Monday, May 17, 2021

The Late Great Lloyd Price

R&B legend Lloyd Price died on May 3 2021 at the age of 88. The cause was complications from diabetes.

Lloyd Price was born on March 9 1933 in Kenner, Louisiana. As a child he sang in his church's choir and he had lessons in playing both the trumpet and the piano. He played in a music group in high school. In 1952 Art Rupe of Specialty Records, visited New Orleans in search of music artists there. After hearing Lloyd Price's song "Lawdy Miss Clawdy," the song was recorded and released on Specialty Records. It became Lloyd Price's first hit, reaching no. 1 on the Billboard R&B chart. Lloyd Price followed it with four more hits on the Billboard R&B chart, "Oooh, Oooh, Oooh," "Restless Heart," "Ain't It a Shame," and "Tell Me Pretty Baby."

In 1954 Lloyd Price was drafted into the United States Army and served in Korea during the Korean War. Unfortunately, after he was demobilized, he would not have another hit for some time. He formed KRC Records with Harold Logan and Bill Boskent. His first single on the new label would also be his first hit in years. "Just Because" went to no. 29 on the Billboard singles chart and no. 3 on the Billboard R&B chart. In 1958 he would have his biggest hit, his version of the folk song "Stagger Lee," which went to no. 1 on the Billboard  Hot 100 and  no. 1 on the Billboard R&B chart. It was not long afterwards that he would have another huge hit with "Personality," which went to no. 2 on the Billboard Hot 100 and no. 1 on the R&B chart. "I'm Gonna Get Married" would also prove to be a hit, going to no. 3 on the Billboard Hot 100 and no. 1 on the Billboard R&B chart.

Lloyd Price would continue to have hits from the late Fifties into the Sixties. In 1962 he formed Double L. Records with Harold Logan. During the Sixties his only major hit would be "Misty" in 1963, which went to no. 21 on the Billboard Hot 100. Following the murder of his partner in Double L. Records, Harold Logan, in 1969, he founded the label Turntable.

Lloyd Price continued to release albums into the 21st Century, his last album being I'm Feeling Good! in 2012. He was also an entrepreneur. In addition to the labels he founded, he founded a club called Birdland with Harold Logan in New York City. He helped boxing promoter Don King promote fights. He managed the food company Global Icon Brands and also owned two construction companies. Lloyd Price continued to tour. In 1993 he toured Europe with Little Richard and Jerry Lee Lewis. In 2005 he toured as part of the Four Kings of Rhythm and Blues tour with Jerry Butler, Ben E. King, and Gene Chandler.

Lloyd Price was a true pioneer. His song "Lady Miss Clawdy" was one of the first songs to break down barriers between Black and white music, paving the way for rock and roll. His further hits, such as "Oooh, Oooh, Oooh" and "Restless Heart," would further integrate music. Along with Little Richard, a good argument can be made that Lloyd Price was pivotal in the development of rock 'n' roll. In addition to being a music pioneer, Lloyd Price was an immensely talented singer, delivering powerful vocals on his songs.

Saturday, May 15, 2021

"Stagger Lee" by Lloyd Price

The great Lloyd Price died on May 3. Today was busy so I was unable to write a eulogy for him, but I intend to do so tomorrow or Monday. In lieu of a eulogy, then, I will leave you with one of his many great performances, his rendition of the song "Stagger Lee."

Thursday, May 13, 2021

The Late Great Norman Lloyd

It is a rare thing that I cry over the death of a celebrity, but when I heard that Norman Lloyd had died on May 11 2021 at the age of 106, I shed several tears. I realize that 106 is a ripe old age to live to. I realize that Mr. Lloyd had a full life, appearing on Broadway, in film, on radio, and on television. His career lasted nearly 90 years and his marriage to his beloved wife Peggy lasted 75 years, until her death in 2011. He worked with such legends as Charlie Chaplin, Orson Welles, and Alfred Hitchcock. Still, in my selfishness I had hoped we might have Norman Lloyd a bit longer. It was not simply because he was a living repository of entertainment history. It was not simply because he was an immensely talented actor and an incredible public speaker. It was because he was an impeccable gentleman filled with congeniality, warmth, and an incredible wit. In some ways he seemed as much like a friend's beloved uncle as he did a legendary star. Indeed, it seems to me that classic film buffs are mourning Norman Lloyd's death much more than many bigger named stars.

