Bob McGrath, who starred on Sesame Street from its very first episode in 1969 to 2017, died on December 4 2022 at the age of 90.
Bob McGrath was born on a farm between Ottawa, Iowa and Grand Ridge, Iowa on June 13 1932. He sang from when he was very young, and began performing in local theatres when he was five years old He was nine years old he won a talent contest at the NBC radio station in Chicago.
While he was attending high school, Bob McGrath had his own radio show. He majored in voice at the University of Michigan School of Music. After graduating from college, he served in the United States Army for two years. During his stint in the service he was attached to the Seventh Army Symphony in Stuttgart, Germany. He received a Master of Music degree at Manhattan School of Music. During this period he taught music appreciation and theory to students at St. David's School in New York City.
In 1961 Bob McGrath became part of the chorus on the show Sing Along with Mitch. He eventually became a featured male soloist on the show. After Sing Along With Mitch was cancelled, Mitch Miller and his company of singers performed at the Desert Inn in Las Vegas and then went a 30 date tour of Japan. As a result of this, Bob McGrath had a career in Japan. He performed at the Latin Quarter and Copacabana night clubs in Tokyo, performed concerts throughout the country, and even recorded albums there.
During this period Bob McGrath appeared on The Tonight Show Starring Johnny Carson. He also appeared on the panel shows To Tell the Truth and I've Got a Secret, on which his "secret" was his singing career in Japan. He appeared on the game show Dream Girl of '67 and The Kraft Music Hall in 1967 and 1968 respectively.
Bob McGrath was cast on Sesame Street after he met an old fraternity brother, David Connell, by chance. David Connell had worked on the children's show Captain Kangaroo when he left to join the newly formed Children's Television Workshop as a vice president in charge of production. He asked Bob McGrath to audition for a new show they had planned, Sesame Street. Bob McGrath would remain on the show for 47 years and would continue to appear at live Sesame Street events for some time after that.
There can be no doubt that Bob McGrath was responsible for much of the success of Sesame Street. He was a gifted tenor who had a way with songs. He also had a gentle demeanour that was perfectly suited to a children's show. For many children he may well have seemed more like a kindly neighbour than a television personality. Indeed, for many Sesame Street may not seem possible without Bob McGrath.
Tuesday, December 6, 2022
Friday, December 2, 2022
Clarence Gilyard Passes On
Clarence Gilyard, who played computer hacker Theo in Die Hard (1988), the title lawyer's detective Conrad McMasters on the TV series Matlock, and Ranger James Trivtte on Walker, Texas Ranger, died on November 28 2022 at the age of 66 following a long illness.
Clarence Gilyard was born on December 24 1955 in Moses Lake, Washington. As his father was an Air Force officer, he spent his childhood on military bases in Hawaii, Texas, and Florida.
He spent a year at the Air Force Academy before attending Sterling College in Kansas. He later moved to Long Beach, California where he attended California State University, Long Beach. He finished his bachelor's degree at California State University, Dominguez Hills and later received a master's degree at Southern Methodist University.
In 1979 Clarence Gilyard moved to Los Angeles to pursue acting. He made his television debut in a guest appearance on Diff'rent Strokes in 1981. In 1982 he began playing the recurring role of Officer Benjamin Webster on CHiPs. During the Eighties he also had a recurring role on the short-lived sitcom The Duck Factory. It was in 1989 that he began his run as Conrad McMasters on Matlock. He guest starred on the shows Making the Grade, Riptide, Simon & Simon, 227, and The Facts of Life. He made his movie debut in 1986 in Top Gun. In the Eighties he appeared in the movies Off the Mark (1987) and Die Hard (1988).
In the Nineties Clarence Gilyard continued to appear on Matlock. He his run as Ranger Trivtte on Walker, Texas Ranger in 1993. He guest starred on the TV show Sons of Thunder, playing Ranger Trivette. He appeared in the movie Left Behind (2000). In the Naughts he continued to appear on Walker, Texas Ranger. He appeared in the movie Left Behind: Tribulation Force (2002).
