Friday, December 1, 2023

The Devil Rides Out (1968)

(This post is part of the Hammer-Amicus Blogathon IV, hosted by Cinematic Catharsis and Realweedgiemidget Reviews)



When Boomers, Gen Xers, and even Millennials think of Sir Christopher Lee, his first role that is likely to come to mind is that of Dracula in the many Hammer horrors in which he played the character. For Zoomers the first role that comes to mind may be Saruman in the Lord of the Rings films or Count Dooku in the Star Wars prequel trilogy. Sir Christopher Lee played many villains in his long career and he was very good at playing villains, so much so that it is sometimes hard to believe he ever played a hero. One notable film in which he did play the hero was The Devil Rides Out (1968), originally released as The Devil's Bride in the United States.

The Devil Rides Out (1968) stars Sir Christopher Lee as adventurer and occultist the Duc de Richleau. The Duc de Richleau's protege Simon Aron (Patrick Mower) had broken off contact with him. It is for that reason that the duke and Simon's father, Rex Van Ryn (Leon Greene, dubbed by Patrick Allen), visit Simon at a manor house he recently purchased. There they find Simon in the company of others, and getting ready for some event to be held that evening. An investigation of the manor house's observatory reveals a pentagram and various strange markings, and it becomes obvious that Simon has become involved with Satanists. The Duc de Richleau then finds himself in conflict with a Satanic cult, led by Mocata (Charles Gray).

The Devil Rides Out  was based on the 1934 novel of the same name by Dennis Wheatley. It was the second novel by Mr. Wheatley to feature the Duc de Richleau, the first being The Forbidden Territory, published in 1933. In all, the Duc de Richleau would appear in eleven novels by Dennis Wheatley, with the last novel, Gateway to Hell, being published in 1970. As to the Duc de Richleau himself, he was an aristocrat who engaged in a variety of adventures. The Duc de Richleau novels range in genre from adventure (The Forbidden Territory) to mystery (Three Inquisitive People) to the occult (The Devil Rides Out and Gateway to Hell). The Devil Rides Out would not be the first Duc de Richleau novel to be adapted as a a film. The Forbidden Territory was adapted by none other than Alfred Hitchcock in 1934, although the character of the Duc de Richleau was replaced by an Englishman named Sir Charles Farringdon (Ronald Squire). Sales for Dennis Wheatley's books remained strong throughout the years, and in the Sixties they sold in the millions.

It would be Christopher Lee himself who led Hammer Film Productions to adapt The Devil Rides Out as a movie. Christopher Lee was a huge fan of Dennis Wheatley's work, and had even met the author at one of his lectures in the mid-Fifties. He then persuaded Hammer to adapt Dennis Wheatley's novels. It was then in 1963 that Hammer optioned The Devil Rides Out, as well as some of Dennis Wheatley's other novels on the occult. Hammer ultimately decided against adapting The Devil Rides Out at the time, as they felt that because The Devil Rides Out dealt with Satanism it might not receive a certificate from the British Board of Film Classification (BBFC).

Fortunately, as the Sixties passed concerns about censorship over devil worship in movies abated, so Hammer Film Productions felt secure enough to adapt the novel The Devil Rides Out. The original script for The Devil Rides Out was written by John Hunter, who co-wrote the Hammer adventure film Pirates of Blood River (1962) with John Gilling. Hammer was unhappy with John Hunter's adaptation, so they hired legendary science fiction, fantasy, and horror writer Richard Matheson to write a new script. Even in 1967 Hammer Film Productions had concerns over any possible censorship, so they submitted the script for The Devil Rides Out to the BBFC. The BBFC made it plain that they did not want to see "...any misuses of Christian emblems or any parodies of Christian prayers." Hammer was then very careful as to what was shown on screen in The Devil Rides Out.

Christopher Lee was set to play the Duc de Richleau from the very beginning. For the all important role of the villain Mocata, Hammer had originally wanted Gert Fröbe, best known for playing Auric Goldfinger in the James Bond movie Goldfinger (1964). The role would ultimately go to an actor who would later play another villain in a James Bond movie. Charles Gray would go onto play Blofeld in Diamonds Are Forever (1971). Still later he would play the Criminologist in The Rocky Horror Picture Show (1975). The Duc de Richleau's friend Rex Van Ryn was played by Leon Greene, who had appeared in A Funny Thing Happened on the Way to the Forum (1966). His voice would be dubbed by Patrick Allen (more on that in a bit).

