smith, Terry and the Pirates, The Lone Ranger, Dragnet, Medic, Alfred Hitchcock Presents, Hawkeye and the Last of the Mohicans, Frontier Doctor, Zane Grey Theatre, Naked City, The Rifleman (on which the backdoor pilot for Law of the Plainsman appeared), The Westerner, and The Untouchables. He appeared in such films as My Favourite Spy (1951), Brave Warrior (1952), The Golden Hawk (1952), The Lawless Breed (1953), Julius Caesar (1953), The Robe (1953), The Saracen Blade (1954), Sign of the Pagan (1954), Jupiter's Darling (1955), Abbott and Costello Meet the Mummy (1955), Diane (1956), The Lone Ranger (1956), The Ten Commandments (1956), and The Sad Sack (1957).

In the Sixties Michael Ansara appeared on such shows as Tales of Wells Fargo, Wagon Train, The Farmer's Daughter, Burke's Law, Perry Mason, The Outer Limits,  Rawhide, Ben Casey, The Man From U.N.C.L.E., Lost in Space, Bewitched, The Virginian, Daniel Boone, Gunsmoke, The Fugitive, Star Trek, It Takes a Thief, The High Chaparral, and I Dream of Jeannie. He appeared in such films as Voyage to the Bottom of the Sea (1961), The Comancheros (1961), The Confession (1964), The Greatest Story Ever Told (1965), Harum Scarum (1965), And Now Miguel (1966), Texas Across the River (1966), The Destructors (1968), Daring Game (1968), Guns of the Magnificent Seven (1969), and The Phynx (1970).

In the Seventies Mr. Ansara guest starred on such shows as The Mod Squad, Bearcats, Hawaii Five-O, The Streets of San Francisco, Mission: Impossible, McMillan and Wife, Police Story, Barbary Coast, McCloud, Kojak, Vega$, and Buck Rogers in the 25th Century. He appeared in such films as Dear Dead Delilah (1972), Stand Up and Be Counted (1972), The Doll Squad (1973), The Bears and I (1974), It's Alive (1974), The Message (1977), Day of the Animals (1977), and The Manitou (1978).

In the Eighties Michael Ansara found a new career voicing animated cartoons. During the Eighties his voice appeared on such animated series as Thundarr the Barbarian, Spider-Man and His Amazing Friends, and Rambo. He appeared on such TV shows as Simon & Simon; Days of Our Lives; Hunter, The Fall Guy, Hardcastle and McCormick, Mike Hammer; and Murder, She Wrote. He appeared in the films The Guns and the Fury (1981), Bayou Romance (1982), Access Code (1984), KGB: The Secret War (1985), Knights of the City (1986), and Border Shootout (1990).

From the Nineties into the Naughts Michael Ansara guest starred on the shows Babylon 5 Star Trek: Deep Space Nine, and Star Trek: Voyager. He provided the voice of Mr. Freeze in the animated series Batman: The Animated Series, The New Batman Adventures, and Batman Beyond, also providing the voice of Dr. Freeze for the films Subzero and Batman Beyond: The Movie, as well as the video game Batman: Vengeance. He appeared in the film The Long Road Home (1999).

Although he was Syrian in birth, Michael Ansara was one of the many actors in Hollywood who was called upon to play just about any role belong to an ethnicity that was Northern European in descent. Over the years he played Native Americans (indeed, his two lead roles on TV shows were both Natives), Mexicans, Arabs, and Pacific Islanders (indeed, he played King Kamehameha, the historic Hawaiian king, on an episode of I Dream of Jeannie). With his great height (he stood 6' 3") and a booming voice, he also played a good number of heavies over the years. Indeed, among his most famous roles was that of Klingon commander Kang on various Star Trek shows. Despite this, there can be no doubt that Michael Ansara was a very versatile actor. While he was very good at playing villains, it must be noted that his two lead roles on TV shows (Broken Arrow and Law of the Plainsman) were both heroes, and he excelled in both. What is more, although he rarely got to display it, he had a gift for comedy. One of his most memorable roles for me was that of Rufus the Red, the enemy of one of Darrin's Irish ancestors, on Bewitched. It can be little wonder why Michael Ansara was so prolific as an actor. With his singular appearance and a talent to play nearly any role, it is not surprising as to why he was so much in demand during his career.

Friday, August 2, 2013

Congratulations to Lyndsy Spence on Her First Book

I want to congratulate my friend Lyndsy Spence on the publication of her first book, The Mitford Girls' Guide to Life. It was released in the United Kingdom yesterday. It will be published in the United States on 1 November later this year. The Mitford Girls' Guide to Life is a unique look at the famous Mitford Sisters (whose number included author Nancy Mitford and muckraking journalist Jessica Mitford), applying the lives of the famous Mitford girls to modern life. If you would like to learn more about The Mitford Girls' Guide to Life and Miss Spence's other projects, I interviewed her this past June: An Interview with Lyndsy Spence, Author of The Mitford Girls' Guide to Life .She also runs the Mitford Society, an online community devoted to the famous sisters, which can be found on Facebook as well as its own blog.