Norman Lloyd was born Norman Perlmutter on November 8 1914 in Jersey City, New Jersey. He grew up in Brooklyn. His mother loved the theatre, and so she took him to elocution lessons to get rid of his Brooklyn accent. She also enrolled him in lessons for singing and dancing. His debut came when he was still a  child, performing "Father, Get the Hammer, There's a Fly on Baby's Head" at a local ladies club. As a child he performed in vaudeville and at women's clubs, and he was a professional performer by age nine. He made his debut on Broadway when he was still a teenager, in the play Crime in 1927. At age 15, while still in high school, he had started studies at New York University, but he left after his sophomore year.

It was in the early Thirties that he apprenticed with the Civic Repertory Theatre in New York City, the home of the stage company of actress Eva La Gallienne. In 1935 he appeared in the play Noah on Broadway. He acted as part of the Work Progress Administration's Federal Theatre Project. This included  the Living Newspaper Unit of the Federal Theatre Project of the WPA, which dramatized current affairs. He appeared in the Living Newspaper Unit's production of Power on Broadway in 1937. He met Orson Welles and John Houseman trough the Living Newspaper Unit, and they asked him to join their new acting company, the Mercury Theatre. He appeared in the Mercury Theatre's 1938 productions Julius Caesar and Shoemaker's Holiday. In the late Thirties Norman Lloyd appeared in a variety of broadcasts of New York City experimental television station W2XBS, including the production The Streets of New York in 1939. In 1940 he appeared on Broadway in Medicine Show, a production staged by Jules Dassin. On radio he appeared on Columbia Workshop in the October 27 1937 episode "I've Got the Tune" and on The Listener's Playhouse in the June 13 1940 episode "No Program Tonight, or The Director's Dilemma."

Norman Lloyd made his film debut in the short "The Forgotten Man" in 1941. His feature film debut would be an auspicious one, playing Frank Fry in Alfred Hitchcock's movie Saboteur (1942). It would the beginning of a long friendship between Messrs. Lloyd and Hitchcock. In the Forties Norman Lloyd would also appear in Alfred Hitchcock's film Spellbound (1945). During the decade he also appeared in the movies The Unseen (1945), Within These Walls (1945), The Southerner (1945), A Walk in the Sun (1945), A Letter for Evie (1946), Young Widow (1946), The Green Years (1946), The Beginning or the End (1947), No Minor Vices (1948), Calamity Jane and Sam Bass (1949), Reign of Terror (1949), Scene of the Crime (1949), Buccaneer's Girl (1949), and The Flame and the Arrow (1950). Norman Lloyd continued appear on Broadway, appearing in the productions Liberty Jones, Village Green, and Ask My Friend Sandy. He appeared on radio in such shows as Columbia Workshop, Cavalcade of America, Words at War, Arthur Hopkins Presents, Suspense, and Columbia Presents Corwin.

In the Fifties Norman Lloyd appeared on television in the shows The United States Steel Hour, Kraft Television Theatre, On Trial, General Electric Theatre, One Step Beyond, New Comedy Showcase, and Alfred Hitchcock Presents. He also became a television producer during the decade. In 1957 he became an associate producer on Alfred Hitchcock Presents. In 1960 he also produced an episode of Startime. He also began directing television, including episodes of the shows Chevron Playhouse, Gruen Guild Theatre, The Pepsi-Cola Playhouse, and Omnibus, as well as several episodes of  Alfred Hitchcock Presents. Norman Lloyd appeared in the movies Flame of Stamboul (1951), M (1951), He Ran All the Way (1951), The Light Touch (1952), and Limelight (1952). He appeared on Broadway in King Lear; Madam, Will You Walk; The Golden Apple; Measure for Measure; and The Taming of the Shrew.

Norman Lloyd spent most of the Sixties as a television producer. In the early part of the decade he continued to serve as an associate producer on Alfred Hitchcock Presents. He served as a producer and executive producer on the hour-long continuation of Alfred Hitchcock Presents, The Alfred Hitchcock Hour. He was an executive producer on the show Journey into the Unknown and a producer on the show The Name of the Game. He appeared in episodes of both Alfred Hitchcock Presents and The Most Deadly Game. He directed episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour, and the TV movies Companions in Nightmare and The Smugglers.

