Saturday, May 29, 2021

TCM Spotlight on Juvenile Delinquents Every Thursday in June

Mamie Van Doren, High School Confidential
TCM Spotlight will be on the juvenile delinquent movies of the Forties, Fifties, and Sixties every Thursday this June. Each Thursday will be dedicated to a different category of juvenile delinquent films, starting off with "School's a Drag" on June 3. June 10 centres on "Jail Birds.""Running Wild" on June 17 centres on youth running wild on the streets. The month long TCM Spotlight winds up on June 24 with "Bad Boys."

Below are my picks of what you absolutely want to watch during the TCM Spotlight on Juvenile Delinquents. All times are Central:

June 3, "School's a Drag":
7:00 PM High School Confidential! (1958)
8:45 PM Blackboard Jungle (1955)
10:45 PM To Sir, With Love (1967)

June 10, "Jail Birds":
11:45 PM Untamed Youth (1957)

June 17, "Running Wild":
7:00 PM The Young Savages (1957)

June 14, "Bad Boys":
8:45 PM Rebel Without a Cause (1955)
10:45 PM Look in Any Window (1961)
12:30 AM Violent Playground  (1958)

Friday, May 28, 2021

Anna May Wong on Television

Anna May Wong was the first major Chinese American star and the first major star of East Asian descent besides Sessue Hayakwa. In fact, from the Silent Era into the early Thirties she was a superstar, easily one of the best known actors in Hollywood. Sadly, Anna May Wong's career would be hindered by California's laws against interracial marriage (on screen she could not kiss an actor of another race), as well as the fact that most East Asian female characters in Hollywood movies at the time tended to be stereotypes. As a result Miss Wong could not maintain the level of success she had in her early career. That having been said, with the advent of television, Anna May Wong was still well known. This made it inevitable that she would appear on the new medium.

Indeed, Anna May Wong's television debut would be as the star of her own show. The Gallery of Madame Liu-Tsong (Miss Wong's birth name). On The Gallery of Madame Liu-Tsong, Anna May Wong played a dealer in Chinese art who would often find herself involved in international intrigue and solving crimes. The DuMont Television Network aired ten episodes of the show from August 27 1951 to November 21 1951. The show was cancelled in 1952. That having been said, The Gallery of Madame Liu-Tsong made television history. Not only was Anna May Wong one of the first female leads on American television, paving the way for characters from Honey West to Jessica Fletcher, but she was the first Chinese American lead and the first lead of East Asian descent on American television. Unfortunately, The Gallery of Madame Liu-Tsong no longer exists. Many of the DuMont Television Network's kinescopes were destroyed prior to 1958 to retrieve the silver content in the film prints. Those that remained were dumped into the Upper New York Bay in the mid-Seventies.

Her next appearance on television was on the show Producer's Showcase in the episode "The Letter," based on the same W. Somerset Maugham play of the same name as the 1940 movie The Letter. Much as in the play and the movie, the wife of a rubber plantation manager shoots and kills a man. Unfortunately, she had written a very compromising letter to the murder victim the day she had killed him. This letter then winds up in the hands of a blackmailer, played in the episode by Anna May Wong. The episode aired on October 15 1956.

It was only a little over a month later, on November 22 1956 that Anna May Wong appeared in the Climax! episode "The Chinese Game." The episode centred on a newspaper columnist who sees a vision of himself killing his wife for another woman while playing a game in a novelty show. Miss Wong's role in the episode may have been minor, as she is billed only as "clerk."

Her next guest appearance on a show would not be a minor role. In the February 11 1958 episode of Mike Hammer, "So That's Who That Was," Mike Hammer (Darren McGavin) investigates the murder of a friend, which also leads him to the murder of a prominent citizen of Los Angeles's Chinatown. Anna May Wong played the widow of the murdered Chinatown citizen, Madame Chu. It was one of her television roles that actually allowed Anna May Wong to exercise her dramatic talents.

Anna May Wong returned to Climax! in its May 1 1958 episode, "The Deadly Tattoo." The episode centred on a serial killer who marks his victim with a tattoo who comes to Anna May Wong's character, Mayli, for help. According to Anna May Wong: From Laundryman's Daughter to Hollywood Legend by Graham Russell Gao Hodges, she apparently had fun making the episode.  She researched her role by going to tattoo shops around Los Angeles and worked with a vocal coach so she could speak in pidgin English (Miss Wong was a third generation American who grew up in Los Angeles). She was also amused that she got to wear an eyepatch.

Anna May Wong's next guest appearances were on two episodes of the show Adventures in Paradise. Adventures in Paradise centred on Adam Troy (Gardner McKay), the captain of the schooner Tiki  III, who plied his trade in the Pacific. Anna May Wong played one of Troy's friends, the international moneychanger Lu Yang.  In the first episode, "Lady from South Chicago (which aired on November 2 1959), centred on a Frenchwoman (played by Paulette Goddard) who is visited by a friend, who turns out to be an escaped convict from Australia. In the second episode, "Mission to Manila" (which aired on November 23 1959), Adam Troy investigates the mysterious death of a friend's brother.

While Anna May Wong did not get a lot of screen exposure in her guest appearances on Adventures in Paradise, she played a major role in the Life and Legend of Wyatt Earp episode "China Mary" (which aired on May 15 1960). With racial unrest growing in Tombstone, Wyatt Earp (Hugh O'Brien) investigates the alleged murder of a white man at the hands of the Chinese population. As a result Wyatt's path crosses with China Mary (played by Anna May Wong), who controls much of what goes on in Tombstone's Chinese population. The episode gave Anna May Wong an important role and the opportunity to demonstrate her acting talent.

Here it must be pointed out that China Mary is an actual historical figure. Born Sing Choy, China Mary was the most important figure among the Chinese in Tombstone. She ran a store and secured jobs for many in the Chinese community there, guaranteeing their good behaviour. She also ran several illegal operations, from gambling to prostitution. That having been said, she was also known for her generosity. She was a respected figure in Tombstone, both by the whites and the Chinese. When she died in 1906, her funeral was attended by a large number of people and she was buried in Tombstone's Boothill Cemetery.

Anna May Wong's final television appearance was on an episode of The Barbara Stanwyck Show. An anthology series, The Barabra Stanwyck Show saw Miss Stanwyck playing a different role most weeks. Anna May Wong guest starred in the episode "Dragon by the Tail," which aired on January 30 1961. In the episode Barbara Stanwyck played Josephine Little (nicknamed Little Joe), who runs an import/export business. In the episode Josephine Little is recruited by the CIA to rescue a scientist being held by the Communists. In the episode Anna May Wong played Joe's amah, A-Hsing. A-Hsing is not merely a servant. She speaks her mind freely and Josephine takes what she has to say seriously.