Miss Spence isn't only an author, but she is also a screenwriter. She co-wrote the short "The Flower Girl", which is due to come out in the United Kingdom this September.  A script she wrote for a feature film is also currently in development. You can check out Lyndsy Spence's IMDB profile here.

Tuesday, July 30, 2013

Eileen Brennan Passes On

Actress Eileen Brennan, who appeared in such films as The Last Picture Show and Murder by Death, died 28 July 2013 at the age of 80. The cause was bladder cancer.

Eileen Brennan was born on 3 September 1932 in Los Angeles, California. She attended Georgetown University in Washington, D.C., and then trained in acting at the American Academy of Dramatic Arts in New York City. Her first major role was in the off-Broadway production Little Miss Sunshine in 1959. She made her Broadway debut in The Student Gypsy in 1963. Her television debut was a production of The Star Wagon that aired on NET in 1966. She made her film debut in Divorce American Style (1967). In the Sixties she was a regular on the television show Rowan & Martin's Laugh-In. She made guest appearances on the TV shows The Ghost & Mrs. Muir and The Most Deadly Game. On Broadway she appeared in Hello, Dolly.

In the Seventies Miss Brennan appeared in such films as The Last Picture Show (1971), Scarecrow (1973), The Sting (1973), Daisy Miller (1974), At Long Last Love (1975), Hustle (1975), Murder by Death (1976), The Cheap Detective (1978),  and Private Benjamin (1980). She was a regular on the television shows All That Glitters, 13 Queens Boulevard, and A New Kind of Family.  She guest starred on the shows All in the Family, McMillan & Wife, Jigsaw, Insight, and Visions.

In the Eighties she appeared in the films Pandemonium (1982), The Funny Farm (1983), Clue (1985), The New Adventures of Pippi Longstocking (1988), Sticky Fingers (1988), Rented Lips (1988), Going to the Chapel (1988), It Had to Be You (1989), Stella (1990), Texasville (1990), and White Palace (1990).  She was a regular on the shows Private Benjamin and Off the Rack. She guest starred on the shows Taxi, The Love Boat, Magnum P.I., Newhart, and The Ray Bradbury Theatre.

In the Nineties Eileen Brennan appeared in such films as Joey Takes a Cab (1991), I Don't Buy Kisses Anymore (1992), Nunzio's Second Cousin (1994), Reckless (1995), Boys Life 2 (1997), Changing Habits (1997), Pants on Fire (1998), and Moonglow (2000). She guest starred on the shows Blossom, thirtysomething, American Dreamer, Home Improvement, Murder She Wrote,  Walker Texas Ranger, ER, Mad About You, and Touched by An Angel. From the Naughts into the Teens she appeared in the films Jeepers Creepers (2001), Dumb Luck (2003), Miss Congeniality 2: Armed and Fabulous (2005), Peanut Butter (2007), The Kings of Appletown (2009), and Naked Run (2011).  She guest starred on such shows as Arli$$, Strong Medicine, 7th Heaven, and Will & Grace.

Eileen Brennan was an immensely talented actress with a gift for both comedy and drama. She could play almost anything, from the jaded waitress in The Last Picture Show to hard as nails Captain Lewis in Private Benjamin to grande dame Mrs. Peacock in Clue. Over the years she was nominated for an Oscar and for multiple Emmys, and with good reason. Few actresses of her time were as talented as Eileen Brennan.

Sunday, July 28, 2013

A Bit of Joe E. Brown for His Birthday

Today Joe E. Brown is probably best known for his role as millionaire Osgood Fielding III in Some Like It Hot (1959). That having been said, by the time of his appearance in that classic, he had already had a long career. Starting out as a tumbler, he had performed in circuses and on Vaudeville since he was nine years old. Over time he incorporated comedy into his act, until eventually he was a comedian rather than a tumbler. As a comedian he proved very successful.

Of course, seeing success as a comic naturally meant Hollywood would come knocking on his door, and he made his film debut in the short "Twinkle, Twinkle" in 1927. With the drama Crooks Can't Win in 1928 he made his feature film debut. It was with the comedy Hit of the Show that Joe E. Brown received his first leading role. While only classic film buffs might remember his movies today, Joe E. Brown was one of the most popular comic actors of the Thirties and Forties. Films such as The Tenderfoot (1932),  Alibi Ike (1935), Earthworm Tractors (1936), and The Gladiator (1938) proved very successful at the box office.

In tribute to Mr. Brown on his birthday, here are a few of his appearances. The first is the "Little Mousie" routine from Bright Lights (1935).

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Next up is Joe E. Brown and Jackie Robinson in a segment from the show I've Got a Secret. Messrs. Brown and Robinson had something in common: they were both professional baseball players at one time or another!


And last, here is Joe E. Brown's musical routine, "I Faw Down, Go Boom".