In the Seventies Norman Lloyd was a producer on several TV movies, including such telefilms as What's a Nice Girl Like You...?, The Bravos, Incident at Vichy, The Carpenters, The Last of Mrs. Lincoln, and Philemon. He directed the Columbo episode "Lady in Waiting," as well as such TV movies as Awake and Sing, The Carpenters, Knuckle, Philemon, and Actor. He guest starred on the show Night Gallery; O' Hara, U.S. Treasury; and Kojak. He appeared in the TV movies The Scarecrow, Gondola, The Dark Secret of Harvest Home, and Beggarman, Thief. He appeared in the films Audrey Rose (1977), FM (1978), and The Nude Bomb (1980).

It was in 1982 that Norman Lloyd began playing the role of Dr. Daniel Auschlander, the Chief of Services at St. Eligius Hospital on the classic TV show St. Elsewhere. He remained with the show for the entirety of its run. He also guest starred on the shows Quincy, M.E.; The Paper Chase; The Twilight Zone; Murder, She Wrote; and Wiseguy. He was a producer on the syndicated series Tales of the Unexpected. He directed episodes of Tales of the Unexpected; and Insight;. He appeared in the movies Jaws of Satan (1981) and Dead Poets Society (1989).

In the Nineties Mr. Lloyd was a regular on the short-lived sitcom Home Fires and on the science fiction series Seven Days. He guest starred on the shows Civil Wars; Star Trek: The Next Generation; Murder, She Wrote; The Practice; and Wings. He appeared in the TV movies Fail Safe. He appeared in the movies Kabuto (1991), The Age of Innocence (1993), and The Adventures of Rocky & Bullwinkle (2000). He appeared in the short subject "The Song of the Lark."

In the Naughts Norman Lloyd guest starred on The Practice and Modern Family. From the Naughts into the Teens he appeared in the movies In Her Shows (2005), A Place for Heroes (2014), and Trainwreck (2015).

Norman Lloyd worked extensively with Turner Classic Movies. He attended every single TCM Classic Film Festival in Hollywood except one. He also attended the TCM Classic Cruise in 2011 and 2013. Mr. Lloyd was well known for his talent for storytelling as well as his remarkable memory.

Norman Lloyd had an utterly unique career. He did nearly everything one could in the entertainment industry. He acted on stage, on radio, on film, and in television. He produced TV shows and TV movies. He directed TV shows and TV movies. What is more, he served as a living repository of information on the entertainment industry during the Golden Age of Hollywood and beyond. Not only was his career remarkably long, perhaps longer than any other performer, but he was also prolific for most of that career.

As an actor Norman Lloyd was a singular talent. Throughout his career he gave a number of great performances, beginning with his feature film debut in Saboteur. In Jean Renoir's The Southerner he played the rather odd, somewhat dull nephew of Henry Devers (J. Carroll Naish), Finley. In Spellbound he played Mr. Garmes, one of the inmates at the mental hospital Green Manors. In Charlie Chaplin's Limelight he played Mr. Bodalink, the dance instructor. In Dead Poets Society he played the overly traditional headmaster Gale Nolan. His television performances were no less remarkable than his appearances on film. In the comedic Alfred Hitchcock Presents episode "Design for Loving," he played a frustrated husband who gets a robot duplicate of himself to spend time with his wife. In the Murder , She Wrote episode he played an old friend of main character Jessica Fletcher. If Mr. Lloyd is well remembered as Dr. Auschlander on St. Elsewhere, it is not simply because it is one of his later roles, but because he was so very good in it. Norman Lloyd played a wide variety of roles, from those who were mildly neurotic to those who were downright mentally disturbed, from villains to heroes.

Of course, Norman Lloyd worked behind the scenes as well. He was an associate producer on Alfred Hitchcock Presents and a producer on The Alfred Hitchcock Hour. He directed episodes of everything form Alfred Hitchcock Presents to several television movies. And he did all of this while continuing to act.

Norman Lloyd is being mourned by the classic film community in a way usually reserved for much bigger names. This is not because he worked with some of the biggest names in film history or even because he was one of the last ties to the Golden Age of Hollywood. It is because he was such a remarkable man. He worked extensively with TCM and it was not unusual to see him a the TCM Classic Film Festival. As someone who was a regular at the TCM Classic Film Festival, I then have several friends who had the opportunity to meet him in person. Every single one of them said the same thing. Norman Lloyd was congenial and charming, and possessed a great sense of humour and an incredible wit. He was a man who realized his fans loved him and who loved them back. In the end, Norman Lloyd was not simply an incredible talent with a remarkably long and diverse career, he was a true gentleman well known for his friendliness and kindness. For that TCM fans and classic film buffs will miss him.