In the Teens he appeared in the movies Little Monsters (2012), Chasing Shakespeare (2013), A Matter of Faith (2014), The Track (2015), Rabbit Days (2016), The Sector (2016), and The Perfect Race (2019). He appeared the TV movie Christmas on the Coast.
Clarence Gilyard was a talented and versatile actor. This can be seen in what may be his two best known roles. In Die Hard he played villain Hans Gruber's computer hacker Theo. Theo was arrogant and sarcastic, and a bit lacking in feelings for others (he even jokes when people die). On Matlock he played Conrad McMasters. In contrast to Theo, Conrad is easy going and good natured. He truly cares for others. Clarence Gilyard could play a variety of characters and play all of them well.
Clarence Gilyard was born on December 24 1955 in Moses Lake, Washington. As his father was an Air Force officer, he spent his childhood on military bases in Hawaii, Texas, and Florida.
He spent a year at the Air Force Academy before attending Sterling College in Kansas. He later moved to Long Beach, California where he attended California State University, Long Beach. He finished his bachelor's degree at California State University, Dominguez Hills and later received a master's degree at Southern Methodist University.
In 1979 Clarence Gilyard moved to Los Angeles to pursue acting. He made his television debut in a guest appearance on Diff'rent Strokes in 1981. In 1982 he began playing the recurring role of Officer Benjamin Webster on CHiPs. During the Eighties he also had a recurring role on the short-lived sitcom The Duck Factory. It was in 1989 that he began his run as Conrad McMasters on Matlock. He guest starred on the shows Making the Grade, Riptide, Simon & Simon, 227, and The Facts of Life. He made his movie debut in 1986 in Top Gun. In the Eighties he appeared in the movies Off the Mark (1987) and Die Hard (1988).
In the Nineties Clarence Gilyard continued to appear on Matlock. He his run as Ranger Trivtte on Walker, Texas Ranger in 1993. He guest starred on the TV show Sons of Thunder, playing Ranger Trivette. He appeared in the movie Left Behind (2000). In the Naughts he continued to appear on Walker, Texas Ranger. He appeared in the movie Left Behind: Tribulation Force (2002).
In the Teens he appeared in the movies Little Monsters (2012), Chasing Shakespeare (2013), A Matter of Faith (2014), The Track (2015), Rabbit Days (2016), The Sector (2016), and The Perfect Race (2019). He appeared the TV movie Christmas on the Coast.
Clarence Gilyard was a talented and versatile actor. This can be seen in what may be his two best known roles. In Die Hard he played villain Hans Gruber's computer hacker Theo. Theo was arrogant and sarcastic, and a bit lacking in feelings for others (he even jokes when people die). On Matlock he played Conrad McMasters. In contrast to Theo, Conrad is easy going and good natured. He truly cares for others. Clarence Gilyard could play a variety of characters and play all of them well.
Thursday, December 1, 2022
IMDB Should Return to the Old Name Page Design
Today IMDB debuted its redesign for Name Pages for actors, writers, filmmakers, and other crew members. To say that it is mess would be putting it lightly. The Name Page redesign is harder to navigate and it is also much less intuitive than the old Name Page Design was. It also happens to be aesthetically unappealing.
To wit, in the redesign there is a huge amount of empty space on the screen, in contrast to the old design which was tightly put together. Both the Photos section and the "Known for" section on the Name Page redesign are much too large. The items on the right sidebar are also much too large. In fact, even the fonts used in the redesign are too large.
Of course, the right sidebar on IMDB's Name Page redesign has other problems besides the items on it being too large. It is missing some important information, such as Awards, Trivia, and so on. Now some of this information can be found by scrolling down on the page, but some (such as Awards) have apparently disappeared. With regards to the items that are included on the sidebar, I noticed that on the user lists there is no way to view all of the lists on which an individual may be included.
