Tuesday, December 22, 2020

The 50th Anniversary of Rankin/Bass's Santa Claus is Comin' to Town

Fred Astaire voiced S.D. Kluger
The television special Santa Claus is Comin' to Town, produced by Rankin/Bass, first aired on December 14 1970 on ABC. This year then marks its 50th anniversary. It would be the third TV special to be created by Rankin/Bass using their stop motion animation technique called "Animagic," following Rudolph the Red-Nosed Reindeer and The Little Drummer Boy. It was their fifth Christmas special over all, following Rudolph the Red-Nosed Reindeer, The Cricket on the Hearth, The Little Drummer Boy, and Frosty the Snowman. It has aired annually ever since its debut, although not always on one of the broadcast networks.

In 1964 Rankin/Bass had success with the now classic special Rudolph the Red-Nosed Reindeer. They would follow that success in 1968 with The Little Drummer Boy and in 1969 with Frosty the Snowman. One thing each special had in common is that they were based on popular Christmas songs. "Santa Claus is Comin' to Town" was written by J. Fred Coots and Haven Gillespie and was first recorded in 1934 by Harry Reiser and his band. That same year it was sung on Eddie Cantor's show, turning the song into a hit. Over the years it would be covered by many different artists, including Bing Crosby and the Andrew Sisters and Gene Autry. 

That having been said, "Santa Claus is Comin' to Town" did present one difficulty for Rakin/Bass. While the songs "Rudolph the Red-Nosed Reindeer," "The Little Drummer Boy," and "Frosty the Snowman" each had their own storylines, "Santa Claus is Comin' to Town" did not. The song simply advises children to "be good for goodness' sake" and relates such activities Santa was already well known for, such as making his list. As a result Romeo Muller, who had already written several of Rankin/Bass's specials (including Rudolph the Red-Nosed Reindeer and Frosty the Snowman), then had to create a whole new storyline from scratch. The end result was an origin story for Santa Claus, explaining various aspects of the Santa Claus mythos.

Romeo Muller was not the only Rankin/Bass veteran who worked on Santa Claus is Comin' to Town. Except for "Santa Claus is Comin' to Town," the songs were written by co-producer Jules Bass and Maury Laws. They had previously written songs for the Rankin/Bass specials Cricket on the Hearth and The Little Drummer Boy. The character design was created by Paul Coker, a regular contributor to Mad magazine. He had done uncredited character design work for the Rankin/Bass feature film The Wacky World of Mother Goose. The first Rankin/Bass special for which he was character designer was Frosty the Snowman. Santa Claus is Comin' to Town would be the first Rankin/Bass special using Animagic on which Paul Coker worked.

Arguably, Santa Claus is Comin' to Town featured the best known cast in a Rankin/Bass special up to that time. Fred Astaire voiced S.D. "Special Delivery" Kluger, a postman who narrates the special. Mickey Rooney voiced Kris Kringle/Santa Claus. Keenan Wynn voiced the Winter Warlock. Well known voice artist Paul Frees voiced the Burgomeister, as well as several other voices.  Fred Astaire would reprise his role as S.D. Kluger in the 1977 special The Easter Bunny is Comin' to Town. Mickey Rooney would reprise his role as Santa Claus in A Year Without a Santa Claus, Rudolph and the Frosty's Christmas in July, and A Miser Brothers' Christmas.

Santa Claus is Comin' to Town would see some success when it premiered in 1970. When it aired in 1971, Santa Claus is Comin' to Town came in fifth in the ratings for the week of November 28 to December 4. While Santa Claus is Comin' to Town did well in the ratings for many years, in the end it would not see the lasting success that either Rudolph the Red-Nosed Reindeer and Frosty the Snowman have seen. It aired on ABC until 1981 and with 1982 it entered syndication where it remained for many years. In 1995 it returned to network television for one year when it aired on the now defunct UPN. Beginning in 1997 it began airing on the Family Channel. It would air on the various permutations of that channel (Fox Family, ABC Family, and Freeform) until 2016. Since then AMC has aired it every year. Santa Claus is Comin' to Town would eventually return to network television. It returned to ABC in 2005 and has aired there ever since.