Barbara Stanwyck appeared in three episodes of The Barbara Stanwyck Show as Josephine Little and and all three episodes were pilots for an episodic, adventure series. There is also an unaired episode of The Barbara Stanwyck Show titled "Little Joe and Hong Kong" in which Anna May Wong also appears, that appears to merely be another version of "Dragon by Its Tail." Had Barbara Stanwyck's series about Josephine Little sold and had Anna May Wong lived, it seems possible she could have been a regular character on the show.

Here it should be noted that Anna May Wong also appeared on the travelogue program Bold Journey on February 14 1956. She was interviewed by John Stephenson and showed her home movies of her trip to China in 1936.

Here it must also be noted that there was an Anna May Wong billed in episodes of the British shows The Voodoo Factor and Danger Man in 1960, and the movies The Savage Innocents (1960) and Just Joe (1960). This is not the Anna May Wong who was born Wong Liu Tsong and had a career stretching back to the Silent Era, but a different, younger actress.

Anna May Wong was set to play Madame Liang in the film adaptation of The Flower Drum Song (1961), but unable to do so because of ongoing issues with her health. She died of a heart attack on February 3, 1961, only four days after her final television appearance on The Barbara Stanwyck Show. She was only 56. It is difficult to say what would have happened had Miss Wong not had issues with her health and had lived to old age. It seems likely she would have appeared in The Flower Drum Song and that it would have revitalized her career. While roles for individuals of East Asian descent were not exactly common in the Sixties and many roles were still stereotypes, it was still an improvement over the Golden Age of Hollywood. While she may never have been the major star that she was in the Twenties and Thirties, it seems possible that she could have made a career out of guest appearances on television and the occasional appearance in movies. Anna May Wong may have made guest appearances on shows that used several East Asian actors, such as Hawaii Five-O and Kung Fu. We should perhaps be thankful that we have her few television appearances, some of which are readily available on streaming, allowing us to see a legendary performer display her considerable talent.

Thursday, May 27, 2021

The Kim Sisters

Over the past decade K-Pop groups have seen a good deal of success in the United States, particularly BTS. That having been said, Korean singers found their way to the US well before the 21st Century. The Kim Sisters were three Korean sisters (Kim Sook-ja, Kim Ai-ja, and Kim Min-ja) who landed a recording contact in the United States and appeared on such shows as The Ed Sullivan Show and The Dean Martin Show.

Music ran in the Kim Sisters' family. Their father was conductor Kim Hae-song while their mother was Lee Nan-young, a popular singer in Korea prior to the Korean War. Unfortunately, Kim Hae-song would be captured and executed by North Korea in 1950. Afterwards Lee Nan-young adopted Min-ja and then formed a singing group consisting of the three girls. She would buy American records on the black market so her daughters could learn to sing them. The Kim Sisters would perform for American soldiers in bars and nightclubs, and they proved to be popular with the American military. Their fame in Korea among Americans spread to the point that producer Tom Ball signed them.

It would take a year following Tom Ball having signed the Kim Sisters for them to arrive in the United States. Their first performances in the US were in Las Vegas at the Thunderbird Hotel as part of Thomas Ball's "China Doll Revue." Once their contract with the Thunderbird Hotel ended, the Kim Sisters began performing at the Stardust.

The Kim Sisters made their American television debut on The Dinah Shore Show on June 7 1959. Later in that September they made their debut on The Ed Sullivan Show. Ed Sullivan obviously liked The Kim Sisters, as they would appear on his show twenty times. Their last appearance on the show was in 1967. The Kim Sisters also released albums and several singles in the United States. While most of their singles saw little action on the American charts, in 1962 their cover of The Coasters' song "Charlie Brown" peaked at no. 7 on the Billboard singles chart, making it the first hit by Korean artists in American history.

While the Kim Sisters might not have seen a good deal of success as recording artists, they were highly successful as stage performers. They appeared on such shows as The Dean Martin Show, The Hollywood Palace, Operation: Entertainment, The Joey Bishop Show, Della, The Barbara McNair Show and The Merv Griffin Show. They even played themselves in an episode of Ensign O'Toole. They also continued to perform on the Las Vegas Strip until 1967,when Min-ja got married. The remaining Kim Sisters would afterwards perform with their brothers well into the 1990s.

Much of the popularity of the Kim Sisters in the Sixties might have been due to the fact that they were not only singers, but could play multiple instruments as well. In their television appearances they played everything from saxophone to bass guitar to banjo. Between them, the Kim Sisters could play over twenty different insturments.

The Kim Sisters would be one of Americans' first introductions to Korean culture. It was not unusual for them to play the traditional Korean instrument, gaya-geum, or for them to dress in hanbok. An argument can even be made that they paved the way for modern day K-Pop groups. At the very least, they proved a Korean group could have success in the US.

Wednesday, May 26, 2021

"Sukiyaki" by Kyu Sakamoto

In 2020 K-Pop group BTS made history when their song "Dynamite" hit no. 1 on the Billboard Hot 100. That having been said, BTS were not the first East Asian artists to have a no. 1 single on the Hot 100, nor were they the first artists to have a no. 1 single in an East Asian language to have a hit on the Hot 100. That honour would go to Japanese singer Kyu Sakamoto, who hit no. 1 on the Billboard Hot 100 with his song "Sukiyaki" in June 1963. It was not only the first song in an East Asian language to hit no. 1 on the chart, but the first song in a non-European language.

Of course, "Sukiyaki" was not the song's original title. Its original title (and the one it still bears outside of English) is "Ue o Muite Arukō" (in English, "I Look Up as I Walk"). "Ue o Muite Arukō" was written by by lyricist Rokusuke Ei and composer Hachidai Nakamura. Rokusuke Ei wrote the lyrics when he was walking home from a protest  against the Treaty of Mutual Cooperation and Security Between the United States and Japan. He felt frustration and disappointment at the United States' continued military presence in his country. While "Ue o Muite Arukō" was inspired by Rokusuke Ei's feeling of dejection over the failed protests, its lyrics were written so that they could refer to any loss, such as lost love.