The Devil Rides Out was directed by perhaps the director most associated with Hammer Film Productions, Terence Fisher. He directed the film that turned Hammer into the premier studio for horror movies, The Curse of Frankenstein (1957), as well as Dracula (1958--AKA Horror of Dracula), The Mummy (1959), and yet other Hammer horrors. Special effects on The Devil Rides Out were provided by Michael Stainer-Hitchens, a situation which was not of Hammer's choosing. Michael Staivers-Hutchins co-owned the rights to the novel The Devil Rides Out, and demanded that he provide the special effects in return for his rights to the book. As it turned out, some of the bigger special effects in The Devil Rides Out would be completed by an uncredited Les Bowie,  who had provided effects for such Hammer films as The Quatermass Xperiment (1955), Dracula (1958), The Kiss of the Vampire (1963), and yet others. He would later be part of the special effects team on the movie Superman (1978).

The Devil Rides Out completed shooting in the summer of 1967, but its path to the big screen would not be smooth. It was producer Anthony Nelson Keys, who also served as producer on such Hammer films as The Curse of Frankenstein (1957) and Dracula (1958), who decided that Leon Greene's voice would have to be redubbed. Leon Greene's voice was then dubbed by Patrick Allen, who had appeared in the Hammer swashbuckler Captain Clegg (1962) and narrated the Hammer adventure film The Viking Queen (1962). He would also provide the voice-over for the British trailer for The Devil Rides Out. In the United States, the American distributor for The Devil Ride's Out, 20th Century Fox, cut several seconds of some of the film's more controversial scenes. They also retitled it The Devil's Bride for its American release, as they feared The Devil Rides Out made it sound like a Western.

The Devil Rides Out was released in the United Kingdom on July 7 1968 as the lead feature in a double bill with Slave Girls (1967), as the Hammer film Prehistoric Women had been retitled for its British release. It was released on December 18 1968 in the United States. While The Devil Rides Out has gone on to become a favourite with Hammer Film fans, it did poorly at the box office on both sides of the Pond. In the United Kingdom, much of the reason for its poor performance at the box office may have been because it was paired with Prehistoric Women.  Not only did Prehistoric Women  belong to a completely different genre (fantasy adventure), but Hammer counted it among their worst motion pictures ever made and actually delayed its release in the United Kingdom for two years. It had been released in the United States on January 24 1967.

In the United States, The Devil's Bride (as it was titled in the States) may have simply been the victim of bad timing. Rosemary's Baby (1968), which also dealt with devil worship, had been released on June 19 1968. Witchfinder General (1968), produced by Hammer rival Trigon British Film Productions, was released under the title The Conqueror Worm, in the United States on August 14 1968. Even though The Devil Rides Out had originally been conceived in 1963 and filmed around the same time as Rosemary's Baby and shortly before Witchfinder General (which was filmed in autumn 1967), it was then beat to American cinemas by two other movies that dealt with Satanism. For Americans, then The Devil's Bride may have felt like an afterthought.

Fortunately, The Devil Rides Out would find new life on television and still later on home media. No less than Sir Christopher Lee himself named The Devil Rides Out as one of his favourite films and he said that he would like to have seen it remade with modern special effects with him playing a more mature Duc de Richleau. Over the years it has developed a cult following and has become a favourite among the Hammer horror movies. In many ways it was a pioneer in its genre. Conceived in 1963 and released the same year as Rosemary's Baby and Witchfinder General, it was among the first in a new occult horror cycle that would last into the Seventies.



Wednesday, November 29, 2023

TCM December 2023 Star of the Month Cary Grant

Cary Grant numbers among the biggest movie stars of all time. Indeed, in AFI's 1999 list 100 Years..100 Stars, Cary Grant ranked second to only Humphrey Bogart as the greatest male star. He had a long career, from working in vaudeville in the 1920s to his final screen credit, Walk, Don't Run, in 1966. Over the years he appeared in a number of legendary movies, including Bring Up Baby (1938), Arsenic and Old Lace (1944), North by Northwest (1959), and Charade (1963). Even today people who have never seen a classic movie in their lives recognize his name.

It should be no surprise that Cary Grant is Turner Classic Movies' Star of the Month for December 2023. Every Friday night TCM will be showing several of his movies. What is more, on December 22 2023, Cary Grant and Dyan Cannon's daughter Jennifer Grant will co-host a night of Mr. Grant's movies with TCM host Dave Karger. She will share her own insights into her father's career, as well as discuss the new Britbox original series Archie, based on her father's life, on which she was an executive producer.

