Friday, November 29, 2024

Christmas Movies on TCM in December 2024


The Hallmark Channel may start showing Christmas movies in October, but when it comes to showing classic Yuletide movies in their proper season, Turner Classic Movies is the channel to watch. Every December TCM shows several of the greatest classic holiday movies of all time. This December is no different. Below is a schedule of the Christmas movies airing on TCM in December. All times are Central.

Sunday, December 1:
5:00 PM The Bishop's Wife (1947)

Saturday, December 7:
3:00 PM It Happened on Fifth Avenue (1947)
5:15 PM Holiday Affair (1949)

Sunday, December 8:
10:45 AM A Christmas Carol (1938)

Saturday, December 14:
3:00 PM The Shop Around the Corner (1940)
5:00 PM The Man Who Came to Dinner (1942)

Sunday, December 15:
6:45 AM Meet John Doe (1941)
3:00 PM In the Good Old Summertime (1949)
5:00 PM Christmas in Connecticut (1945)

Monday, December 16:
9:30 PM Metropolitan (1990)

Friday, December 20:
9:00 PM In the Good Old Summertime (1949)
11:00 PM The Shop Around the Corner (1940)

Saturday, December 21:
1:00 AM Bachelor Mother (1939)
6:30 AM The Curse of the Cat People (1944)
8:00 AM Tenth Avenue Angel (1948)
9:30 AM A Christmas Carol (1938)
11:00 AM On Moonlight Bay (1951)
3:15 AM Susan Slept Here (1954)
5:00 PM Fitzwilly (1967)
7:00 PM It Happened on Fifth Avenue (1947)
9:15 PM The Man Who Came to Dinner (1942)
11:16 PM We're No Angles (1955)

Sunday, December 22:
1:15 AM Miracle on Main Street (1939)
2:45 AM The Silent Partner (1978)
9:00 AM The Lady in the Lake (1947)
11:00 AM 3 Godfathers (1949)
1:00 PM The Holly and the Ivy (1952)
7:00 PM Christmas in Connecticut (1945)
9:00 PM Remember the Night (1940)
11:00 PM Christmas Past (1925)

Monday, December 23
1:15 AM Mon Oncle Antoine (1971)
3:15 AM My Night at Maud's (1971)
7:30 AM I Wouldn't Be in Your Shoes (1948)
9:00 AM My Reputation (1946)
11:00 AM The Man I Love (1947)
1:00 PM Larceny, Inc. (1942)
3:00 PM Backfire (1950)
5:00 PM Period of Adjustment (1962)
7:00 PM Holiday Affair (1949)
8:45 PM Desk Set (1947)
10:45 PM Meet John Doe (1941)

Tuesday, December 24:
1:00 AM The Thin Man (1934)
2:45 AM Cover Up (1949)
4:15 AM A Carol For Another Christmas (1964)
5:45 AM Three Godfathers (1936)
7:45 AM Christmas Eve (1947)
9:15 AM Bundle of Joy (1956)
1:00 PM It Happened on Fifth Avenue (1947)
3:15 PM Christmas in Connecticut (1945)
5:15 PM The Shop Around the Corner (1940)
7:00 PM The Bishop's Wife (1947)
11:00 PM A Christmas Carol (1938)

Wednesday, December 25:
12:30 AM Beyond Tomorrow (1940)
2:00 AM Hell's Heroes (1929)
3:30 AM Kind Lady (1951)
5:30 AM Never Say Goodbye (1946)
7::30 AM All Mine to Give (1957)
9:15 AM The Great Rupert (1950)
1:15 PM In the Good Old Summertime (1949)
3:15 PM Holiday Affair (1949)
5:00 PM The Man Who Came to Dinner (1942)

Thursday, December 26:
9:15 AM Love Finds Andy Hardy (1938)

Tuesday, December 31:
8:15 AM The Thin Man (1934)
7:00 PM The Apartment (1960)

I don't consider the following to be Christmas movies. In all good conscience, I felt I could not include them in the above list of holiday films. There are some people who do consider some of these movies to be Christmas movies, so I am including them in their own schedule as a courtesy to anyone who might disagree with me.