"Ue o Muite Arukō" was recorded by Kyu Sakamoto, who had been a member of Danny Iida & Paradise King before he launched his own solo career. "Ue o Muite Arukō" would be his first hit as a solo artist, topping Japanese magazine Music Life's Popular Music Selling Record chart for three months. It was in 1963 that Louis Benjamin, chief executive of the British recording label Pye Records, visited Japan. He heard "Ue o Muite Arukō" several times while in Japan and decided to bring it to the United Kingdom. It was Louis Benjamin who renamed the song "Sukiyaki." He thought "Ue o Muite Arukō" would be too hard for English speakers to pronounce and chose "Sukiyaki" because it was recognizably Japanese and he thought it sounded catchy. Of course, sukiyaki is a Japanese beef dish. A columnist in Newsweek said it would be something like renaming the song "Moon River," "Beef Stew" in Japan.

Regardless, "Sukiyaki" proved to be a hit in the United Kingdom, reaching no. 6 on the UK singles chart. Capitol Records released "Sukiyaki" in the United States where it proved even more successful. It hit no. 1 on the Billboard Hot 100 in June 1963 and topped the chart for three weeks.

Today "Ue o Muite Arukō" may not seem that significant, but in 1963 its international success was very significant. Alongside the anime shows that made their way to the United States and Europe, as well as various Japanese movies, "Ue o Muite Arukō" signified Japan's reentry onto the world stage following World War II. Perhaps more importantly, it helped erode any mistrust of Japan on the part of Americans after the war. Beginning in the Sixties, Japan would increasingly be viewed not as an old enemy, but as a valued ally. "Ue o Muite Arukō" and other pop culture artefacts imported from Japan would help a good deal in bridging any gap between Japan and the United States.

Tuesday, May 25, 2021

Nancy Kwan: More Than Suzie Wong

Nancy Kwan occupies a singular place in the history of East Asian actors in Hollywood. She was the first East Asian actress to achieve superstardom since Anna May Wong. Born in Hong Kong to a Cantonese architect and a model of English and Scottish descent, Nancy Kwan exploded onto the scene with The World of Suzie Wong (1960) and Flower Drum Song (1961). She was the first actress of East Asian descent to regularly play lead roles since Anna May Wong. She also became a prominent sex symbol during the Sixties. While she would never repeat the success of The World of Suzie Wong and Flower Drum Song, she would appear in many more movies, as well as on television.

Among Nancy Kwan's better remembered films is the all-star disaster movie Fate is the Hunter (1964). In the film Nancy Kwan plays Sally Fraser, the girlfriend of doomed airlines pilot Jack Savage (Rod Taylor). It is Sally who gives the movie its title, discussing the concept of fate with Savage in a flashback. Miss Kwan does well in a role that was historic for her. Despite being Eurasian in descent, it was the first time she ever played a Eurasian character.

For much of her career Nancy Kwan was cast in comic roles. It should come as no surprise that she played the lead role in The Wild Affair (1965). In The Wild Affair she plays Marjorie Lee, a secretary about to get married and feeling about nervous about it. Wondering if she had missed out on life, she then decides to attempt what would be her first and only fling at her office's Christmas party. In some respects Nancy Kwan's casting seems odd given she is Eurasian and her parents are played by Bessie Love and Paul Curran. That having been said, Miss Kwan does well in the role as a strait-laced young woman who decides to kick up her heels. The movie is notable as one in which Nancy Kwan debuted a new style. Vidal Sassoon cut her famous long hair into a sharp bob.

Nancy Kwan followed up The Wild Affair with another comedy, Lt. Robin Crusoe, U.S.N. (1965). In Lt. Robin Crusoe, U.S.N., Dick Van Dyke plays the Naval lieutenant of the title who finds himself on an island in the East Pacific when he is forced to eject from his plane. Lt. Robin Crusoe, U.S.N. is severely dated in that it engages in stereotypes about Pacific Islanders (all of who seem to be played by East Asian actors except for Akim Tamiroff). While Lt. Robin Crusoe, U.S.N. is a highly problematic film today and boasts a rather poor script, Nancy Kwan still stands out, giving a solid performance that is remarkable given how little she was given to work with.

Nancy Kwan would only fare a little bit better with Nobody's Perfect (1968), another comedy that deals with the United States Navy. Nobody's Perfect chronicles the adventures of the crew of the USS Bustard shortly after World War II. The film is a run-of-the-mill service comedy, with the usual antics one would expect as such. That having been said, it has some notable performances from Doug McClure (who plays hospital corpsman "Doc" Willoughby) and James Shigeta (who plays Toshi O"Hara). Nancy Kwan plays United States Navy nurse Lt. Tomiko Momayama, enlivening the proceedings with her performance.

Perhaps unfortunately, Nancy Kwan's next movie may be her most famous besides The World of Suzie Wong and Flower Drum Song. The Wrecking Crew (1968) was both the last in the "Matt Helm" series of movies starring Dean Martin and the last movie Sharon Tate made to be released in her lifetime. In the Sixties spies were big business, and this was not lost on producer Irving Allen, who bought the rights to the "Matt Helm" novels by Donald Hamilton. While the "Matt Helm" novels are rather serious works that owe more to film noir than James Bond, the series of "Matt Helm" movies Irving Allen produced in the Sixties were outright spy spoofs. The first three movies were rather enjoyable, if frivolous romps. The Wrecking Crew is just plain bad and, at times, even downright sexist and racist. That having been said, the movie will always be remembered for a fight scene between Sharon Tate and Nancy Kwan (Bruce Lee choreographed the fight scenes). Both actresses handle themselves well and it is the one memorable scene in an otherwise dreary movie.

In the Sixties roles were rare for actors of East Asian descent and as the decade passed, Nancy Kwan was finding it harder and harder to get roles. In the Seventies, then, she would look to Hong Kong, the Philippines, and Europe for parts. She also appeared on American television. She appeared in the two-part Kung Fu episode "The Cenotaph" In a portion of the episode told in flashback and set in China, Miss Kwan plays Mayli Ho, the Chinese Imperial consort, who is being pursued by a Chinese warlord. Nancy Kwan gives one of her best performances in the role, and she has chemistry with David Carradine (who played the lead role of Kwai Chang Caine). It must be noted that this would not be the last time the two appeared together. In the 1988 mini-series Noble House, Nancy Kwan played Claudia Chen, executive secretary to Ian Dunross of an international trading company (Pierce Brosnan).

Throughout her career Nancy Kwan has taken poor material and turned out a good performance. This is certainly true of Night Children (1989). Class of 1984 (1982) had proven to be a hit and for the rest of the decade filmmakers would churn out similar movies about violent teenagers, Night Children among them.  Today, aside from being among the later films of David Carradine and Nancy Kwan's careers it might be best remembered as the second feature film my dear friend Vanessa Marquez. In Night Children David Carradine plays veteran cop Max who comes up against a violent youth gang. Nancy Kwan plays his girlfriend, parole officer Diane. Sadly, Night Children suffers from a bad script that at times borders on the unbelievable (particularly its ending). Worse yet, Max would not have been a very sympathetic character in 1989, let alone today, a situation made all the worse by the fact that David Carradine basically phones in his performance. The only reasons to watch Night Children are Vanessa (for the brief time she is on) and the performance of Nancy Kwan. Nancy Kwan takes the role of Diane and actually makes something of it.