Below is a schedule of the Cary Grant movies TCM will be showing on Friday nights. All times are Central. Here I have to apologize for some holes in the schedule, as it appears Turner Classic Movie's December schedule is not yet complete.

December 1:
1:30 PM Arsenic and Old  Lace (1944)
3:40 PM Sylvia Scarlett (1935)
5:15 PM The Bachelor and the Bobby Soxer (1947)
7:00 PM Monkey Business (1952)
9:00 PM I Was a Male War Bride (1949)
11:00 PM The Philadelphia Story (1940)

December 2:
1:00 AM Bringing Up Baby (1938)
3:00 AM Mr. Lucky (1943)

December 8:
Once Upon a Honeymoon (1942)
5:00 PM Dream Wife (1953)
9:00 PM Holiday (1938)
11:00 PM My Favorite Wife (1940)

December 9:
1:00 AM Every Girl Should Be Married (1948)
2:30 AM Suzy (1936)

December 15:
2:30 PM The Pride and the Passion (1957)
5:00 PM Gunga Din (1939)
7:00 PM The Awful Truth (1937)
9:00 PM His Girl Friday (1940)
11:00 PM Topper (1937)

December 16:
1:00 AM Suspicion (1941)
3:00 AM North by Northwest (1959)

December 22:
7:00 PM The Bishop's Wife (1947)
9:00 PM An Affair to Remember (1957)
11:15 PM Room for One More (1952)

December 23:
1:00 AM Penny Serenade (1941)
3:15 AM In Name Only (1939)
5:00 AM Destination Tokyo (1943)

December 29:
1:30 PM None But the Lonely Heart (1944)
3:30 PM Night and Day (1946)
11:15 PM Mr. Blandings Builds His Dream House (1948)

Tuesday, November 28, 2023

Redbone


While the height of their career was in the Seventies, Redbone remains the best known band of entirely Native American and Mexican American descent. Redbone would have a major hit with "Come and Get Your Love," which went to no. 5 on the Billboard Hot 100. Earlier their single "Witch Queen of New Orleans" had reached no. 21 on the chart. Redbone was known for recording songs about Native American topics when it was unusual for music artists do do so. Their stage costumes and album covers also often reflected their Native American heritage.

Redbone was formed in 1969 by Lolly and Pat Vegas. The name "Redbone" was chosen as it is a Cajun for someone of mixed racial ancestry. This reflected the Vegas brothers' heritage, as they were of Mexican American, Yaqui, and Shoshone descent. They took music while they were still very young. It was in 1961 that Pat Vegas released the single "I Wanna Be a Movie Star." The following year he released the single "The Best Girl in the World." Neither single charted.

It was in 1963 that Lolly and Pat Vegas formed The Avantis. The Avantis served as a support band for The Beach Boys, and also recorded a few singles the Chancellor, Regency, and Astra labels. Their single "Wax 'Em Down" proved to be a minor hit, reaching no. 21 on the Canadian single chart. Eventually Lolly and Pat Vegas began performing as The Vegas Brothers or Pat & Lolly Vegas.

It was in 1969 that they formed Redbone. Pat Vegas has said that he was inspired by Jimi Hendrix, who is said to have been part Cherokee, to form an all Native American band. Aside from the Vegas brothers, the band consisted of Peter DeBoe, the drummer of  Southern Cheyenne, Turtle Mountain Chippewa, and Rogue River/Siletz descent and Tony Bellamy, the guitarist of Yaquei and Mexican American descent. Redbone was signed to Epic Records in 1969.

Redbone's self-titled debut album was also a double album was released in January 1970. It was followed in October 1970 by their album Potlatch. It was with Potlatch that Redbone really began to explore topics related to Native Americans. Even the term "potlatch"is of Indigenous origin,  referring to a gift-giving feast practices by Indigenous peoples in the Pacific Northwest. The song "Alcatraz" addresses the island that had been occupied for more than 19 months by Native American activists beginning in November 1969. Potlatch would also see Redbone's first real success. The album reached no. 99 on the Billboard album chart, while the single from the album, "Maggie," peaked at no. 45 on the Billboard Hot 100.