Sunday, December 1:
3:00 PM Meet Me in St. Louis (1944)

Saturday, December 14:
11:00 Mame (1974)

Monday, December 16:
7:00 PM Auntie Mame (1958)

Friday, December 20:
7:00 PM Meet Me in St. Louis (1944)

Saturday, December 21:
2:30 AM Penny Serenade (1941)
4:45 AM Blossoms in the Dust (1941)
1:00 PM Little Women (1949)

Sunday, December 22:
5:00 AM Boy's Town (1938)
7:00 AM Our Vines Have Tender Grapes (1945)
2:30 PM Going My Way (1944)
4:45 PM The Bells of St. Mary's (1945)

Monday, December 23:
5:30 AM The Daughter of Rosie O'Grady (1950)

Tuesday, December 24:
11:00 PM Meet Me in St. Louis (1944)
9:00 PM Room For One More (1952)

Wednesday, December 25:
11:00 AM Little Women (1933)

Thursday, November 28, 2024

Happy Thanksgiving 2024

As someone who is part Cherokee, I recognize the fact that many Native Americans find the holiday of Thanksgiving objectionable. After all,  the Wampanoag, who legend has it dined with the Pilgrims, suffered greatly for their contact with the British colonists. There are then those Native Americans who view Thanksgiving as a celebration of the genocide of Native Americans at the hands of European settlers and observe it as a day of mourning. As I see it, the problem with Thanksgiving is that its mythology has traditionally been tied to that of the Thanksgiving celebrated by the Pilgrims in Plymouth, Massachusetts. That mythology is false on many levels, the least of which is the fact that the Thanksgiving celebrated by the Pilgrims was not the first Thanksgiving celebration in North America by a long shot. Indeed, various Native American tribes had their own Thanksgivings. The Seneca have Thanksgiving rituals that last four days.

For me then, the answer is not to do away with the holiday of Thanksgiving, but to divorce it from the imagery of the Pilgrims. We should stop celebrating the Pilgrims, who ultimately brought grief to the Wampanoag. Ultimately, my point of view on the holiday is best expressed by Wilma Mankiller, the first woman to serve as Principal Chief of the Cherokee Nation, who said of the holiday, "We celebrate Thanksgiving along with the rest of America, maybe in different ways and for different reasons. Despite everything that's happened to us since we fed the Pilgrims, we still have our language, our culture, our distinct social system. Even in a nuclear age, we still have a tribal people." I think it is important to set aside a day to express gratitude. We just have to make sure that we are not celebrating genocide when we do so.

Keeping this in mind, I will observe Thanksgiving with the usual vintage Hollywood pictures I usually do on A Shroud of Thoughts.

First up is Jeanne Craine, who has a large pie ready.


Next Marie McDonald, who is hunting and gathering for her Thanksgiving dinner.


Next is Olga San Juan with a pet turkey.


And here's Leila Hyams, who also has a turkey friend.


On the other hand, Shirley Temple seems startled by a turkey.


And, last but not least, here's Ann Miler and her turkey.

Happy Thanksgiving!

Wednesday, November 27, 2024

The 100th Anniversary of the Macy's Thanksgiving Day Parade

The Underdog balloon in 1965

For many Americans watching the Macy's Thanksgiving Day Parade on television is a Thanksgiving tradition. And I have to think that going to see the parade in person is a Thanksgiving custom for many people in New York City. The Macy's Thanksgiving Day Parade has become very much a part of American popular culture, It was one hundred years ago on this day, on November 27 1924, that the first Macy's Thanksgiving Day Parade took place, although it originally it was called the Macy's Christmas Parade.

It should come as no surprise that the Macy's Thanksgiving Day Parade originated as a bit of promotion for the Macy's department store in New York City. It was earlier in the year that a Seventh Avenue addition was made to Macy's Herald Square. This made what Macy's had proclaimed as early as 1895 to be "the world's largest store." The store's executives wanted to celebrate this achievement and as  a result Macy's advertising manager James A. Goold came up with the idea of the Macy's Christmas Parade. Of course, the fact that it could boost holiday sales for Macy's was never far from his mind. It was James A. Goold who directed that first parade. As is still the case today, the store's employees played a large role in the parade.