Fortunately, Nancy Kwan would appear in better movies later in her career. Dragon: The Bruce Lee Story (1993) departs a good deal from Bruce Lee's actual life, but while it fails as biography it succeeds as entertainment. In the film Nancy Kwan plays Gussie Yang, the sardonic but kindly restaurant owner and Bruce Lee's boss who funds his marital arts training. Nancy Kwan gives a great performance in the role.

Nancy Kwan has had a long career filled with many remarkable roles. And while not every film in which she has appeared is exactly a classic, they all the better for having Nancy Kwan in them. As mentioned earlier, Nancy Kwan has the talent for taking a poor script and still giving a great performance. If she is a pioneer with regards to East Asian actors in Hollywood, it is perhaps because she is just so very talented.

Monday, May 24, 2021

The Late Great Charles Grodin

Charles Grodin, who starred in such movies as Catch-22 (1970) and The Heartbreak Kid (1972), died on May 18 2021 at the age of 86. The cause was bone marrow cancer.

Charles Grodin was born on April 21 1935 in Pittsburgh. He graduated from Peabody High School as valedictorian. He attended the University of Miami, but left to pursue his career in acting. He studied acting at the HB Studio under Uta Hagen and later studied under Lee Strasberg as well.

Charles Grodin made his big screen debut in an uncredited role as a drummer boy in 20,000 Leagues Under the Sea in 1954. He made his television debut in an episode of Decision in 1958. That same year he appeared in an episode of Armstrong Circle Theatre.

Mr. Grodin made his debut on Broadway in 1962 in Tchin-Tchin. In the Sixties he appeared in the Broadway productions Absence of a Cello and Love and Other Strangers. On television he was a regular on the soap opera The Young Marrieds in 1965. He guest starred on Play of the Week, The Defenders, My Mother the Car, The Trials of O'Brien, The Felony Squad, Shane, Iron Horse, The F.B.I., Captain Nice, The Guns of Will Sonnett, N.Y.P.D., The Big Valley, and Judd for the Defense. He appeared in the movies Sex and the Single Girl (1964), Rosemary's Baby (1968), and Catch-22 (1970).

In the Seventies Charles Grodin appeared in the movies The Heartbreak Kid (1972), 11 Harrowhouse (1974), King Kong (1976), Thieves (1977), Heaven Can Wait (1978), Real Life (1979), Sunburn (1979), It's My Turn (1980), and Seems Like Old Times (1980). On television he appeared in the TV movies The Meanest Man in the West, Just You and Me, and The Grass is Always Greener in the Septic Tank. He was the voice of Joseph in the TV movie It Happened One Christmas, an unauthorized remake of It Happened One Night. He appeared on Broadway in Thieves and Same Time, Next Year.

In the Eighties he appeared in the movies The Incredible Shrinking Woman (1981), The Great Muppet Caper (1981), The Lonely Guy (1984), The Woman in Red (1984), Movers & Shakers (1985), Last Resort (1986), Ishtar (1987), The Couch Trip (1988), You Can't Hurry Love (1988), Midnight Run (1988), Taking Care of Business (1990). On television he appeared in the mini-series Fresno. He appeared in the TV movie Charley's Aunt. He guest starred on the shows Great Performances, American Playhouse, and The Magical World of Disney.

In the Nineties Charles Grodin had his own talk show on CNBC and MSNBC. He appeared in the movies Beethoven (1992), Dave (1993), So I Married an Axe Murderer (1993), Heart and Souls (1993), Clifford (1994), and It Runs in the Family (1994). In the Naughts he appeared in the movie Fast Track (2006). In the Teens he was a regular on the show Louie. He appeared in the mini-series Madoff. He guest starred on the TV shows Law & Order: Special Victims Unit, The Michael J. Fox Show, and The New Yorker Presents. He appeared in the movies The Humbling (2014), While You're Young (2014), The Comedian (2016), and The Private Life of a Modern Woman (2017).

Charles Grodin was a remarkable actor who played a number of notable roles. He was the lead in The Heartbreak Kid, laying the shallow sporting goods salesman who falls in love with another woman while on his honeymoon. In Real Life he played veterinarian Warren Yeager, the head of the Yeager family who finds themselves the subject of a documentary. In Midnight Run he played an accountant arrested for embezzling money from his mobster boss and hence on the run from the law. Charles Grodin had a particular gift for comedy, with perfect delivery and perfect timing. Few actors were as talented as he was.

Saturday, May 22, 2021

Mayberry, Everyone's Hometown

(This blog post is part of The American Exprience Blogathon hosted by Moon in Gemini)

In the United States, small towns with friendly inhabitants and exceedingly low crime rates are often referred to as "Mayberry." Of course, the name "Mayberry" originated as the name of the fictional small town in The Andy Griffith Show and later Mayberry R.F.D. In both shows Mayberry is a small town in North Carolina. It was peaceful, with the only real crime being moonshiners living outside of town. It was also filled with friendly, if at times colourful, townspeople. In The Andy Griffith Show, Andy Griffith played Andy Taylor, the sheriff of Mayberry County (of which the city of Mayberry was the county seat), who usually plays straight man to the many inhabitants of the town.

The Andy Griffith Show (and hence the town of Mayberry) originated with producer Sheldon Leonard. If the name "Sheldon Leonard" sounds familiar, it's because he had a long career as a character actor in movies, appearing in such films as Another Thin Man (1939) and It's a Wonderful Life (1946). In the Fifties he became a television producer, producing the classic sitcom Make Room for Daddy (AKA The Danny Thomas Show). Sheldon Leonard came up with the idea of a man in a small town who was its newspaper editor, sheriff, and justice of the peace. To test out this idea, he asked writer Arthur Stander to develop an episode of Make Room for Daddy that would also serve as a backdoor pilot for a potential sitcom.

It was the William Morris Agency that would provide the new show with its star. Andy Griffith had risen to prominence on the basis of the novelty record "What It Was, Was Football" and went onto star in the United States Steel Hour teleplay "No Time for Sergeants" (and later the Broadway play and movie of the same name) and the movie Face in the Crowd. Mr. Griffith was interested in starring in a television series. As a result, the William Morris Agency contacted Sheldon Leonard about Andy Griffith's interest in starring in a TV show.