Over the years Santa Claus is Comin' to Town has been edited for broadcast. As the Seventies progressed this was largely because of the increase in commercial time throughout the decade. That having been said, in later broadcasts it would be edited for content as well. With lyrics like "If you sit on my lap today/A kiss a toy is the price you'll pay," the song "Be Prepared to Pay"might have seemed innocent in 1970, but in following decades it could be considered downright creepy. As a result, it has been cut in later broadcasts. The song "My World is Beginning to Day" has also been cut, although it is not entirely clear why. It could be because the song is accompanied by some rather odd visuals, which have been described as "psychedelic." Freeform would also cut various sequences that the channel thought might be traumatizing to younger viewers.

While Santa Claus is Comin' to Town did not initially prove to be as popular as Rudolph the Red-Nosed Reindeer, Frosty the Snowman, or even The Little Drummer Boy, since its debut it has come to be regarded as a classic.  It is safe to say it will continue to air on various television venues for years.

Monday, December 21, 2020

The 52nd Birthday of Vanessa Marquez

"'I have come to believe that the highest compliment is not remembering someone; it is missing them." Vincent Price

My dearest Vanessa Marquez was born on December 21 1968 in Los Angeles County, so that today would have been her 52nd birthday.Vanessa loved her birthday and was particularly proud of being a "solstice baby." She was also happy that her birthday fell so close to Christmas, which was quite possibly her favourite holiday. For those of you who are wondering, unlike some people whose birthdays fall close to Christmas, Vanessa did receive presents for both her birthday and Christmas. Regardless, today is difficult for me, but at the same time it is a happy occasion. It is difficult because I am unable to wish Vanessa a happy birthday as I always did and spend part of the day with her. It is happy because it is the anniversary of the birth of my dearest friend, an actress I admire, and a woman I adore.

Even now it seems incredible to me that Vanessa and I were so close. After all, she was a talented, famous, and beautiful actress known for the movie Stand and Deliver (1988) and the TV show ER. What is more, Vanessa's background was somewhat different from my own. Vanessa's maternal grandfather was born in the Mexican state of Sinaloa. Her maternal grandmother was born in Hermosillo, Sonora. The couple married in Nogales, Sonora and later moved to Nogales, Arizona, which is where Vanessa's mother was born. Vanessa was very proud of her Mexican heritage and referred to herself as "Mexican American." She didn't use the term "Chicana" of herself, although she had no objections to the term.

The family would later move to California, which is where Vanessa Marquez was born. She grew up in Montebello, California. One thing common to both Vanessa's background and my own is that we were both of an artistic bent from an early age. Vanessa often said that she wanted to be an actress as soon as she emerged from the womb. She certainly wanted to be an actress after first seeing The Wizard of Oz (1939) when she was three or four. Her mother told me how, when Vanessa was eight years old, she marched into their living room and said, "I am going to be a movie star, just like Judy Garland!"

Vanessa certainly was determined to be an actress. When she was a tween she wanted to take tap dancing lessons. When her mother told her that they couldn't afford them, Vanessa simply took to baking. Every Saturday and Sunday her mother would drive her to the local supermarket where she would sell her cookies and cakes. Vanessa then paid for her lessons herself. In school she took every single performing arts class, even though she was generally overlooked when it came to school plays. She was still in high school when she won the role of Ana Delgado in Stand and Deliver. Vanessa graduated from Schurr High School in Montebello, and attended Los Angeles City College.

Of course, while our backgrounds were different, Vanessa and I had a lot in common beyond the fact that she was an actress and I am a writer. We were both fans of classic television and shared many favourite shows in common: Batman, The Monkees, Space 1999, Star Trek, The Twilight Zone, and so on. We even loved many of the same recent shows: Downton Abbey, Mad Men, and The X-Files. We were both huge fans of classic films and were two of the original members of TCMParty, the group of Turner Classic Movie fans who live tweet movies on the channel using that hashtag. Like many Gen Xers, The Wizard of Oz was among the first classic films we ever saw, and we both loved the movie as well as its star Judy Garland. We were also both huge Star Wars fans. In fact, I don't think I ever knew a Star Wars fan as big as Vanessa was. She had an extensive collection of Star Wars merchandise. If I ever had a rival, it would had to have been R2-D2.

Even when it came to politics Vanessa and I were largely in agreement. She worked with the United Farm Workers and knew both Cesar Chavez and Dolores Huerta. Vanessa did some publicity for the UFW and even took part in a December 7 1989 rally and march protesting the exposure of farmers to pesticides used on grapes. She also worked with Amnesty International. Vanessa was one of the famous Latinas who appeared in the award winning 1994 Latina Vote public service announcement, directed by Julie Carmen, encouraging Latinas to vote. Vanessa was very passionate about her views, and they emerged from the fact that she genuinely cared about people.