That first parade at 9:00 AM Eastern Time at 145th Street and Convent Avenue in Harlem. It was lead by an escort of mounted police. The parade then made its way to Broadway and then to 34th Street. It was at 34th Street that the parade ended. The first parade featured such floats as "The Old Woman Who Lived in the Shoe," "Three Men in a Tub,"  and "Little Miss Muffet," As has always been the case, it ended with the arrival of Santa Claus in his sleigh. Animals from the Central Park Zoo also appeared in the parade, and included elephants, tigers, bears, and donkeys.

The Macy's Christmas Parade proved to be such a success that it was held again in 1925 and again in 1926. The animals from the Central Park Zoo would be a part of both the second Macy's Christmas Parade in 1925 and 1926. They would not return for the parade in 1927. The zoo animals had proven problematic from the beginning. The large crowds who came to watch the parade meant many people could not even see the animals. On top of this, after the long six-mile parade route, many of the animals would become restless. The growls, roars, and snarls of many of these restless animals would then scare children.

Zoo animals no longer being featured in the parade would not be the only change that would be made for the fourth parade in 1927. It was that year that the Macy's Christmas Parade was finally given the more fitting name of the Macy's Thanksgiving Day Parade. It was also in 1927 that the first giant balloons were introduced. The very first character balloon was popular cartoon character Felix the Cat. Originally, at the end of the parade the balloons would be released into the sky. That would end in 

Starting in 1928  puppeteer and illustrator Tony Sarg and his apprentice Bill Baird designed balloons and balloons for the Macy's Thanksgiving Day Parade. Among the notable balloons he designed for the parade were the Katzenjammer kinds in 1929, Eddie Cantor in 1934, Donald Duck in 1935, the Tin Man from The Wizard of Oz in 1939, and the original Superman balloon in 1940. Tony Sarg designed his last balloons for the parade in 1941 and he died the following year.  As might be expected, the release of the balloons at the end of the Macy's Thanksgiving Parade did cause problems. When the balloons were first released, they  all exploded before they reached the top of the Macy's building because helium expands as it gets higher in the atmosphere. The balloons would be released the following year, but safety valves were added to prevent them from exploding. Macy's offered a $25 reward to anyone who captured a balloon and returned it. As might be expected, this created its share of problems. n 1932 a woman learning to fly tried to capture a giant cat balloon. Instead she collided with the balloon. She and her instructor survived, but the balloon did not.. Macy's then stopped releasing the balloons at the end of the parade, which would actually work out for the best. The balloons could be deflated and reused the next in the next parade.

Starting in 1928 the balloons in the Macy's Thanksgiving Day Parade would be made by Goodyear Tire and Rubber Company. They would continue to make balloons for the parade until 1980, with their final balloon being the third Superman balloon. Since then Kemp Balloons Inc. (1981-1984) and then Raven Aerostar Industries would make the balloons. for the parade. Over the years famous characters have been licensed for balloons in the Macy's Thanksgiving Day Parade, including Mickey Mouse, Donald Duck, Mighty Mouse, Bullwinkle, Underdog, Smokey Bear, Kermit the Frog, and yet others. Over the years there would be accidents involving the balloons. In 1956 the Mighty Mouse balloon went down before it even reached Columbus Circle, and in 1975 the Underdog balloon collided with a light pole. Sadly, some of the balloon accidents would cause injuries. Among these was an incident in 1997 in which he Cat in the Hat balloon actually knocked a lamppost into a crowd of spectators and injured a woman. Afterwards the City of New York passed laws restricting balloons to a size of 70 feet high, 78 feet long, and 40 feet wide and requiring more handlers.

Marching bands and other performers have been a part of the Macy's Thanksgiving Day Parade from its earliest days. For instance, the New York 71st Regiment Marching Band performed at the parade in 1926. The parade also featured its share of dancers and drill teams, the most famous of which may well be the Radio City Rockettes, who have become a tradition at the parade. They first performed at the parade in 1958. Originally, the Rockettes walked the entire length of the parade along the other acts, the floats, and the balloons. Fortunately, this would eventually change so that the Rockettes would the opening act of the parade. While the past few decades the Rockette have usually been the opening act of the parade, there would be two exceptions. In 2020 and 2023 they served as an honor guard of sort for Santa Claus.