Redbone would see even more success with their third album, Message from a Drum. The album produced their hit single "Witch Queen of New Orleans" and it reached no. 75 on the Billboard album chart. Their fourth album, Already Here, did not do nearly as well. Redbone recovered with their fifth album, Wovoka, which proved to be their highest charting album. It also produced their hit "Come and Get Your Love." The album itself peaked at no. 66 on the Billboard album chart. Its title is taken from the lead song on the album, "Wovoka," the Paiute religious leader who played an important role in the history of the Ghost Dance. In the United Kingdom Wovoka also featured "We Were All Wounded at Wounded Knee," an openly political song that addressed the Wounded Knee massacre of 1890 and the Wounded Knee Occupation of 1973. In the United States the song was initially. withheld for release as it was viewed as too controversial.

Sadly, Wovoka and "Come and Get Your Love" would see the height of Redbone's chart success. Their next album, Bearded Dreams Through Turquoise Eyes only reached no. 174 on the Billboard album chart, while their album Cycles did not chart at all. "Come and Get Your Love" would be their last major hit single.

Redbone would continue through the years, with several membership changes. They released their final album, One World, in 2005. It was re-released as Peace Pipe in 2009. Lolly Vegas died in 2010 at the age of 70 from lung cancer. Pat Vegas continued with a touring version of Redbone to this day.

Redbone are an important part of rock history. They were among the first bands composed entirely of members of indigenous descent. Furthermore, they addressed Native American topics. They would pave the way for further Native American artists. Their songs would also be covered by artists from Bobby Gentry to Tom Jones. While Redbone's chart success would only last for a few years, their influence on rock music remains to this day.

Monday, November 27, 2023

Christmas Movies on TCM in December 2023

Shirley MacLaone and Jack
Lemmon in The Apartment
For many of us Turner Classic Movies is the destination for Christmas movies, not the Hallmark Channel. There is a good reason for this, as every December TCM shows some of the greatest Christmas movies ever made. This year is no different, as they are showing such classics as The Apartment (1960), The Bishop's Wife (1947), Christmas in Connecticut (1944), It Happened on 5th Avenue (1947), The Man Who Came to Dinner (1942), and yet others.

Every year I compile a schedule of my picks for movies guaranteed to bring the Christmas spirit to those who celebrate the holiday. This year is no different. This TCM is showing Christmas movies every Saturday and Sunday until December 17 when they begin their marathon of non-stop holiday films that last until December 25.

Some of you may notice Meet Me in St. Louis (1944) is not included in the schedule. Now Meet Me in St. Louis is one of my all-time favourite movies. If not for The Wizard of Oz (1939), it would be my favourite Judy Garland movie. As much as I love Meet Me in St. Louis, I have never, ever thought of it as a Christmas movie. In fact, my favourite times to watch are in the spring and the fall! For those of you who do think of it as a Christmas movie, I will tell you that Meet Me in St. Louis is airing on TCM at 11:00 PM on Saturday; December 16; at 7:00 PM on Thursday; and December 21; at 5:00 PM on Sunday, December 24. 

Anyway, without further ado, here is the schedule of my picks for Christmas movies to watch on Turner Classic Movies in December 2023. All times are Central.

Saturday, December 2
3:30 PM A Christmas Carol (1938)
5:00 PM Fitzwilly (1967)

Sunday, December 3
3:00 PM The Man Who Came to Dinner (1942)
5:00 The Bishop's Wife (1947)

Saturday, December 9
3:00 PM It Happened on 5th Avenue (1947)
5:15 PM Remember the Night (1940)

Sunday, December 11
3:00 PM In the Good Old Summertime (1949)
5:00 PM Christmas in Connecticut (1944)

Saturday December 16
3:15 PM The Shop Around the Corner (1940)
5:15 PM Holiday Affair (1949)

Sunday, December 17
10:00 PM It Happened on 5th Avenue (1947)

Monday, December 18
8:00 AM Tenth Avenue Angel (1948)
12:30 PM Bundle of Joy (1956)
2:30 PM Bachelor Mother (1939)
4:00 PM The Great Rupert (1950)
7:00 PM Miracle on Main Street (1939)
8:30 PM Blast of Silence (1951)
10:00 PM Cash on Demand (1961)
11:30 PM Cover-Up (1949)

Tuesday, December 19
2:30 AM Merry Christmas, Mr. Lawrence (1983)
4:45 AM "Star in the Night" (1945)
9:00 AM Love Finds Andy Hardy (1938)
5:15 PM Shop Around the Corner (1940)
11:30 PM O'Henry's Full  House (1952)