The casting of Andy Griffith would have an impact on the prospective new show. It was Mr. Griffith who suggested that the show be set in his home state of North Carolina, although initially Sheldon Leonard resisted the idea. Mr. Leonard simply wanted the show set somewhere in the South. It would also take some time before the town would be named "Mayberry." They came up with a variety of names, among them Mt. Pilot (which would later be used for a fictional, slightly larger town near Mayberry).  Andy Griffith pointed out that there was a placed called Pilot Mountain near his hometown of Mt. Airy. Eventually someone came up the name "Mayberry," a name very similar to "Mt. Airy." Andy Griffith believes it could have been writer Athur Stander who came up with the name.

It was then that the fictional town of Mayberry, North Carolina first appeared in the Make Room for Daddy episode "Danny Meets Andy Griffith," which aired on February 15 1960. That having been said, "Danny Meets Andy Griffith" does differ a bit from The Andy Griffith Show. Andy Griffith as Sheriff Andy Taylor and Ronnie Howard as his son Opie are the only characters from the show to appear in the backdoor pilot. Frances Bavier does appear in the episode, but not as Aunt Bee. On the show Andy Taylor was only Mayberry's sheriff and justice of the peace, but in "Danny Meets Andy Griffith" he was also the town's newspaper editor. While the idea of a drunk who locks himself in jail when he has had a few too many originated with the pilot, that drunk was Will (played by Frank Cady later of Petticoat Junction and Green Acres fame) rather than Otis Campbell (played by Hal Smith).

As a backdoor pilot "Danny Meets Andy Griffith" proved successful. General Foods had first access to the new show and they signed on immediately as its sponsor. The Andy Griffith Show debuted on October 3 1960 on CBS. In the beginning the show centred on Andy Taylor, the sheriff and justice of the peace of Mayberry, North Carolina. Andy was a widower with a young son named Opie, played by Ronnie Howard. Living with Andy and Opie was Andy's aunt, Aunt Bee (Frances Bavier), who served as their housekeeper and cook. As Mayberry County did not have much in the way of a population, Andy only had one deputy, Barney Fife (Don Knotts). Don Knotts and Andy Griffith had been friends since they had both worked on the Broadway production of No Time for Sergeants and later worked together on the movie version. When Andy Griffith told Don Knotts about his new show, it was Mr. Knotts who suggested to Mr. Griffith that Sheriff Taylor would need a deputy. In creating the character of Deputy Barney Fife, Don Knotts drew upon Mr. Morrison, the nervous and high-strung character he had played in the "Man in the Street" interviews on The Steve Allen Show, adding a streak of self-importance as well. Barney would prove to be the breakout character on the show, easily becoming its most popular character.

In the beginning Andy Griffith played Andy Taylor as a country bumpkin not unlike the church deacon in "What It Was, Was Football" or Will Stockdale in No Time for Sergeants. It was during the first season that Andy Griffith and the producers decided the show would be better if Andy acted as a straight man to Mayberry's many colourful characters (particularly Barney Fife). Because of this The Andy Griffith Show began to focus much more on the citizens of Mayberry, to the point that the show was as much about the town as it was Sheriff Andy Taylor. In fact, creator and producer Sheldon Leonard would later express regret that the show was named The Andy Griffith Show, thinking Mayberry would have been a more fitting title.

With the emphasis on the show shifted to the city of Mayberry, The Andy Griffith Show developed a rather large ensemble of recurring characters. Among them was Mayberry's barber, Floyd. When Floyd first appeared in the first season episode "Stranger in Town," he was played by actor Walter Baldwin. It would be the very next episode, "Andy Goes Hollywood," that actor Howard McNear would take over the role of Floyd. Floyd Lawson was a bit absent minded and never particularly in a hurry, particularly when speaking. Floyd grew in importance as a character as the show progressed, with Floyd's Barber Shop becoming a hangout for many of the men in Mayberry. The aforementioned Otis Campbell (played by Hal Smith) would also become an important character on the show. Otis was the town drunk, although a somewhat responsible one. He would let himself in the jail when he need to sleep off one of his drunken benders. Not only did Otis Campbell become an important character on the show, but he was also one of the earliest citizens of Mayberry to appear on the show. He first appeared in the show's second episode, "Manhunt."

While Floyd Lawson and Otis Campbell would both prove to be important to The Andy Griffith Show, two of the most successful characters on the series would both bear the last name "Pyle." Gomer Pyle (Jim Nabors) was a gentle, but none too bright gas station attendant at Wally's Filling Station. The character of Gomer Pyle was based on a an actual gas station attendant that writer Everett Greenbaum had encountered. He talked the new character over with fellow writer Jim Fritzell and producer Aaron Ruben, and so Gomer Pyle was created. As to how Jim Nabors was cast in the role, Andy Griffith caught his act at the Horn, a club in Santa Monica, California. Gomer Pyle first appeared in the third season episode "The Bank Job" and quickly became one of the show's most popular characters. He became so popular that Gomer was spun off into his own, Gomer Pyle U.S.M.C., on which Gomer had joined the Marines.

Gomer's place on the show would be taken by his cousin Goober Pyle (George Lindsay). Ultimately, Goober would appear more than any other character on The Andy Griffith Show except for the show's lead characters (Andy, Opie, Barney, and Aunt Bee). Gomer Pyle's cousin, Gomer often referred to Goober well before he made his first appearance on the show. Goober would make his first appearance on The Andy Griffith Show in the episode "Fun Girls," the only episode in which Goober and Gomer appear together (although Goober would later appear in one episode of Gomer Pyle U.S. M.C. and they would appear together in the reunion movie Return to Mayberry). Goober was somewhat backwards and not terribly bright, but he was also an excellent mechanic and repaired cars at Wally's Filling Station. Eventually he bought Wally's Filling Station. George Lindsay would continue playing Goober as one of the leads on Mayberry R.F.D. He guest starred as Goober on the first episode of The New Andy Griffith Show, on which Andy Griffith played Greenwood, North Carolina mayor pro tem Andy Sawyer (apparently Andy Taylor and Andy Sawyer were related). He also played the character in an unsold pilot, Goober and the Trucker's Paradise, in 1978, as well as twenty years of Hee-Haw (apparently Goober left Mayberry for Cornfield County).

Clara Edwards (Hope Summers) was Aunt Bee's best friend and sometime rival. Clara is a bit of a gossip, something which at times causes Andy some trouble. While, she and Bee are friends, they have something of a competitive relationship. She first appeared in the first season episode "Andy and Opie, Housekeepers." It would be some time before the show's creators settled on the name "Clara Edwards." In her first and second appearances, she is called "Bertha Edwards." By her third episode she had become "Clara Johnson." It wasn't until the sixth season episode "The Church Organ" that she would finally be named Clara Edwards.

