"Ball of Confusion (That's What the World is Today)" by The Temptations

While they worked in another styles, The Temptations remain best known for such love songs as "My Girl," "Ain't Too Proud to Beg," and "I Wish It Would Rain." Regardless, one of their most remarkable songs was not a love song, but a protest song instead. "Ball of Confusion (That's What the World is Today)" remains one of the best known protest songs released by Motown, alongside "What's Going On' by Marvin Gaye.

"Ball of Confusion (That's What the World Is Today)" was written by Motown legends Norman Whitfield and Barrett Strong. Together Messrs. Whitfield and Strong had already written such hits as ""Gonna Give Her All the Love I've Got" for Jimmy Ruffin,  "I Heard It on the Grapevine" for Gladys Knight and The Pips (Marvin Gaye's version would be a huge hit for Motown),  "I Wish It Would Rain" (with Rodger Penzabene) for The Temptations, and "Cloud Nine" by The Temptations. Individually or with others, they wrote many more hits for Motown.

It was with their previous songs such as "Cloud Nine" and "Runaway Child" that The Temptations had begun to move away from the love songs they had recorded into a new sound that would be called "psychedelic soul." "Ball of Confusion (That's What the World Is Today)" was the fifth single to be released using this new sound.

Of course, as can be heard in "Ball of Confusion (That's What the World Is Today," The Temptations changed not only their overall sound, but their lyrical content. Instead of love and heartbreak, their songs now covered the issues of the day such as civil rights, poverty, drugs, and the Vietnam War. "Ball of Confusion (That's What the World Is Today)" embraced many issues, given it addressed the general state of the United States in the late Sixties and early Seventies. The song makes reference to segregation, pills, taxes, unemployment, and many other topics of the day.

"Ball of Confusion (That's What the World is Today" was recorded at Hitsville U.S.A. in Detroit on April 12 and 14 1970. The instrumental track was recorded by The Funk Brothers, the group of session musicians who preformed the music on nearly all of Motown's songs from 1959 to 1972. They recorded nearly eleven minutes worth of music, although ultimately only four minutes was use for the single. The entire instrumental track could later be heard on The Undisputed Truth's cover of the  song on their self-titled debut album.

"Ball of Confusion (That's What the World is Today)" was released on May 7 1970. It peaked at no. 2 on the Billboard R&B chart and no. 3 on the Billboard Hot 100. It did well in Britain as well, where it reached no. 7 on the UK singles chart. Although inspired by the events of the late Sixties and early Seventies, "Ball of Confusion ((That's What the World is Today") remains all to relevant today.

Miss Topsy: African American Burlesque Star

When people think of the stars of burlesque, they tend to think of dancers like Gypsy Rose Lee, Lili St. Cyr, Tempest Storm, and Blaze Starr. All of these performers were white, but even in the mid-20th Century there were burlesque stars of other ethnicities. Among the most legendary burlesque dancers was Miss Topsy, one of the earliest Black women to become an international star in the field.

Sadly, while there are quite a few pictures of Miss Topsy to be found online, there is little in the way of information. What little I know abut her I found in social media posts by photographer Neil "Nez "Kendall, a few blog posts, and old newspaper articles found on Newspapers.Com and Newspaper Archive.

Miss Topsy was born Mary Elizabeth Thompson in St., Louis around 1942. She had been a secretary to the assessor in St. Louis prior to moving to Hollywood where she became a pin-up and lingerie model there. She was dancing at a Los Angeles Club when a saxophone player introduced her to talent agent Coralie Jr., who was well-known for launching the careers of offbeat performers. It was not long before Miss Topsy became a star in burlesque.

So popular was Miss Topsy that she was even able to tour the Deep South when many Black performers were not always welcome there. She even performed overseas. She had a long residency at the Raymond Review Bar in London in 1963. In 1964 she performed at the Gay 90s in Minneapolis and even had an article about her published in the Minneapolis Star Tribune. In 1968 Miss Topsy performed at the Yum Yum in Kansas City, Missouri. She even danced in such places as France, much of Europe, and Japan. She also continued to be a popular pinup model in many men's magazines of the era. It was in 1973 that she decided to retire. and settle down. She died in 2021

I honestly wish I knew more about Miss Topsy. First, she was born in my home state of Missouri. Second, she was a true pioneer. She was a Black woman who made a name for herself and became a success when  racial segregation was a none too distant memory and discrimination was still a standard practice. She blazed a trail for other African Americans when it came to performing in burlesque. Finally, as one can see from her pictures, she was seriously pretty. I can easily understand why she was so popular.

Lobo, the First Black Western Comic Book Hero

When people think of Black comic book characters, they might think of The Black Panther, Green Lantern John Stewart, The Falcon, or Cyborg, but before any of these characters there was Lobo. Unlike the aforementioned characters, Lobo was not a superhero, but instead a gunslinger in the Old West. He was the very first Black character to have his own title.

Lobo first appeared in Lobo no. 1 (December 1965), published by Dell Comics. Lobo was a wealthy, African American gunslinger who was given the name "Lobo" by the villains in the first issue of the title. Lobo would leave a gold coin with the images of an "L" and a wolf on the foreheads of the villains he defeated.

Lobo was created by writer Don "D. J." Arneson and artist Tony Tallarico, although the two men disagreed on the character's creation.. Mr. Arneson has said that Mr. Tallarico only illustrated the comic book. He denies that Mr. Tallarico created the character, and has said that he plotted the stories and wrote the scripts. According to D. J. Arneson, he had read the book  The Negro Cowboys by Philip Durham and Everett L. Jones and used that as inspiration for the character.  Tony Tallarico claims that he approached D. J. Arneson with the idea.

Unfortunately, Lobo only lasted two issues: Lobo no. 1 (December 1965) and Lobo no. 2 (September 1966). Not only did D.J. Arneson and Tony Tallarico disagree on the creation of Lobo, but they also disagree on why the title came to an end.. According to Tony Tallarico, distributors were returning bundles of the comic books unopened. He claims that after some investigating he discovered that many sellers opposed the idea of an African American Western hero. D. J. Arneson's explanation for the cancellation of Lobo is much simpler. It was simply discontinued because of sales.

While Lobo's title was cancelled after only two issues, the character would not disappear completely. In 2017,m over fifty years after his last appearance, Lobo was revived in All New Popular Comics no.1, which sought to revive many of Dell Comics' characters. In 2018 the collection Fantastic 4N1 included a novella featuring Lobo. 

Although not as well known as The Black Panther, Falcon, or John Stewart, Lobo was historic. He was the first Black character to have his own title and the first Black Western comic book hero. Lobo also indicated the direction that Western comic books in the late Sixties onward would take.  In the Western titles of late Sixties and Seventies, African Americans would play a bigger role, having largely been absent from the Western comic books of the Forties, Fifties, and Sixties.