Wednesday, December 20
1:45 AM Period of Adjustment (1962)
9:30 SM Miracle on Main Street (1939)
1:00 PM Never Say Goodbye (1946)
3:00 PM Susan Slept Here (1954)
4:00 PM Christmas in Connecticut (1945)
7:00 PM Remember the Night (1940)
8:45 PM The Cheaters (1945)
10:30 PM We're No Angels (1955)

Thursday, December 21
12:30 AM Lady in the Lake (1947)
2:30 AM Roadblock (1951)
4:00 AM Christmas Past (1925)
6:15 AM Hell's Heroes (1930)
3:00 PM Larceny Inc. (1942)
5:00 PM Mr. Soft Touch (1948)
9:00 PM The Man Who Came to Dinner (1942)
11:15 PM Fitzwilly (1967)

Friday, December 22
1:00 PM Carol For Another Christmas (1964)
3:30 PM 3 Godfathers (1949)
4:30 PM The Lion in Winter (1968)
7:00 PM The Bishop's Wife (1947)

Saturday, December 23
10:30 AM The Thin Man (1934)
12:15 PM Good Sam (1948)
2:30 PM Bell, Book and Candle (1958)
7:00 PM The Shop Around the Corner (1940)
9:00 PM In the Good Old Summertime (1949)
11:00 PM Desk Set (1947)

Sunday, December 24

5:00 AM Three Godfathers (1936)
6:30 AM Beyond Tomorrow (1940)
8:00 AM The Great Rupert (1950)
9:30 AM Tenth Avenue Angel (1948)
10:45 AM Love Finds Andy Hardy (1938)
2:45 PM It Happened on 5th Avenue (1947)
7:00 PM Christmas in Connecticut (1945)
9:00 PM Holiday Affair (1949)
10:45 PM A Christmas Carol (1938)

Monday, December 25
4:45 AM "Big Business" (1929)
5:30 AM Bachelor Mother (1939)
9:00 AM Never Say Goodbye (1946)
10:45 AM Holiday Affair (1949)
12:30 PM The Apartment (1960)
2:45 PM The Man Who Came to Diner (1942)
5:00 PM In the Good Old Summertime (1949)

Saturday, November 25, 2023

Tension (1949)

Assumed identities are a relatively common trope in film noir. It plays a role in movies from The Stranger (1946) to No Man of Her Own (1950). Perhaps only a few other film noirs took the idea of assumed identities as far as Tension (1949). It is at the core of the movie, and we even get to see the protagonist go about creating his new identity.

In Tension (1949) Warren Quimby (Richard Basehart) is the meek, mild-mannered night manager of the Coast-to-Coast Drug Store in Culver City, California. He lives in a modest apartment above the drug store, saving money until he can afford a house in the suburbs. Unfortunately, his wife Claire (Audrey Totter) does not want to wait that long. Neither the apartment above the drug store nor a house in the suburbs appeal to her, as she longs for greater things. To this end she cheats on him with any man willing to spend money on her. At long last she leaves him for one of her rich suitors, Barney Deager (Lloyd Gough). This does not sit well with Warren, who creates a whole new identity with the goal of murdering Deager. He gets contact lenses, buys fancy clothes, and moves into an apartment in Westwood, Los Angeles. His new identity is Paul Sothern, a cosmetics salesman. Warren backs out of his plan to kill Deager after meeting his lovely new neighbour Mary Chanier (Cyd Charisse). Unfortunately for Warren, Deager winds up dead anyway...

Tension was based on a story by John D. Klorer, who had earlier provided the stories for such films as Seven Miles from Alcatraz (1942) and Good Sam (1948). MGM initially bought the rights to the story as a vehicle for Robert Taylor and Van Heflin. As it turned out, the protagonist Warren Quimby would be played by Richard Basehart, while Barry Sullivan would play Lt. Collier Bonnbel, the police detective who suspects Warren of murder. Tension was directed by John Berry, who had earlier directed the comedy Cross My Heart (1946) for Paramount and the musical Casbah (1948) for Marston Productions (Tony Martin's production company, which had a distribution deal with Universal). Unfortunately, in 1951 he was named a Communist by director Edward Dmytryk, one of the Hollywood Ten. He was blacklisted and relocated to the United Kingdom.