One character who remains phenomenally popular did not actually appear that often. Ernest T. Bass (Howard Morris) only appeared in five episodes of The Andy Griffith Show. Ernest T. Bass was an unruly hillbilly who took great pleasure in causing trouble. He is adept at throwing rocks and takes great pride in breaking out windows in buildings in Mayberry. He tends to be overly boastful, often bragging about his feats of strength. His character can be best summed up by a phrase Barney often said of Ernest T. during his appearances, "He's a nut!"

While there were many recurring characters on The Andy Griffith Show, except for two of them, Andy's girlfriends did not stick around long. During the first season, Andy's girlfriend was pharmacist Ellie Walker (Elinor Donaue). Ellie only stayed for twelve episodes. After Ellie's departure, Andy went through a succession of girlfriends. County nurse Mary Simpson was Andy's girlfriend for two episodes, although she was played by two different actresses (Julie Adams in the first episode and Sue Ane Langdon in the second). As county nurse Peggy MacMillan, Joanna Moore lasted a bit longer on the show appearing in four episodes. Of course, Andy's final girlfriend and the one he would marry would be Helen Crump (Aneta Corsaut). Curiously, Helen was not initially meant to be Andy's girlfriend. She was merely meant to be Opie's schoolteacher in the episode "Andy Discovers America." As it turned out, actors Andy Griffith and Aneta Corsaut clicked, and as a result Helen Crump became Andy's girlfriend. She appeared for the remainder of the show's run.

While Andy would go through a number of girlfriends on The Andy Griffith Show, for Barney Fife there was only one. Barney did date a few other women in single episodes of the show and he had an ongoing flirtation with the unseen waitress Juanita from The Bluebird Cafe, in the end Thelma Lou (Betty Lynn) was his girl. Thelma Lou was sweet natured, if at times a bit sensitive. And while Barney occasionally sees other women, he is prone to jealousy if another male pays attention to Thelma Lou, even Gomer Pyle and Opie. Sadly, Barney and Thelma Lou would part ways when he moved to Raleigh. In the episode "The Return of Barney Fife" it is revealed that she had married a man named Gerald Whitfield. To say Barney was crushed would be an understatement. 

During the course of The Andy Griffith Show and Mayberry R. F.D. we learn a good deal about the town. It was named for its founder Lord Mayberry, although the episode "The Battle of Mayberry' states that it was nearly named "Taylortown" after one of Andy's ancestors, Colonel Carleton Taylor. Perhaps the most notable event in Mayberry's history was the Battle of Mayberry, a conflict between the settlers of Mayberry and the local Cherokee. While the inhabitants of Mayberry (including the local Cherokee) have built the event up to mythical proportions, in truth it was little more than the citizens of Mayberry and the Cherokee yelling at each other before making peace, hunting together, and getting drunk together. One fact that cannot be pinned down about Mayberry is its population. A sign in the final episode of The Andy Griffith Show reads "Population: 5,630." In the episode "The Song Festers," choirmaster John Masters gives Mayberry's population as "two-thousand people." In "The Statue," county clerk Howard Sprague gives Mayberry's population as 1,800.

While there had been fictional towns on television before Mayberry (Mayfield on Leave It to Beaver being an example), Mayberry may have been the first to have been fully realized. Not only could viewers name many of its citizens, but they could also name many of the locations around Mayberry as well, well beyond the Mayberry Courthouse that figured so prominently in The Andy Griffith Show. The church Andy attended was All Souls Church. Its denomination was never named (as was the custom on network television in the Sixties), although I suspect it was Southern Baptist. There can be little doubt that there were other churches in town (my hometown has a population of 1,600 and five churches), none were ever shown. Mayberry has one bank and it figured prominently in episodes of The Andy Griffith Show and Mayberry R.F.D. Strangely enough for a town with such a low crime rate, Mayberry Security was subject to robberies from time to time.

Several places to eat were named on The Andy Griffith Show. Although it was never actually shown, the Blue Bird Diner was frequently mentioned, particularly when Barney was on the phone with Juanita. Mayberry also had a diner downtown at which Andy and Barney ate, the Mayberry Diner. Morelli's was a more upscale restaurant just outside of Mayberry and appeared on both The Andy Griffith Show and Mayberry R.F.D. Snappy Lunch was another eatery in Mayberry, although it was only mentioned once (in the episode "Andy the Matchmaker").

Several stores were mentioned throughout the run of The Andy Griffith Show. The local grocery store was called Foley's Grocery or Crowley's Market, leading some to conclude Mr. Foley (Stanley Farrar and Frank Ferguson) owned the store, but Art Crowley (Frank Warren) managed it. Clothing stores included Luken's Style Shop and Mort's Clothing Store. Weaver's Department Store was the department store in town. Other stores included Morrison Sisters Flower Shop, Nelson's Hardware Store, Sterling Jewelry Store, and Willick's Shoe Shop. The Grand Theatre was the cinema in town where Andy and Barney took their dates and Goober watched many a monster movie.

Beyond Floyd's Barber Shop, Walker's Drug Store, Wally's Filling Station, and Emmett's Fix-It Shop, there were several other businesses named on The Andy Griffith Show and Mayberry R.F.D. These included Fleur De Lis Beauty Salon, Monroe's Funeral Parlor, Simmons Seeds, and F. Wakefield Beauty Salon.

The Andy Griffith Show and Mayberry R.F.D. were shot at the old RKO Forty Acres Lot, which Desilu Studios had bought in 1957. It had already been used on such classic movies as King Kong and Gone with the Wind. With regards to television, The Adventures of Superman and episodes of The Adventures of Ozzie and Harriet were shot there. While The Andy Griffith Show was in production, the lot was occasionally used by other shows, including Batman, The Green Hornet, Mission: Impossible, and even Star Trek (the episodes "Miri" and "City on the Edge of Forever"). Sadly, the Mayberry lot would be torn down in 1978.