Beyond the Rockettes there have been many other celebrity performers in the history. The first celebrity performance during the parade occurred in 1958 (the same year the Rockettes made their debut) was given by the Benny Goodman sextet. Since then such performers as Connie Francis, Paul Anka, Dionne Warwick, Brenda Lee, Rick Springfield, Shari Lewis, The Muppets, Patti LaBelle, Chicago, Kool & the Gang, Lou Bega,  Good Charlotte, Kiss, and others.

The Macy's Thanksgiving Day Parade would continue to grow throughout the Thirties, as would its fame. The parade was first broadcast on radio in 1932 by local New York City stations. Because of World War II the Macy's Thanksgiving Day Parade would not be held from 1942 to 1944. It would return in 1945 and afterwards would become even more famous It was in 1947 that a classic movie would be give the rest of the world its first real tastes of the parade. The Macy's Thanksgiving Day Parade figured prominently in the movie Miracle on 34th Street (1947), as did the department store itself. The parade would first be broadcast nationally on television in 1948, although strangely enough it would not be on NBC, the television home of the parade for decades. Instead, it would be CBS. It was in 1953 that NBC became the official broadcaster of the parade and it has remained such ever since.

Over the years broadcasts of the MAacy's Thanksgiving Day Parade have been hosted by various people. Among the longest running and among the most familiar to Baby Boomers and Gen Xers are Lorne Green and Betty White, who hosted the parade from 1963 to 1972. Ed MacMahon of The Tonight Show fame hosted the parade with various co-hosts form 1974 to 1981. It was in the late Eighties that personalities from NBC's Today Show started hosting the parade, and they have done so ever since.

Of course, here it must be pointed out that the Macy's Thanksgiving Day Parade was not the first Thanksgiving Day Parade. The oldest Thanksgiving Day parade is actually the one held in Philadelphia. It began in 1920 and sponsored by one of Macy's rivals, Gimbals. Gimbals continued to sponsor it until 1986 when the department store folded. Since then it has had various sponsors. There are also parades in  Chicago, Detroit, Seattle, St. Louis, and other cities.

The Macy's Thanksgiving Day has long since become a part of popular culture, well beyond being featured in Miracle on 34th Street (1934). The parade appears towards the beginning of the 1966 The Man From U.N.C.L.E. episode "The Jingle Bells Affair." The parade would also appear in a 1973 television movie remake of Miracle on 34th Street. Props from the parade appear in the climax of the comedy Somebody Killed Her Husband, which takes place in the basement of Herald Square. The parade figures in the movie Broadway Danny Rose (1984). While the parade does not appear in the Friends episode "The One Where Underdog Gets Away," first aired in 1994. In the episode the Underdog balloon is accidentally released (here it must be mentioned that the Underdog balloon was retired in 1984. It was also in 1994 that the parade was referenced in the Seinfeld episode "The Mom and Pop Store." "Macy's Day Parade" is also the title of a Green Day song and the first single from their 2000 album Warning. The song is essentially a protest against consumerism.

The Macy's Thanksgiving Day Parade has undergone many changes over the years. Its fame has grown since it began, and it has since become a Thanksgiving Day institution. It is safe to say that it will continue as Thanksgiving tradition in many years to come.

Tuesday, November 26, 2024

DC Comics Character Johnny Cloud Navajo Ace

Like many comic book publishers, DC Comics (then officially known as National Comics Publications) entered the field of war comics in early 1952. Initially, DC Comics' war comic books were anthology titles of the truest forms. Each issue featured several standalone stories. This began to change in the late Fifties and early Sixties, when DC Comics began adding continuing series to their war comic books, including Sgt Rock in Our Army at War and Gunner & Sarge in Our Fighting Forces. It was in All-American Men of War no. 82 (December 1960) that a character who was rather more unique first appeared. Lt. Johnny Cloud was not only set apart from DC Comics' other continuing war characters in that he was a fighter pilot, but in the fact that he was Native American.

This made Johnny Cloud a rather historic character. Native American characters with their own series were very rare in American comic books of the time. At DC Comics the only important Native American character prior to Lt. Johnny Cloud was Pow Wow Smith, who appeared in both Detective Comics and Western Comics. Of course, while Johnny Cloud was a historic character at DC Comics, that did not mean that the portrayal of Diné culture was particularly accurate.  Johnny Cloud was created by writer Rob Kanigher and artist Irv Novick.