Indeed, while many know Vanessa was a beautiful and talented actress, they might not know just how wonderful she really was. Vanessa Marquez was the kindest, gentlest, most warm-hearted person I knew. She was very loyal to her friends and would help them when she could. When Jaime Escalante, the mathematics teacher upon whom the movie Stand and Deliver was based, developed cancer, Vanessa was relentless in raising money for his medical treatment. When Turner Classic Movies aired Stand and Deliver on September 30 this year, even I was impressed when, during the TCMParty for the movie on Twitter, an extremely large number of people told how Vanessa had touched their lives and how much they appreciated her. Vanessa's warm-heartedness extended to animals as well. She volunteered for a time at a local animal shelter in Los Angeles County.

More than the fact that she was intelligent and talented, more than the fact that we had so much in common, it was because Vanessa was so warm and kind that I loved her so much. She had more of an impact on my life than anyone else. I was closer to her than anyone I have ever known, even my best friend Brian and my siblings. I am in love with Vanessa and I have no doubt that she knew that, even though we never were actually boyfriend and girlfriend. It should be little wonder that I am still grieving her and that I miss her so much. I have no doubt that I will miss her until the day that I die.  Vanessa Marquez was a wonderful woman, and the most remarkable person I have ever known. While I might be a bit sad today, the anniversary of her birth is still reason to celebrate.

Sunday, December 20, 2020

"Jingle Bell Rock" by Bobby Helms

Those of you who know me, as well as regular readers of this blog, might realize that tomorrow is a very important day for me. They might also realize that I have a blog post planned for it. For that reason I thought tonight I would simply leave you with a seasonal song. Here then is "Jingle Bell Rock" by Bobby Helms 

Saturday, December 19, 2020

Christmas Crackers

The United States having originated from thirteen British colonies, the United Kingdom and the United States share quite a few Christmas traditions in common.  One tradition they do not have in common is that of Christmas crackers, although many Americans may be familiar with them from British TV shows and movies. For those of you who may be unfamiliar with Christmas crackers, they are essentially tubes of brightly coloured paper that make a cracking noise when pulled apart. Christmas crackers almost always contain some sort of prize, such as a small trinket or paper hat, as well as a joke. Christmas crackers are found at Christmas dinner and Christmas parties.

Christmas crackers appear to have originated with Tom Smith, a confectioner in London. It was in 1846 that Tom Smith visited Paris and encountered French bonbons. It was in 1847 that he introduced what he called "Cracker Bonbons" in his London sweetshop. Cracker Bonbons were bonbons wrapped in paper that included a short message or joke with the sweet. Eventually Tom Smith's Cracker Bonbons slumped in sales. It was in 1860 that Tom Smith then came up with the idea of his crackers making a noise when pulled apart. He bought the formula for the explosive element in his crackers from chemist Tom Brown, who had worked for Brock Fireworks. Initially called "Bangs of Expectation" and still later Cosaques (French of "Cossaks"), people insisted on still calling them "crackers" after the sound they made.

Tom Smith died in 1869, after which his three sons further developed the Christmas cracker. It would be his youngest son, Walter Smith,  who would introduce the somewhat humorous mottos found in Christmas crackers. He also introduced the paper hats and various trinkets into the crackers. This was done to differentiate the Tom Smith Cracker company from its competitors.

Tom Smith's Christmas crackers proved to be so popular that by the 1890s the company had 2000 people on staff. The company also had to move from its original premises on Goswell Road in Clerkenwell to larger premises in Finsbury Square in London.

While Christmas crackers have only been around for about 160 years, they have become as much of a Christmas tradition in Britain as decking the halls with boughs of holly.

Friday, December 18, 2020

Department Stores at Christmas

Thelma Ritter and Philip Tonge in
Miracle o 34th Street
In the movie A Christmas Story (1984) the opening scene features Ralphie and his friends rushing to see the Christmas window display at Higbee's department store. The scene reflected real life for many Americans in the 20th Century, as families would visit a local department store to see the window displays during the holiday season, which were always more spectacular than any other time of year. In the days before such discount stores as Kmart, Walmart, and Target, department stores could be found across the United States, not only in large cities. Most small towns had their own local department stores or stores belonging to a larger chain (such as Montgomery Ward).