Monday, May 10, 2021

TCM Classic Film Festival 2021

The TCM Classic Film Festival 2021 ended last night. Because of the ongoing pandemic, the festival was once again virtual. That having been said, it was a lot of fun and I am sad that it is over. 

On the Wednesday before opening night, I watched an episode of Hollywood Forever Cemetery tour guide Karie Bible's series Hollywood Kitchen featuring Victoria Mature with her father Victor Mature's recipe for orange bourbon bread pudding. I am a huge fan of Victor Mature and I am fortunate to know both Karie and Victoria, so it was a lot of fun. If you haven't seen Karie's Hollywood Kitchen., you should do so. Episodes are available on YouTube and you can read the blog with the recipes here.

Part of what made this year's festival fun were the Zoom events they held each day. I was only able to attend one, the Opening Night Toast with the Hosts. The event was hosted by Scott McGee, TCM's Senior Director of Original Programming and included every host of TCM: Ben Mankiewicz, Professor Jacqueline Stewart, Eddie Muller, Alicia Malone, and Dave Karger. It was enjoyable watching the hosts answer various questions, and many of my TCMParty pals were there too. On Wednesday they had a Meet TCM Zoom Event, on Friday they had Curating the Classics, on Saturday they had Sight and Sound Makers: A Chat with Ben Burtt & Craig Barron, and on Sunday She May Be a Movie Star, But She's Just Mom to Me.

I do have to say that I wish I had been able to watch more movies during this Festival. It seems that it is harder to work TCM around my schedule in early May than it is mid-April! I did get to see some of my favourite movies. I watched West Side Story (1961) on Thursday. On Friday I watched SF Sketchfest's table read of Plan 9 from Outer Space and then the movie itself. Saturday was the big day for me. I watched the documentary Nichols & May: Take Two Saturday morning. I have been a huge fan of Nichols & May for years. In the afternoon I was the guest host for the TCMParty for Bullitt (1968). It was enjoyable tweeting trivia to the movie. It was made even more enjoyable by Speeding Bullitt, a podcast devoted to Steve McQueen. They tweeted a good deal of additional trivia (I am thinking next time they show Bullitt, they should guest host). Following Bullitt I watched the restoration of They Won't Believe Me (1947). Fifteen minutes that had been cut from the film were restored, using the original nitrate of the film to do so. The live tweet on TCMParty for They Won't Believe Me was hosted by the Czar of Noir himself, Eddie Muller. The last film I watched during the festival was I Remember Mama (1949). It is nearly the perfect movie for Mother's Day. An additional treat was that prior to the movie they aired one of Robert Osborne's old intros for the film.

Next year's TCM Classic Film Festival should be in person in Hollywood again. I am hoping that next year I will be able to attend it for the first time.  That having been said, I have enjoyed both last year and this year's virtual festivals. Both were very enjoyable and it is always fun to take part in events with one's fellow TCM fans.

Thursday, May 6, 2021

TCM Classic Film Festival Opening Night

Tonight the 2021 edition of the TCM Classic Film Festival opens with West Side Story (1961), complete with a cast reunion featuring Rita Moreno, George Chakiris and Russ Tamblyn. Because of the ongoing COVID-19 pandemic, this year's TCMFF (as it is abbreviated by Turner Classic Movies and its fans) is virtual. Movies will be shown on both TCM and HBO Max, with various events unfolding on both. As might be expected, much of the action will be on Twitter, with various live tweets (both official and unofficial).

I am certainly looking forward to this year's TCM Classic Film Festival. Later today there will be an Opening Night Toast with the Hosts at Club TCM on Zoom. Over the next few days there will be other Club TCM Zoom events, including Curating the Classics on Friday, Sight and Sound Makers: A Chat with Ben Burtt & Craig Barron on Saturday, and She May Be a Movie Star, But She’s Just Mom to Me on Sunday. On TCM there will be the interview with Sophia Loren from the 2016 TCMFF, a table read of Plan 9 from Outer Space by SF Sketchfest, and documentaries on legendary animator Tex Avery and comedy team Nichols & May.

And, of course, there are movies. I am particularly looking forward to the world premiere of a 4K restoration of They Won't Believe Me (1947). They are showing many of my favourites, although I will have to DVR some of them because they are on late at night: Ocean's 11 (1960), My Favorite Wife (1940), The Man Who Would Be King (1975), The Producers (1968), Strangers on a Train (1951), and Breathless (1960). Saturday I will be hosting the TCMParty live tweet for Bullitt (1968). It's a way of honouring local boy Steve McQueen (he spent much of his youth in Slater, Missouri, which is only a few miles away from my hometown).