In Johnny Cloud's first appearance, we are given some of his background and how he became a pilot. His father named him "Flying Cloud" after seeing a cloud formation that brought to his mind a man riding a horse. As an adult Flying Cloud enlisted in the United States Air Force during World War II. He then became a P-51 Mustang pilot. It was at this point that Flying Cloud was given the more English-sounding name John Cloud. While the portrayal of Navajo culture in the "Johnny Cloud" feature may not have been accurate, sadly the racism that Johnny Cloud was. It was after he took out a whole squadron of Nazi bombers by himself that Johnny was given command of his own patrol, which was given the code name "the Happy Braves."  Beginning as a lieutenant, Johnny Cloud would later be promoted to captain.

Ultimately, the Johnny Cloud series was a product of its time. It was pioneering in featuring a Native American lead character. It was also pioneering in portraying the racism that Native Americans faced. The portrayal of racism against any ethnicity, let alone Native Americans, was not particularly common in comic books of the Fifties. Unfortunately, the Johnny Cloud series also included several Native American cliches and outright stereotypes. Johnny Cloud and other Native American characters in the series were generally portrayed as stoic. The vision of a cloud which Johnny's father saw is portrayed as a Plains Indian wearing a war bonnet riding a horse. Johnny's first plane bears the image of a Plains Indian atop a horse along with the words "Flying Chief."

While the Johnny Cloud series was not a particularly accurate portrayal of Diné culture and it did include various cliches about Native Americans, ultimately it can be considered a positive portrayal of a Native American for its time. Johnny displays courage, loyalty, and intelligence. He is handsome and identifiably Native American. This made Johnny Cloud an important character at a time when many Native Americans in Western movies and Western comic books were still being portrayed as savages.

Johnny Cloud continued to be the star of All-American Men of War until no. 117 (September-October 1966),  the final issue of the title's initial run. While he was still appearing in All-American Men of War, Johnny Cloud appeared in The Brave and the Bold no. 52 (March 1964), in which he teamed up with Sgt. Rock (star of Our Army at War) and the Haunted Tank (star of G.I. Combat).

While Johnny Cloud's series ended with All-American Men of War no. 117, he did not disappear from comic books entirely. It was in G.I. Combat no. 138 (October 1969) that Johnny Cloud teamed up with Captain Storm (a PT boat commander who had his own title from 1964 to 1967) and Gunner & Sarge to form the group known as The Losers. The Losers received their own series with Our Fighting Forces no. 123 (January-February 1970). They continued as the stars of Our Fighting Forces no. 181 (September-October 1978), the final issue of the title. Johnny Cloud would later appear in The Losers Special no. 1 (August 1985) and still later in DC Universe Legacies no. 4 (October 2010).

Johnny Cloud was very much a character of his era. On the one hand, the series leaned heavily into such tropes as the stoic American Indian and Native American mysticism. On the other hand, Johnny Cloud was a positive portrayal of a Native American at a time when Native Americans were still being portrayed as savages. The series also portrayed racism against Native Americans at a time when racism was rarely portrayed in American comic books. Ultimately, Johnny Cloud would pave the way for more accurate portrayals of Native Americans in comics.

Monday, November 25, 2024

The Sniper (1952)


The emergence of film noir also saw the emergence of the police procedural, many of them which were shot in documentary fashion. These included such movies as T-Men (1947), The Naked City (1948), and He Walked by Night (1948). Among the police procedurals of the early Fifties was The Sniper (1952). What sets The Sniper apart from other police procedurals and films noirs is that it spends more time on the psychology of its antagonist than law enforcement's pursuit of him.

At the centre of The Sniper (1952) is Eddie Miller (Arthur Franz), a delivery man who hates women. This hatred of women eventually manifests itself in Miller killing women at a long distance with a rifle. In order to catch the killer, the police find they must work with a psychologist, who creates a profile of the killer.

The Sniper (1952) was based on a story by Edna and Edward Anhatt, who had earlier came up with the story of the film noir Panic in the Streets (1950). The inspiration for the story came about when Edward Anhatt noticed a steeplejack atop a smoke stack in San Diego. In the May 4 1952 issue of The New York Times, in the article "The Shiper--From Research to Shooting," Edna & Edward Anhatt explained that they had four purposes in writing and producing the film with Stanley Kramer, "One, to expose the shocking inability of our present social machinery to protect the individual citizen against the sex criminal. Two, to do so with a maximum of suspense and excitement, i.e. entertainment. Third, to use the correct psychological vocabulary of the situations to make our points, regardless of traditional censorship. Four, to do a completely straight story line without jazzing up or gimmicking for cinematic effects or relief."