The Christmas shopping season has long been important to American retailers, and the Christmas shopping season evolved rather early in the United States. It was as early as the 1820s and 1830s that sweet shops and candy stores in New York City began capitalizing on Christmas.By the 1840s many retail shops were already advertising themselves as "Santa Claus's headquarters."

In the late Nineteenth Century other factors came into play that would help shape Americans' experiences at department stores during the Christmas shopping season. It was in the late 19th Century that plate glass became widely available. As a result retailers began fitting their shops with large windows that spanned the full width of the building. Quite naturally, these windows would be used to display merchandise the shops had for sale. In other words, the late Nineteenth Century saw the birth of the window display.

Given the importance of the Christmas shopping season to retailers, it was not long before department stores would dedicate their window displays specifically to Christmas during the shopping season. While it is difficult to definitively say what the first Christmas window display in the United States was, a likely candidate is Macy's very first Christmas window display in 1874. Other department stores in New York City would soon follow suit.

After 1874, Christmas window displays would evolve rather quickly, as department stores competed to have the most eye-catching displays. What might have been the very first animated Christmas window display appeared at Ehrich Brothers in 1881. Ehrich Brothers' "dolls' circus" was notable enough to have an article dedicated to it in the November 27 1881 issue of The New York Times. In 1883 Macy's featured a Christmas window display that included steam-powered figures.

By 1897 department store window displays had become such a large concern that there would be an entire magazine dedicated to the subject. L. Frank Baum, now best known as the author of The Wonderful Wizard of Oz and its sequels, founded The Show Window, a magazine dedicated to window displays and their use in attracting customers. It was later retitled Merchants Record and Show Window.

With the 20th Century, window displays would become even more extravagant. As early as 1914, Lord & Taylor in New York City was using what is known as "elevator windows," whereby the entire floor of a window display can be lowered to the basement and dressed. For many years Lord & Taylor was the only department store to use elevator windows, and the shop became particularly well known for them.

It would be at Lord & Taylor that the first purely decorative Christmas window display was created; that is, it was a window display with no merchandise at all. James Albert Bliss, a renowned window dresser who had worked for Macy's and Wanamakers, as well as Lord & Taylor, created a display in 1937 called "Bell Windows." It featured no merchandise, only ringing bells over a winter wonderland.

Of course, Christmas window displays weren't the only means department stores had drawing customers into their shops. Even recent generations of Americans might have memories of visiting Santa Claus in a department store. Much like Christmas window displays, having Santa Claus in department stores was something that developed relatively early in the history of retail business in the United States. While it is difficult to say precisely what the first store to have its own Santa Claus was, it could have been Philadelphia merchant J. W. Parkinson in 1841. That year Mr. Parkinson had "Cris Cringle" or "Santa Claus."

Macy's in New York City first hosted Santa Claus in 1861. In fact, this will be the first year that Santa Claus will not be present in the store during the Christmas shopping season (this is due to the pandemic). Santa Claus would become such a tradition at Macy's that his arrival is marked by the Macy's Thanksgiving Day Parade (which was originally called the "Macy's Christmas Parade" when it was first held in 1924, even though it took place on Thanksgiving).

While J.W. Parkinson and Macy's both had Santa Claus in their store in the mid-19th Century, many credit James Edgar for introducing the department store Santa as we now currently know him. In the late 19th Century James Edgar was the founder and owner of Edgar Department Stores in New England. Mr. Edgar was known for being both friendly and generous, and he enjoyed dressing up in costume. For the 4th of July he showed up at The Boston Store, his department store in Brockton, Massachusetts, dressed as George Washington. It probably surprised no one when, in 1890, he took inspiration from an 1862 illustration of Santa by  Thomas Nast on the cover of Harper's Weekly to dress as Kris Kringle at The Boston Store. While James Edgar may not have been the very first retailer to have Santa Claus in his department store, given that artist Thomas Nast largely shaped the modern appearance of the character, he may have been the first to actually look like Santa Claus as we know him.

Of course, in addition to having Christmas window displays and Santa Claus in the stores, the interiors of department stores would usually be decorated for the holiday. Upon entering any given department store, it was not unusual for individuals to be greeted by a huge Christmas tree. The walls might often be literally decked with boughs of holly. Christmas lights might often be in evidence throughout any given department store.

Given how common department stores were throughout the United States and the importance of Christmas to those department stores, it should come as no surprise that department stores have figured in holiday themed movies. Bachelor Mother (1939) features more of New Year's Eve than it does of Christmas, but we still get to see a department store during the holiday season. Ginger Rogers's  character, Polly Parrish, begins the movie temporarily employed by the fictional department store John B. Merlin & Son. We then get to see a department store during Christmas shopping season, complete with the crowds.  It would later be remade as Bundle of Joy (1956).