If I had ever attended the TCM Classic Film Festival in person, I had always planned on dressing up. I would wear a suit and tie for the entirety of the festival. Given this is a virtual festival, I will likely wear a t-shirt and sweatpants. That having been said, I will wear the prerequisite pins and buttons. I have several TCM pins, as well as the TCMFF 2021 pin. I will also wear the Vanessa Marquez pin that I designed and was distributed at the 2019 TCM Classic Film Festival, as well as the one my friend Pam designed and also distributed at the same festival. I always told Vanessa that if I got to go to TCMFF I would drag her along, even if I had to carry her. This way she can be at this year's TCMFF after a fashion.

Anyway, this year's TCMFF looks to be three and a half days of fun. I certainly look forward to interacting with my friends and fellow TCM fans this weekend!

Tuesday, May 4, 2021

Billie Hayes Passes On

Billie Hayes, who played Mammy Yokum in Li'l Abner (1959) and Witchiepoo in the Saturday morning show H. R. Pufnstuf, died on April 29 2021 at the age of 96.

Billie Hayes was born Billie Armstrong Brosch on August 5 1924 in Du Quoin, Illinois. She began her career when she was only nine years old, tap dancing in local clubs. It was while she was in high school that she began playing with Vince Genovese's orchestra. Afterwards she toured with her own solo act in Chicago and around the Midwest. Eventually she moved to New York City.

After performing around New York City, Billie Hayes played lead roles in producer J. J. Shubert's roadshow productions of The Student Prince, The Merry Widow, and Blossom Time. She made her debut on Broadway in New Faces of 1956. She replaced Charlotte Rae was Mammy Yokum on Broadway in Li'l Abner. She reprised the role when it was adapted as the 1959 movie.

In the Sixties Billie Hayes guest starred on the TV shows The Monroes and The Monkees. She played Witchiepoo in the single season of H. R. Pufnstuf. She reprised the role in the movie spun off from the TV series, Pufnstuf.

In the Seventies Billie Hayes reprised her role as Mammy Yokum in a television adaptation of the musical Li'l Abner. She guest starred on Bewitched, Donnie and Marie, Wonderbug, Tabitha, and The Krofft Superstar Hour. She reprised her role as Witchiepoo in  The Paul Lynde Halloween Special. She played the regular role of Weenie the Genie in the Saturday morning show Lidsville.

In the Eighties Billie Hayes's career started including a good deal of voice work. She performed additional voices on the television cartoon Trollkins, as well as the series Paw Paws. She was a guest voice on such animated TV series as The Gary Coleman Show, The New Scooby-Doo Mysteries, The Real Ghostbusters, and The Further Adventures of SuperTed. She guest starred on the shows Trapper John, M.D.; Murder, She Wrote; General Hospital; Mathnet, and Square One TV. She appeared in the movie Snowballing (1985) and was one of the voices in the classic Disney animated movie The Black Cauldron (1985).

In the Nineties Billie Hayes regularly provided voices for the animated TV shows Problem Child and The Brothers Flub. She provided guest voices for the animated shows TaleSpin, Darkwing Duck, Bokners, Aaahh!!! Real Monsters, Duckman: Private Dick/Family Man, Rugrats, and Johnny Bravo. She provided additional voices for The Nightmare Before Christmas (1993). In the Naughts she was a guest voice on the animated series The Powerpuff Girls, Teen Titans, Grim & Evil, The Batman, and W.I.T.C.H. She provided a voice for the animated movie Shrek Forever After (2010).  In the Naught she was a guest voice on the animated shows Bubble Guppies and Teen Titans Go!. She was the voice of Mrs. Neederlander on Transformers: Rescue Bots.

Billie Hayes was a wonderful actress. Indeed, she was only in her thirties when she first played Mammy Yokum on Broadway and in the feature film Li'l Abner. For those of you unfamiliar with Li'l Abner, Mammy was well past her thirties. And while I am not familiar with H. R. Pufnstuf (the title character creeped me out as a child), I know from The Paul Lynde Halloween Special she was excellent as Witchiepoo.  Of course, Billie Hayes played more than old hillbilly women and witches. She did well Weenie the Genie, the friend of protagonist Mark (Butch Patrick) on Lidsville. Whether as the ancient hillbilly Maw on The Monkees or a witch on Bewitched, Billie Hayes was a delight to see. Of course, she was also a gifted voice artist, lending her voice to hundreds of hours of cartoons. She was a remarkable character actress who could play a wide array of roles.