The Name Page redesign is harder to navigate in yet other ways as well. By default filmographies are sorted by year. I know many IMDB users, myself included, prefer to have the filmographies sorted by media (television, movies, et. al.). Now one can still view filmographies this way, but to do so one must use filters, which might not be obvious to everyone. Worse yet, IMDB does not save your filters, so if you visit another actor, director, producer, writer, or crew member's page you have to apply the filters all over again.
Perhaps the worst change made with the redesign is the way individual episodes of television shows in an actor or other crew member's filmography are handled. In the old Name Page design, the episodes on which a particular artist, be they an actor, director, writer, or whatever, worked were all listed under the particular television series. For instance, with my dearest Vanessa Marquez, every ER episode in which she appeared would be listed under ER. On the Name Page redesign there is merely a link reading how many episodes on which a crew member worked (in Vanessa's case with regards to ER, "27 episodes"). One has to click on this link to see the individual episodes, which are displayed in a pop up. This pop up is not particularly easy to navigate, with the episodes divided by season. Worse yet, for many it may not be easy to read, given it has a charcoal grey background.
IMDB claims that the Name Page redesign is meant to "make your IMDb experience easier and more enjoyable by providing better access to photos and videos, an upgraded view of an individual’s credits, and improved mobile navigation making it easier to view IMDb features on the go." Quite frankly, none of this is true. The redesign does not give better access to photos and videos than the old design. The view of an individuals' credits is a downgrade rather than an upgrade. As to the navigation, it would be horrible on a smart phone, let alone a computer. Worst of all, the redesign is, to put it bluntly, ugly and far from sleek or modern. A commentor on the IMDB community compared it to a combination of Windows 8 Metro and the redesign of Netflix from many years ago.
At any rate, given to the reaction on the IMDB community, IMDB users seem to be united in their hatred of the Name Page redesign. My suggestion to IMDB is that they revert to the old Name Page design immediately and fire anyone and everyone involved with the Name Page redesign. Yes, it is that bad.
To wit, in the redesign there is a huge amount of empty space on the screen, in contrast to the old design which was tightly put together. Both the Photos section and the "Known for" section on the Name Page redesign are much too large. The items on the right sidebar are also much too large. In fact, even the fonts used in the redesign are too large.
Of course, the right sidebar on IMDB's Name Page redesign has other problems besides the items on it being too large. It is missing some important information, such as Awards, Trivia, and so on. Now some of this information can be found by scrolling down on the page, but some (such as Awards) have apparently disappeared. With regards to the items that are included on the sidebar, I noticed that on the user lists there is no way to view all of the lists on which an individual may be included.
The Name Page redesign is harder to navigate in yet other ways as well. By default filmographies are sorted by year. I know many IMDB users, myself included, prefer to have the filmographies sorted by media (television, movies, et. al.). Now one can still view filmographies this way, but to do so one must use filters, which might not be obvious to everyone. Worse yet, IMDB does not save your filters, so if you visit another actor, director, producer, writer, or crew member's page you have to apply the filters all over again.
Perhaps the worst change made with the redesign is the way individual episodes of television shows in an actor or other crew member's filmography are handled. In the old Name Page design, the episodes on which a particular artist, be they an actor, director, writer, or whatever, worked were all listed under the particular television series. For instance, with my dearest Vanessa Marquez, every ER episode in which she appeared would be listed under ER. On the Name Page redesign there is merely a link reading how many episodes on which a crew member worked (in Vanessa's case with regards to ER, "27 episodes"). One has to click on this link to see the individual episodes, which are displayed in a pop up. This pop up is not particularly easy to navigate, with the episodes divided by season. Worse yet, for many it may not be easy to read, given it has a charcoal grey background.
IMDB claims that the Name Page redesign is meant to "make your IMDb experience easier and more enjoyable by providing better access to photos and videos, an upgraded view of an individual’s credits, and improved mobile navigation making it easier to view IMDb features on the go." Quite frankly, none of this is true. The redesign does not give better access to photos and videos than the old design. The view of an individuals' credits is a downgrade rather than an upgrade. As to the navigation, it would be horrible on a smart phone, let alone a computer. Worst of all, the redesign is, to put it bluntly, ugly and far from sleek or modern. A commentor on the IMDB community compared it to a combination of Windows 8 Metro and the redesign of Netflix from many years ago.