The Anhatts sold the story to producer Stanley Kramer.. Stanley Kramer was already becoming known for producing films with messages, having already produced Home of the Brave (1949) and The Men (1950). To write the screenplay Stanley Kramer turned to novelist, poet, and playwright Harry Brown. Harry Brown had already worked in film, hving written the screenplays for such films as A Place in the Sun (1951), Only the Valiant (1941), and Bugles in the Afternoon (1952). Stanley Kramer would adapt Harry Brown's play A Sound of Hunting as the film Eight Iron Men (1952).

The Sniper (1952) would run into trouble with the Production Code Administration. On June 26 1951 Joseph Breen of the PCA wrote to Stanley Kramer with his concerns about the first draft screenplay of The Sniper. Mr. Breen informed Mr. Kramer that The Sniper could not be approved by the PCA as it violated the provision of the Code which stated that "sex perversion or any inferences to it is forbidden." This did not discourage Stanley Kramer. The producer, his team, Edna and Edward Anhatt, and Harry Brown, met with a representative from the PCA on August 2." Ultimately, it was agreed to remove any inferences of sex perversion from the screenplay. The PCA approved a revised version of the screenplay on August 14, 1951, although the PCA wanted further changes. The PCA would eventually relax its stance against The Sniper referencing  sex offenders. It finally approved The Sniper on December 10 1951.

The Sniper (1951) would also run afoul of the British Board of Film Censors. When The Sniper was first submitted to the board, the BBFC determined it to be unsuitable for classification. The BBFC would eventually approve The Sniper (1952), but only after several cuts were made to the movie. Even then, The Sniper was given an X certificate, which meant no one under the age of 16 could see the movie. Apparently the British still regard The Sniper (1952) as intense. In 2021 when The Sniper (1952) was submitted for home entertainment (both physical entertainment and streaming), the uncut film was classified "15," meaning it is suitable only for those 15 years and older.

Of course, The Sniper was controversial not only because of its content, but because of its director. Edward Dmytryk had been a member of the Communist Party for a brief time in 1944 and 1945. It was in 1947 that he was called before the House Un-American Activities Committee (HUAC). He then became one of the Hollywood Ten, ten screenwriters and directors who refused to testify HUAC. He was cited for contempt of Congress, sentenced to prison, blaclklisted in Hollywood, and fired from RKO. Edward Dmytryk ten fled to England. He had to return to the United States to renew his passport, where he was arrested. He served four months and 17 days in prison. It was in 1951 that Edward Dmytryk went before HUAC were he testified and named names. 

Given the political beliefs of both Stanley Kramer and Edward Dmytryk, it might be surprising that Adlophe Menjou was cast as Police Lt. Frank Kafka. Adolphe Menjou was a staunch Republican who tended to think of Democrats as "socialists." He fully supported HUAC and willingly testified before them in 1947.Knowing that Edward Dmytryk and Adolphe Menjou were polar opposites when it came to politics, he called them both into his office and asked them to get the job done without any political or personal resentments. Fortunately, both Edward Dmytryk and Adolphe Menjou proved to be professionals on the set.

Beyond having to work with Edward Dmytryk, the casting of Adolphe Menjou is interesting for another reason. Know for his sense of fashion, in The Sniper (1952) Adolphe Menjou wore cheap suits and cheap shoes as Lt. Kafka. It would be the last leading role of Adolphe Menjou's career.

The Sniper (1952) is known for its extensive location work in San Francisco. Much of the film was shot around Telegraph Hill, with scenes shot on Filbert Street, Union Street, and Montgomery Street. One scene not shot in San Francisco is one that in the film is supposed to be Playland at the Beach. In reality it was the Pike amusement park in Long Beach. Other scenes were shot at Columbia.Warner Bros. Ranch.