While the average American may not be familiar with Bachelor Mother these days, they are certainly familiar with Miracle on 34th Street (1947). What is more, Miracle on 34th Street is largely set at a real life department store, Macy's itself. Lending authenticity to the film is the fact that as much of it was shot in New York City as possible. Indeed, the movie even begins with the actual Macy's Thanksgiving Day Parade. Some of the film's earliest scenes were shot during the 1946 Macy's Thanksgiving Day Parade. As the parade would not be stopped because of the movie being shot, the cast and crew had to work as quickly as possible. Each scene could only be shot once. For those who may be wondering, Edmund Gwenn did indeed play Santa at the 1946 Macy's Thanksgiving Day Parade.  The crowds present to watch the parade were not aware that it was Edmund Gwenn. They found out only after The New York Times published an article on Mr. Gwenn's stint as Santa the next day.

Not only were there scenes shot at the actual Macy's Thanksgiving Day Parade, but many scenes were actually shot at Macy's in New York City. This required the cast and crew to shoot in the store at night, because it would have been impossible to shoot during the day given the holiday shoppers that crowded the store during the day. This means that in Miracle in 34th Street we get to see something of the Christmas shopping season in Macy's during 1946.

Once Miracle on 34th Street finished shooting, 20th Century Fox had to screen the movie for Macy's executives and then for Gimbels executives (Gimbels was Macy's chief competitor, both in the film and in real life). Either company's executives could reject the movie if they didn't approve of it. Fortunately, both sets of executives were enthusiastic about Miracle on 34th Street, and felt that it presented Macy's and Gimbels in a positive light.

While Miracle on 34th Street centred on Macy's, Holiday Affair (1949) centred on another department store. There actually was a Crowley's department store, but it was located in Detroit. They did not have a store in New York City, as portrayed in Holiday Affair. In the movie, widow Connie Ennis (played by Janet Leigh) works as a comparative shopper for the fictional department store of Fisher & Lewis. Steve Mason (played by Robert Mitchum) is clerk at Crowley's and figures out that she is a comparative shopper. Unfortunately for Steve, he finds himself fired when he does not report her.

Unlike Miracle on 34th Street, Holiday Affair was not shot at an actual department store, although the interiors of a department store were realistically re-created on the RKO lot. We get to see Crowley's in all its holiday finery, complete with wreaths hanging on the wall. The movie also re-creates the crowds of holiday shoppers found in department stores during December.

While department stores figure in the plots of both Miracle on 34th Street and Holiday Affair, a department store figures only in two scenes in A Christmas Story (1983). That having been said, both scenes are significant to the plot. What is more, the department store featured in A Christmas Story was an actual department store. Higbee's was founded in 1860 in Cleveland. It moved to its Public Square location where it spent most of its history and was featured in A Christmas Story. Of course, here it must be pointed out that Higbee's stores were only found in northeast Ohio, while the film is set in the fictional town of Hohman, Indiana. The actual department store located in the hometown of Jean Shepherd (who wrote the stories upon which A Christmas Story) was Goldblatt's, a chain with stores in Illinois, Indiana, Michigan, and Wisconsin.

As mentioned earlier, the first scene in the movie involves Ralphie and his friends looking at the Christmas window display at Higbee's, it is here that we first learn that Ralphie wants an "official Red Ryder, carbine action, two-hundred shot range model air rifle." The second scene in A Christmas Story in which Higbee's appears is when Ralphie and his brother visit Santa Claus there. Just as the window display scene was shot at Higbee's, so too was the visit to Santa Claus. Here it must be pointed out that A Christmas Story turns the tropes of visiting Santa Claus on their heads. Many of the children are downright frightened of Santa. Santa and his elves aren't particularly polite. Of course, here it must be pointed out that A Christmas Story is largely told from Ralphie's point of view. As Ralphie and his family leave the store, there is a long shot of Santa and his elves. Santa is jolly as one would expect him to be, while the elves are polite to the kids. One can only assume that Ralphie's desire for a Red Ryder air rifle affected his perception (and memories) of the experience. Higbee's effectively ceased to exist in 1992, when it was bought out by Dillard's and its stores rebranded as Dillard's stores.