At any rate, given to the reaction on the IMDB community, IMDB users seem to be united in their hatred of the Name Page redesign. My suggestion to IMDB is that they revert to the old Name Page design immediately and fire anyone and everyone involved with the Name Page redesign. Yes, it is that bad.
Wednesday, November 30, 2022
Christmas Movies on Turner Classic Movies in December 2022
![]() |
| Barbara Stanwyck and Dennis Morgan in Christmas in Connecticut |
Below is a schedule I compiled of all the Christmas movies on TCM next month. Here I must point out that I included some movies that I do not necessarily consider Christmas movies, but others do. As much as I love Meet Me in St. Louis (1944), I have never thought of it as a Christmas movie! Anyway, just keep in mind that some of the movies TCM shows for Christmas may not be movies you think of as Christmas films! I also have to point out that, as is usual of this site, all times are Central.
Saturday, December 3
3:00 PM Meet Me in St. Louis (1944)
5:00 PM The Man Who Came to Dinner (1942)
Sunday, December 4
3:00 PM Christmas in Connecticut (1945)
5:00 PM Remember the Night (1940)
Saturday, December 10
3:00 PM In the Good Old Summertime (1949)
5:00 PM The Shop Around the Corner (1940)
Sunday, December 11
3:15 PM Holiday Affair (1949)
5:00 PM The Bishop's Wife (1947)
11:00 PM Christmas Past (1925)
Tuesday, December 13
11:00 PM Lady in the Lake (1947)
Saturday, December 17
1:00 AM Silent Night, Deadly Night (1984)
7:00 AM "The Captain's Christmas" (1938)
4:00 PM King of Kings (1961)
11:00 PM Mr. Soft Touch (1949)
Sunday, December 18
1:00 PM Life with Father (1947)
3::15 PM A Christmas Carol (1938)
4:45 PM It Happened on 5th Avenue (1947)
7:00 PM Meet Me in St. Louis (1944)
9:00 PM In the Good Old Summertime (1949)
11:00 PM The King of Kings (1927)
Monday, December 19
1:45 AM Merry Christmas, Mr. Lawrence (1983)
4:00 AM Mon Oncle Antoine (1971)
5:45 AM Hell's Heroes (1930)
7:00 AM Roadblock (1951)
9:56 AM Boys Town (1938)
11:30 AM Tenth Avenue Angel (1948)
1:00 PM Love Finds Andy Hardy (1948)
3:00 PM The Great Rupert (1950)
4:45 PM Meet John Doe (1941)
7:00 PM The Shop Around the Corner (1940)
9:00 PM The Apartment (1960)
11:15 PM Metropolitan (1990)
Tuesday, December 20
1:46 AM Bachelor Mother (1939)
2:45 AM Bundle of Joy (1956)
4:30 AM All Mine to Give (1957)
6:15 AM My Reputation (1946)
8:00 AM Kind Lady (1935)
11:00 AM Larceny, Inc. (1942)
1:00 PM Lady in the Lake (1947)
3:00 PM Backfire (1950)
5:00 PM Mr. Soft Touch (1949)
7:00 PM Going My Way (1944)
9:15 PM The Holly and the Ivy (1952)
11:00 PM O. Henry's Full House (1952)
Wednesday, December 21
1:15 AM Period of Adjustment (1962)
3:15 AM Fanny and Alexander (1982)
6:30 AM Christmas Past (1925)
8:45 AM A Christmas Carol (1938)
10:15 AM A Carol for Another Christmas (1964)
12:00 PM Alias Boston Blackie (1942)
1:30 PM Crooks Anonymous (1963)
3:15 PM Blast of Silence (1961)
5:00 PM 3 Godfathers (1949)
7:00 PM Christmas in Connecticut (1945)
9:00 PM Holiday Affair (1949)
10:45 PM Little Women (1949)
Thursday, December 22
1:00 AM Auntie Mame (1958)
3:30 AM Beyond Tomorrow (1940)
5:00 AM Blossoms in the Dust (1941)
6:45 AM The Curse of the Cat People (1944)
8:00 AM The Thin Man (1934)