One common misconception about Mayberry is that there were no Black people in the town. While none of the lead characters or supporting characters on The Andy Griffith Show were Black, Blacks did in fact appear on the show. Black extras were seen as early as the first season episode "Ellie Comes to Town" and would also be seen in such episodes as "Andy's English Valet," "Opie and the Carnival," "Barney Comes to Mayberry," and others. That having been said, the only Black character to have lines in an episode of The Andy Griffith Show was Opie's football coach Flip Conway (Rockne Tarkington) in the episode "Opie's Piano Lesson." In a retrospective on the show, Howard Morris, who directed several episodes of The Andy Griffith Show in addition to playing Ernest T. Bass, said that many on the show wanted to include Black characters, but CBS was nervous that including Black characters would hurt the show's ratings in the South. Andy Griffith would later express regret that Black characters had not been cast on the show. Fortunately, the network had apparently changed their mind by the time Mayberry R.F.D. had debuted. Among the recurring characters was a neighbour of lead character Sam Jones (Ken Berry), Ralph Barton (Charles Lampkin). Ralph had a teenager daughter, Dorothy June (Amanda Sykes), and a pre-teen son Martin (Calvin Peeler).

Over time The Andy Griffith Show would see changes to its cast. The most significant of these was the departure of Don Knotts. Mr. Knotts left the show basically due to a miscommunication between him and Andy Griffith. Mr. Griffith had said that he would not do the show for more than five years. After five years, then, Don Knotts left to pursue a career in film. On the show it was explained that Barney had left Mayberry to take a job as a detective in Raleigh. Don Knotts would continue to appear as Barney in guest appearances on the show, appearing in five more episodes during the show's run. He also guest starred as Barney in the first episode of Mayberry R.F.D., "Andy and Helen Get Married."

While Don Knotts left The Andy Griffith Show for movies, Howard McNear left the show in 1967 due to declining health. He died only around two years after leaving the show, on January 3 1969.  Floyd Lawson's absence from the show was explained as Floyd having retired. In 1966 Hal Smith ceased appearing as Otis Campbell on the show.

Just as various actors left The Andy Griffith Show, so too were actors added. Jack Dodson first appeared as county clerk Howard Sprague in the episode "The County Clerk." Howard was overly close to his mother, something of a Milquetoast,  and a bit socially awkward. Howard would become one of the central characters on The Andy Griffith Show in its later seasons, and was one of the leads on Mayberry R.F.D. Following the departure of Howard McNear, the character of Emmett Clark (Paul Hartman) was added to the show. Emmett Clark was the local handyman who ran Emmett's Fix-it Shop, which became the central hangout for Mayberry's men  following the closure of Floyd's Barber Shop. Like Howard, he would be one of the leads of Mayberry R.F.D.

It was before the eighth and final season of The Andy Griffith Show that Andy Griffith decided to leave the show and return to making movies. This did not make either CBS or the show's sponsor, General Foods, particularly happy, as the show was still very high rated (it came in no. 3 in the Nielsen ratings for the 1966-1967 season). Andy Griffith was then convinced to do an eighth and final season. At the same time the character of farmer Sam Jones (Ken Berry) was introduced. Sam was elected to the city council and would increasingly play a large role in episodes as the season progressed. Andy and Helen also finally became engaged. Essentially, during its eighth season, The Andy Griffith Show was transitioning to Mayberry R.F.D.

Although often referred to as a spinoff, Mayberry R.F.D. should perhaps more properly be considered a continuation of The Andy Griffith Show without Andy Griffith. It was developed by Bob Ross, who had written several episodes of The Andy Griffith Show. It should come as no surprise, then, that the format of Mayberry R.F.D. resembled that of The Andy Griffith Show to a great degree. It centred on farmer and Mayberry city councilman Sam Jones, who, like Andy, was a widower with a young son (Mike played by Buddy Foster). Andy and Helen married in the debut episode of Mayberry R.F.D. and moved away, after which Aunt Bee became Sam's housekeeper. Goober, Howard, and Emmett remained on the show. They were  joined by a few new characters. Millie Swason (Arlene Golonka) was Sam's girlfriend (curiously, Arlene Golonka had played Howard's girlfriend, Millie Hutchins, on two episodes of The Andy Griffith Show). Harold (Richard Steele) was Mike's best friend. As mentioned earlier, Ralph Barton was Sam's neighbour on the show. Both Clara Edwards and Emmett's wife Martha (Mary Lansing), from The Andy Griffith Show, continued to appear on Mayberry R.F.D.

Andy Griffith would guest star on Mayberry R. F.D. in its first season. Including the premiere episode, "Andy and Helen Get Married," he appeared in the episodes "Help on the Farm," "Youth Takes Over," and "Mike's Losing Streak." He made one last guest appearance on the show in the first episode of the second season, "Andy's Baby." It centred on the christening of Andy and Helen's new baby, Andy Jr.

Mayberry R.F.D. saw one cast change during its run. After the second season Frances Bavier retired from acting. In the third season episode "The New Housekeeper" it is said that Aunt Bee left to take care of her sister. She was replaced as Sam's housekeeper by his cousin Alice Cooper (Alice Ghostley). Alice was a sharp contrast to Aunt Bee. For one thing she was younger (Alice Ghostley was only around 46 when she joined Mayberry R.F.D., while Frances Bavier was in her sixties when she left). For another thing, the character of Alice had served in the Army for twenty years before becoming Sam's new housekeeper.

Mayberry R.F.D. proved to be popular on its debut, ranking no. 4 for the 1968-1969 season. It maintained that position in its second season, but dropped to no. 15 for its third season (probably due to new competition from Monday Night Football on ABC and The ABC Monday Night Movie). Of course, no. 15 in the Nielsen ratings for the year is still impressive and in any previous year it may have been renewed. Unfortunately, the 1970-1971 season was the season of the Rural Purge. For much of the Sixties ABC and NBC had pursued and attracted viewers in the key demographic of people aged 18 to 34 living in cities, who were perceived as more desirable by advertisers. For much of the Sixties, CBS ignored this key demographic in favour of the overall Nielsen ratings of any given show. All of this began to change around 1967, when CBS cancelled I've Got a Secret, To Tell the Truth, What's My Line?, and even Gunsmoke because their audiences skewed older. Gunsmoke was swiftly returned to the schedule as it turned out to be the favourite show of Babe Paley, wife of CBS chief executive William S. Paley. The three panel shows received no such reprieve.

It was then in the late Sixties that CBS decided to change their strategy and pursue the key demographic of urban individuals aged 18-34. This was complicated by the fact that the Prime Time Access Rule would go into effect during the 1971-1972 season. The Prime Time Access Rule was a FCC regulation that effectively reduced the amount of network programming during prime time, meaning the networks had to cancel many more shows than before. With an audience that was largely rural and older, CBS then decided to cancel every single rural show on the air, from the country variety show Hee-Haw to the sitcom The Beverly Hillbillies. Mayberry R.F.D. was then cancelled with its third season. Ranking no. 15 for the year, it remains one of the highest rated shows to ever be cancelled.