Sadly, department stores would begin a slow decline in the Sixties with the rise of such discount stores as Kmart, Target, and Walmart. By the mid-Seventies many department stores were experiencing difficulties. Since then, many of them have closed. Gimbels closed in 1987, as did Orbach's. Barker Bros. closed in 1992. The original Montgomery Ward shut down in 2001.  Many of the local department stores in small towns across the United States closed down much earlier. Today actual department stores can only be found in large metropolitan areas.

While department stores no longer play the role in Americans' lives that they did in the 20th Century, because of their ties to Christmas they continue to appear in recently released holiday themed movies.  Department stores feature in such movies as Serendipity (2001), Bad Santa (2003), Elf (2003), and yet others. Department stores may be a thing of the past and it can be argued they represent the epitome of Christmas commercialism, but for many Americans they form some of their earliest memories of the holiday experience.

Thursday, December 17, 2020

TCM Remembers 2020

Yesterday Turner Classic Movies released the 2020 edition of TCM Remembers, their annual tribute to those movie figures who have died in the past year. This year saw more film-related personages die than other years, and many of them were big names. This year has seen the deaths of Rhonda Fleming, Alex Trebek, Sean Connery, Orson Bean, Honor Blackman, Carl Reiner Olivia de Havilland, Dame Diana Rigg, and many others. Because of the sheer number of film-related individuals who have died this year, it seems to me that most are displayed on screen more briefly than they had in past years. Of course, with as many people who have died this year, TCM was bound to miss a few. Robert Conrad, Adam Slesinger, James Drury, and Dame Barbara Windsor were not included this year's TCM Remembers. I have to think they might be added later.



Anyhow, here is this year's TCM Remembers:

Tuesday, December 15, 2020

The Late Great Ann Reinking

Dancer, choreographer, and actress Ann Reinking died December 12 2020 at the age of 71. She worked extensively on Broadway, appearing in such productions as Goodtime Charley, Chicago, and Sweet Charity.

Ann Reinking was born on November 10 1949 in Seattle, Washington. She started ballet lessons while still a child and studied with former Ballets Russes dancers Marian and Illaria Ladre. She was only twelve years old when she made her professional debut, appearing in Giselle with the English Royal Ballet. While she attended junior high and high school she studied at the San Francisco Ballet on a scholarship. It was following her graduation from Bellevue High School that she took at the Pacific Lutheran University in Tacoma, Washington, offered by the Joffrey Ballet.

When Miss Reinking was 18, she moved to New York City. She danced with the corps de ballet at Radio City Music Hall. She was part of the ensemble in the tour of Fiddler on the Roof in 1968. In 1969 she made her Broadway debut as part of the ensemble in Cabaret. Ann Reinking would appear regularly on Broadway throughout her career. After appearing in the ensembles of Coco, Wild and Wonderful, and Pippin, she played the role of Maggie in Over Here!. Over the years she would appear on Broadway in Goodtime Charley, Chicago, Dancin', and Sweet Charity. She began work as a choreographer Tommy Tune Tonite! in 1992. She would contribute choreography to the 1996 revival of Chicago, Fosse, The Look of Love, and An Evening with Patti LuPone and Mandy Patinkin.

Ann Reinking also appeared at theatres outside Broadway. She appeared in Girl Crazy at The Muny in St. Louis in 1975, The Unsinkable Molly Brown in St. Louis in 1982, and Pal Joey at the Goodman Theatre in Chicago (on which she also contributed choreography). Miss Reinking toured with several productions through the years, including A Chorus Line and Bye Bye Birdie. She later provided choreography for a 1996 tour of Applause, a 1999 tour of Chicago, The Visit at the Goodman Theatre in Chicago, and No Strings at the New York City Centre, among others.

Ann Reinking appeared very infrequently in films and on television. She made her film debut in Movie Movie in 1978. Afterwards she played Kate Jagger in All That Jazz (1979), Grace Farrell in Annie (1982), and Micki Salinger in Micki + Maude (1984). On television she guest starred on Ellery Queen, The Andros Targets, and The Cosby Show, and appeared in the TV movie A Night on the Town.

There can be no doubt that Ann Reinking was one of Broadway's most incredible talents, both as a dancer and a choreographer. Indeed, she won multiple awards throughout her career, everything from the Tony Award to the Drama Desk Award. Few dancers could move quite the way that Ann Reinking did, and her choreography was among the most inventive. As both a dancer and a choreographer, she was certainly remarkable.