Monday, May 3, 2021

The Late Great Olympia Dukakis

Olympia Dukakis who starred in such movies as Moonstruck (1987) and Steel Magnolias (1989), died at age 89.

Olympia Dukakis was born on June 20 1931 in Lowell, Massachusetts. She graduated from Boston University, where she majored in physical therapy. She would later return to Boston University to receive a Master's degree in performing arts. In 1958 she moved to New York City where she taught drama at New York University while pursuing her acting career. In 1962 she was an understudy for the role of Miss Bordereau in the play The Aspen Papers on Broadway. In 1964 she appeared on Broadway in Abraham Cochrane. She made her television debut in a guest appearance on The Nurses in 1962. That same year she guest starred on Dr. Kildare. She made her television debut in a bit part in the movie Twice a Man (1964). In the Sixties she also appeared in the movies Lilith (1964), Stiletto (1969), and John and Mary (1969).

In the Seventies Miss Dukakis appeared on Broadway in Who's Who in Hell. On television she guest starred on the shows Great Performances, The Andros Targets, The Doctors, and Breaking Away. She appeared in the movies Made for Each Other (1971), Sisters (1972), Death Wish (1974), The Wanderers (1979), Rich Kids (1979), and The Idolmaker (1980).

In the Eighties Olympia Dukakis had a recurring role on the soap opera Search for Tomorrow. She guest starred on the television shows American Playhouse, One of the Boys, and The Equalizer.  She appeared on Broadway in  Social Security. Arguably, the Eighties were the height of Olympia Dukakis's movie career. She played Rose Castorini, the mother of Cher's character, in Moonstruck, for which she won the Oscar for Best Supporting Actress. Two years later she played Clairee Belcher in Steel Magnolias. During the decade she also appeared in the movies Movie Madness (1982), Wall of Glass (1985), Working Girl (1988), Look Who's Talking (1989), Dad (1990), In the Spirit (1990), and Look Who's Talking Too (1990).

In the Nineties Olympia Dukakis appeared in the mini-series Sinatra and Tales of the City. She guest starred on the shows The General Motors Playwrights Theatre, Touched by an Angel, and Joan of Arc. She also appeared in several TV movies. She appeared in the movies Over the Hill (1992), Look Who's Talking Now (1993), The Cemetery Club (1993), Digger (1993), Naked Gun 33 1/3: The Final Insult (1994),  I Love Trouble (1994), Dead Badge (1995), Jeffrey (1995), Mighty Aphrodite (1995), Mr. Holland's Opus (1995), Never Too Late (1996), Jerusalem (1996), Milk & Money (1996), Picture Perfect (1997), Balkan Island: The Last Story of the Century (1997), Jane Austen's Mafia! (1998), Better Living (1998), and Brooklyn Sonnet (2000). She appeared on Broadway in Rose.

In the Naughts Olympia Dukakis had recurring roles in the television shows Center of the Universe and Bored to Death. She appeared in the mini-series Further Tales of the City. She guest starred on the shows The Wonderful World of Disney, The Simpsons, Frasier, It's All Relative, Numb3rs, and Worst Week. She appeared in the TV movies The Librarian: Quest for the Spear and The Librarian: Return to King Solomon's Mines. She appeared in the films The Intended (2002), The Event (2003), Charlie's War (2003), The Thing About My Parents (2005), The Great New Wonderful (2005), 3 Needles (2005), Whiskey School (2005), Jesus, Mary and Joey (2005), Away from Her (2006), Day on Fire (2006), Upside Out (2006), and In the Land of Women (2007).

In the Teens Olympia Dukakis had a recurring role on the shows Sex & Violence, Forgive Me, Switch, and Tales of the City. She guest starred on the show Law & Order: Special Victims Unit, and F to 7th. She appeared in the movies Birds of a Feather (2011), Cloudburst (2011), Montana Amazon (2012), The Last Keepers (2013), A Little Game (2014), 7 Chinese Brothers (2015), Emily & Tim (2015), The Infiltrator (106), Broken Links (2016), and Change in the Air (2018). She is set to appear in the film Not to Forget later this year.

Olympia Dukakis was a wonderful actress and she played a number of great characters. She was Loretta's exacting mother in Moostruck. In Steel Magnolias she played strong willed widow Clairee. In Mr. Holland's Opus she was the tough Principal Helen Jacobs, who stresses to the title character the importance of teaching. Through the years Olympia Dukakis gave a number of great performances and played a number of great roles.