Of course, this did not mean Mayberry had disappeared forever. It could still be seen in syndicated reruns of The Andy Griffith Show and Mayberry R.F.D. The character of Goober could be seen in new episodes of Hee-Haw, which entered syndication following its cancellation by CBS. If anything, The Andy Griffith Show would become even more popular in syndication as new generations discovered the show. It was then in 1986 that the television reunion movie Return to Mayberry aired.

Much of the original cast returned for the movie, including Andy Griffith as Andy Taylor, Don Knotts as Barney, Ron Howard as Opie, Howard Morris as Ernest T. Bass, Jim Nabors as Gomer Pyle, George Lindsay as Goober Pyle, Jack Dodson as Howard Sprague, Aneta Corsault as Helen, and Betty Lynn as Thelma Lou. Howard Sprague was constantly changing his hair colour in an attempt to look young. Otis Campbell was no longer an alcoholic and was now Mayberry's ice cream man. Gomer now co-owns the gas station with Goober, now named G 'n G. It turns out that Thelma Lou got a divorce after one year of marriage. She and Barney rekindle their romance and finally marry. For the most part Return to Mayberry maintained continuity with The Andy Griffith Show and Mayberry R.F.D. except for one glaring error: Andy and Helen's son Andy Jr. from the Mayberry R.F.D. episode "Andy's Baby" is never mentioned. The Mayberry set at 40 Acres having been torn down several years ago, Los Olivos, California stood in for Mayberry.

Return to Mayberry proved successful in the ratings. The TV reunion movie was so successful that it could have led to more Mayberry projects had Andy Griffith not already been committed to the TV series Matlock (then in its first season). Return to Mayberry would then be the last viewers would see of Mayberry, North Carolina.

There can be no doubt that the success of The Andy Griffith Show and its successor Mayberry R.F.D. was largely due to how well realized Mayberry was. Earlier sitcoms had featured fictional towns, such as Springfield on Father Knows Best and Hilldale on The Donna Reed Show, but on those shows it was individual families that took a central role, not the town. On both The Andy Griffith Show and Mayberry R.F.D. it was arguably Mayberry that took centre stage. The town of Mayberry as a whole was as much of a character on the show as Andy, Barney, or Floyd. People from small towns could watch The Andy Griffith Show and Mayberry R.F.D. and identify with many of the situations and even characters on the show. I suspect there are many small towns with a Gomer Pyle, a Floyd Lawson, or even a Barney Fife. In making the town central to the show, The Andy Griffith Show was something of a pioneer. Mayberry is the spiritual ancestor of every fictional small town and community to appear on American television ever since, including Walton's Mountain on The Waltons; the unnamed town on Newhart; Evening Shade, Alabama on Evening Shade; Twin Peaks on the show of the same name; Cicely, Alaska on Northern Exposure; Stars Hollow on Gilmore Girls; and Pawnee, Indiana on Parks and Recreation.

Of course, because The Andy Griffith Show and Mayberry R.F.D. centred on Mayberry, the show was very much a character driven comedy. The show's humour did not arise from one-liners or even from contrived situations, but from the characters themselves. On The Andy Griffith Show and Mayberry R.F.D., the characters drove the plot rather than the plot driving the characters. What is more The Andy Griffith Show differed from the domestic comedies of the Fifties and even its contemporary sitcoms in other ways. The Fifties had seen a rise in domestic comedies, such as Father Knows Best and The Donna Reed Show, that could justifiably be described as gentle. The late Fifties and early Sixties saw a shift to broad comedies such as Dobie Gillis and The Beverly Hillbillies, comedies that could be so broad that they could be surreal at times. The Andy Griffith Show struck a middle ground between these two extremes. It could be very broad at times (such as the episode "The Loaded Goat," in which a goat has eaten dynamite), but it was never so broad that it departed from reality. While many of the situations on such comedies as Gilligan's Island and The Monkees were very unlikely to happen, most of the situations on The Andy Griffith Show conceivably could.

If there is one criticism that can be directed at the portrayal of Mayberry on The Andy Griffith Show and to a lesser degree Mayberry R.F.D., it is the town's lack of diversity. I grew up in and still live in a small town not unlike Mayberry. We have a relatively large Black population and many of our most prominent citizens are Black. By the same token, I am part Cherokee and one of my close friends in my youth was nearly full Cherokee. Had Mayberry been realistically portrayed, many of the characters would have been Black and some may have even been Cherokee. As it was, while Black extras appeared on The Andy Griffith Show, only one Black character (Opie's aforementioned football coach) had lines on the show  and only one Cherokee character appeared (Tom Strongow in "The Battle of Mayberry," played by Norman Alden, who was white rather than Naive American). Of course, here it must be pointed out that most other sitcoms of the era did not feature characters belonging to ethnic minorities either, not The Beverly Hillbillies, not Bewitched, not Green Acres. Sadly, while African Americans would increasingly be featured in roles in dramas as the Sixties progressed (examples being I Spy, Star Trek, and Mission: Impossible), the broadcast networks were very reticent to include them in situation comedies. It would take the show Julia, starring Diahann Carroll, in 1968 to break the colour barrier in sitcoms. While I would have preferred The Andy Griffith Show to have included Black and even Native American characters in its cast, I also realize that it would not have been realistic to expect them to have done so given the attitudes of the networks in the Sixties. Here I must also point out that things have not changed terribly much in American television. Native Americans are still nearly invisible on the small screen, while East Asian Americans and Latinos are often absent even from shows set in cities with large populations of each (for instance, Los Angeles and New York City).

Regardless, The Andy Griffith Show would have a lasting impact. Even today it can be found as a syndicated rerun on local stations and cable channels around the country. As mentioned earlier, it would have an influence on every sitcom and drama to feature a small town ever since. It has even had an impact on American English. As mentioned earlier, small towns with relatively low crime rates and friendly inhabitants are often referred to as "Mayberry." A self-important, high-strung police officer might find himself nicknamed, "Barney Fife." Rural people who are not terribly bright might be described as "Gomer Pyle." To a degree it can be said that Mayberry's appeal lies in its nearly utopian portrayal of a small town. It has relatively little crime and any problems that arise can be worked out with a bit of time and understanding. I have no doubt that many watch The Andy Griffith Show and  Mayberry R.F.D. purely for escapism. For many living in small towns, however, they can see something of Mayberry in their own hometown, from the various characters that inhabit the town to the situations that sometimes arise. If Mayberry became a synonym for small towns across the United States, it is perhaps because at the same time it portrays a somewhat idealized vision of those towns that still has some semblance to reality. To wit, Mayberry was the first small town to be fully realized on American television, and it remains the most famous.