9:45 AM Susan Slept Here (1954)
11:30 AM Never Say Goodbye (1946)
1:30 AM Bachelor Mother (1939)
3:00 PM Ma and Pa Kettle at Home (1954)
4:30 PM The Lion in Winter (1968)
7:00 PM It Happened on 5th Avenue (1947)
9:15 PM The Man Who Came to Dinner (1942)
11:15 PM Fitzwilly (1967)
Friday, December 23
1:15 AM Lady on a Train (1945)
3:00 AM The Silent Partner (1978)
5:00 AM Bundle of Joy (1956)
7:00 AM The Daughter of Rosie O' Grady (1950)
9:00 AM On Moonlight Bay (1951)
11:00 AM Our Vines Have Tender Grapes (1945)
1:00 PM All Mine to Give (1957)
3:00 PM Penny Serenade (1941)
5:15 PM Room for One More (1952)
7:00 PM Remember the Night (1940)
9:00 PM Desk Jet (1957)
11:00 PM Bell, Book and Candle (1959)
Saturday, December 24
1:00 AM Susan Slept Here (1954)
2:45 AM The Rocking Horse Winner (1949)
4:30 AM Big Business (1929)
5:00 AM Three Godfathers (1936)
6:30 AM Beyond Tomorrow (1940)
8:00 AM The Great Rupert (1950)
9:30 AM Tenth Avenue Angel (1948)
11:00 AM The Shop Around the Corner (1940)
12:45 PM It Happened on 5th Avenue (1947)
3:00 PM Christmas in Connecticut (1945)
5:00 PM Meet in St. Louis (1944)
7:00 PM The Bishop's Wife (1948)
9:00 PM A Christmas Carol (1938)
10:30 PM Meet John Doe (1941)
Sunday, December 25
12:45 All That Heaven Allows (1955)
2:30 AM Pocketful of Miracles (1961)
5:00 AM "Star in the Night" (1945)
5:30 AM Little Women (1933)
7:30 AM Babes in Toyland (1934)
9:00 AM Love Finds Andy Hardy (1938)
11:00 AM The Apartment (1960)
1:15 PM The Man Who Came to Dinner (1942)
3:15 PM Holiday Affair (1949)
5:00 PM In the Good Old Summertime (1949)
Sunday, December 31
7:00 PM The Thin Man (1934)
Monday, November 28, 2022
Directors' Final Films on Turner Classic Movies in December
![]() |
| Director Ida Lupino |
Below is a schedule of director's final films being shown on TCM next month. All times are Central.
Monday, December 5
11:00 AM Journey for Margaret (1942)
12:30 PM The Girl Most Likely (1958)
2:30 PM The Singing Nun (1966)
5:30 PM Solomon and Sheba (1959)
7:00 PM Imitation of Life (1959)
9:15 PM Pocketful of Miracles (1961)
11:45 PM The Trouble with Angels (1966)
Tuesday, December 6
1:45 AM A Matter of Time (1976)
3:30 AM Rich and Famous (1981)
Monday, December 12
11:00 AM Miracles for Sale (1939)
12:45 AM Lola Montes (1955)
3:00 PM Five Days One Summer (1982)
5:00 PM Confidentially Yours (1983)
7:00 PM A Passage to India (1984)
10:00 PM Blue Sky (1994)
Tuesday, December 13
12:00 AM A Dandy in Aspic (1968)
2::00 AM That Lady in Ermine (1948)
3:45 AM The Human Factor (1980)
Monday, December 26
11:00 AM Plymouth Adventure (1952)
1:00 PM Ambush (1950)
3:00 PM Lafayette Escadrille (1958)
5:00 PM A Distant Trumpet
7:00 PM Mutiny on the Bounty (1962)
10:15 PM Seven Women (1966)
Tuesday, December 27
12:00 AM Madadayo (1993)
Friday, November 25, 2022
Johnny Passe by Scott Fivelson and Tim Cleavenger
The hard-boiled detective story emerged in pulp magazines like Black Mask in the 1920s and became popular in the 1930s. It was in the late 1920s improvements in microphone technology saw the emergence of crooners such as Russ Columbo and Bing Crosby. Crooners were very much in vogue in the 1930s, with possibly its most popular performer, Frank Sinatra, emerging in the 1940s.