The Sniper (1952) premiered in Washington DC on March 12 1952. The moview received good reviews in both The Hollywood Reporter and  Variety, although Bosley Crowther in The New York Times gave it a mixed review. One place where The Sniper received no love was The Daily Worker, which was pleased with neither Stanley Kramer's choice of Edward Dmytryk as director or Adolphe Menjou as star. It complained  "Movie director Edward Dmytryk, ex-member of the Hollywood Ten who turned informer for the FBI, is now palsy-walsy with his erstwhile foe--the rabid witch-hunter and haberdasher's friend--Adolphe Menjou."

Unfortunately, among those who disliked The Sniper (1952) were Harry Cohn the head of Columbia. Stanley Kramer reported him as saying, "This thing sticks, and it will never make a nickel." It was perhaps because of this that the Columbia publicity and distribution departments did little towards promoting the film. It then proved to be a disappointment at the box office.

While it was not a hit with audiences in 1952, The Sniper 1952 is highly regarded to day. It is a fairly sophisticated film, that can be appreciated on multiple levels. On one hand, it is a tightly plotted thriller On the other hand, it is very much a character study of a very disturbed individual. Indeed, The Sniper (1952) is one of the earliest films to feature the psychological profiling of a criminal. The film also brings up some important questions, such as how society fails individuals such as the film's antagonist, who never received help although repeatedly crying out for such. The film also features some excellent performances, from Arthur Franz to  Gerald Mohr to Marie Windsor to Richard Kiley. Even today, The Sniper (1952) is an intense film.

Sunday, November 24, 2024

TCMParty on Bluesky


Chances are if you were a classic film fan on Twitter, you are familiar with TCMParty, the collective live tweet of movies on Turner Classic Movies using the hashtag #TCMParty. "TCMParty" is also used of the group of TCM fans who tweet using that hashtag. TCMParty originated on Twitter, with the first official TCMParty taking place on September 3 2011. It would expand to Tumblr and Facebook, but Twitter has always been its home. Unfortunately, Twitter would change after its acquisition by its current owner (whom I will not give the honour of being named on this blog) in October 2022, and not for the better. Many longtime Twitter users left the platform immediately after he bought it, including some TCMParty members. Over the coming year, Twitter would continue to lose users. Advertisers fled Twitter (or "X" as its owner renamed it in July 2023) en masse in November. For many people, the past few months have been the final straw. Between the election, planned changes to blocking that would allow accounts to view posts from those who had blocked them, and a change to its terms of service that would allow its AI to train on everyone's posts, people began fleeing Twitter in large numbers starting about two weeks ago. The official TCMParty account will make the move itself on December 1. As to where most of them are going, well, it's Bluesky.

If you don't know about Blueksy, it is a microblogging platform that was inspired by and largely modelled after Twitter. It was launched on October 4 2021. The service remained by invitation only until February 6 2024, when it finally opened up to everyone. As to TCMParty, there have been unofficial TCMParties taking place on Bluesky well before many TCMPartiers found their way there two weeks ago. They were going on when I joined Bluesky on October 29 2023. Someone even had a TCMParty feed in place before I joined. Of course, until two weeks ago, at most there might only be three or four of us posting during any given TCMParty on Bluesky.

It has only been in the past two weeks that we have had TCMParties on Bluesky that felt like the ones we had on Twitter before October 2022. The TCMParty for Strangers on a Train (1951) on Bluesky on November 12 2024 was the first real TCMParty I feel like I have experienced in a long time. Of course, there have been hiccups due to the sheer number of people joining Bluesky in the past few weeks. There have been a couple of times more than a week ago when the feeds were wonky, probably due to the sheer number of people joining Bluesky. That having been said, the TCMParties on Bluesky have been much more enjoyable than most on Twitter in the past two years. 

I must admit that I am a bit sad about Twitter. I am one of the original members of TCMParty. It is where I made many friends. It is where I made the dearest friend I have ever had, Vanessa Marquez. Unfortunately, its current owner is making Twitter increasingly unusable. Neither my fellow TCMpartiers nor I are alone in thinking this. Around 115000 users deactivated their Twitter accounts on the day after the election alone. After years of being one of the foremost social media services around, it is fast becoming a fringe service used by the radical right (Parler 2.0). If Twitter is not headed for extinction, it is certainly headed for irrelevance. And it seems Bluesky, a fairly apolitical service, will take its place.