The novella Johnny Passe (Hen House Press) by Scott Fivelson and Tim Cleavenger is a humorous pastiche of hard-boiled detective fiction. It includes many of the hallmarks of the genre, from the down-and-out detective of the title to a mysterious client to a complicated case. It is written in first person, with Johnny Passe himself telling how he missed the biggest opportunity of his life.
Scott Fivelson is the author of the novel Tuxes as well as the one-act plays Dial L For Latch-Key and Leading the Witness. He is also the writer and director of the film, Near Myth: The Oskar Knight Story, and co-screenwriter along with Caroline Allward of the upcoming British romantic-comedy mystery, The Vicar’s Wife.
Fans of hard-boiled fiction will appreciate Johnny Passe. Authors Scott Fivelson and Tim Cleavenger capture the narration of Raymond Chandler's short stories and novels perfectly. And, as mentioned earlier, they send up many of the tropes of the genre, from a menacing villain to a beautiful girl. What ultimately makes Johnny Passe so enjoyable is that its authors take it in a direction that Dashiell Hammett and Raymond Chandler or many other hard-boiled writers would have never taken it. While readers will appreciate the outcome of Johnny Passe, they certainly won't expect it.
Hard-boiled fiction and the crooners were both phenomena of the 20th Century that remain popular in the 21st. The many fans of both will enjoy Johnny Passe, a very funny, but loving pastiche of both.
The novella Johnny Passe (Hen House Press) by Scott Fivelson and Tim Cleavenger is a humorous pastiche of hard-boiled detective fiction. It includes many of the hallmarks of the genre, from the down-and-out detective of the title to a mysterious client to a complicated case. It is written in first person, with Johnny Passe himself telling how he missed the biggest opportunity of his life.
Scott Fivelson is the author of the novel Tuxes as well as the one-act plays Dial L For Latch-Key and Leading the Witness. He is also the writer and director of the film, Near Myth: The Oskar Knight Story, and co-screenwriter along with Caroline Allward of the upcoming British romantic-comedy mystery, The Vicar’s Wife.
Fans of hard-boiled fiction will appreciate Johnny Passe. Authors Scott Fivelson and Tim Cleavenger capture the narration of Raymond Chandler's short stories and novels perfectly. And, as mentioned earlier, they send up many of the tropes of the genre, from a menacing villain to a beautiful girl. What ultimately makes Johnny Passe so enjoyable is that its authors take it in a direction that Dashiell Hammett and Raymond Chandler or many other hard-boiled writers would have never taken it. While readers will appreciate the outcome of Johnny Passe, they certainly won't expect it.
Hard-boiled fiction and the crooners were both phenomena of the 20th Century that remain popular in the 21st. The many fans of both will enjoy Johnny Passe, a very funny, but loving pastiche of both.
Thursday, November 24, 2022
Happy Thanksgiving 2022
Here at A Shroud of Thoughts, we realize that there are those who appreciate a bit of cheesecake with their turkey and pumpkin pie. Here, then, are this year's vintage pinups for Thanksgiving.
First up, Gwen Lee and Dorothy Sebastian apparently ate a really big turkey.
Marie McDonald is going hunting for turkey.
=Lelia Hyams would rather be friends with a turkey than eat him.
Janis Page just bagged a turkey.
Ann Blyth wishing everyone a happy Thanksgiving
And last but not least, the lovely Ann Miller is making friends with a turkey.
=
Happy Thanksgiving!
Subscribe to:
Posts (Atom)