The contact lenses that figure so prominently in Warren Quimby's transformation into Paul Sothern were a bit of a timely topic in 1949. Contacts lenses that fit over the sclera of the eye had existed since the 1800s. By the 1940s contact lenses made from plastic were developed. It was in 1949 that the first contact lenses that fit over the cornea of the eye were developed. They were smaller and could be worn up to 16 hours a day. Unfortunately, they tended to be both fragile and expensive. It would not be until the 1960s that soft contact lenses would be developed. Of course, one of the more far fetched ideas Warren Quimby had about creating a new identity is that contact lenses would make him less recognizable. As anyone who has switched from glasses to contacts knows, one is still recognizable wearing contact lenses. When I first started wearing contacts, I got the questions, "Where are your glasses?" and "Did you get contacts?," but I was never asked, "Who are you?." I can only guess that Warren decided if doing away with one's glasses worked for Clark Kent, maybe it would work for him...

Tension premiered on December 1 1949 in Memphis, Tennessee. For the most past it got positive reviews. The critic for Variety wrote that Tension "lived up to its title. It's a tight, tersely stated melodrama that holds the attention." Bosley Crowther of The New York Times was an exception in that he disliked the move. In his overly negative review, he wrote, "A much better title for this picture would be "Patience," presuming such a thing." Audiences were not apparently impressed by Tension either. Made for $682,000, it only made $506,000 in the United States and Canada. It lost  $229,000 at the box office.

Fortunately, the reputation of Tension would improve in the years since its release, to the point that it is counted among the better film noirs MGM ever made. While the idea that someone could create a new identity with merely contact lenses and new suits is a bit far fetched, the script by Allen Rivkin and the performances of the cast make Tension convincing. Richard Basehart does a good job of transitioning from the meek, mild-mannered Warren Quimby to the outgoing Paul Sothern. And the role of Claire numbers among the best of Audrey Totter's "bad girls." She is selfish and greedy, and she constantly demeans Warren, to the point that one wonders why he would even want to remain with Claire. As Mary, Cyd Charisse is certainly among the sexiest good girls in film noir, but she is not mere window dressing. She endows Mary with a personality all her own, warm and sweet, but at the same time very much her own woman. Barry Sullivan also does well as the dogged detective Bonnabel, who gives the film its title in his monologue prior to the opening credits.

Tension (1949) may not be as well known as such film noirs as Double Indemnity (1944) or The Postman Always Rings Twice (1946), but it is a well done movie that benefits from some great performances and a script that consistently builds, well, tension. It should really be better known.

Friday, November 24, 2023

Will Sampson Defied Stereotypes

Will Sampson remains best remembered for playing "Chief" Bromden in One Flew Over the Cuckoo's Nest (1975). He also appeared in such films as Buffalo Bill and the Indians (1976) and The Outlaw Josey Wales (1976). Sadly, his career as an actor would be short one. He died in 1987 at the age of 53, having suffered from scleroderma in his later years. While Will Sampson's career was short, he made an impact as a Native American actor in refusing to play stereotypes and speaking out against them.

Will Sampson was born on September 27 1933 in Okmulgee County, Oklahoma. He was a citizen of the Muscogee Nation. Before he was an actor, he competed in rodeos for around 20 years. In fact, he was on the rodeo circuit when the producers of One Flew Over the Cuckoo's Nest, Saul Zaentz and Michael Douglas, took notice of him. They wanted a huge American Indian to play the role of "Chief" Bromden. At 6' 7" Will Sampson certainly fit the bill.

Chief Bromden would be Will Sampson's first role as an actor, and from the beginning he was resisting Hollywood's tendency to portray Native American characters as stereotypes. According to a June 6 1976 article in The New York Times,  One Flew Over the Cuckoo's Nest director Miloš Forman had wanted  Mr. Sampson to portray Chief Bromden as a stereotypical, "ugh-Tonto Indian." Will Sampson objected, pointing out that the movie was set in 1963, Chief Bromden had been a football athlete in high school, and had served in the Korean War. Chief Bromden would have perfect diction. In the end, Mr. Forman appreciated Will Sampson, telling him, "You were the only actor I didn't have to direct."

During production of The White Buffalo (1977), in which Will Sampson played Crazy Horse, Will Samspson found out the producers had hired white actors to play the majority of Native American roles. Will Sampson then shut down production on the film for a day by refusing to act alongside the white actors playing American Indians. His experience on The White Buffalo would lead Will Sampson to become one of the founders of the American Indian Registry for Performing Arts and to serve on its Board of Directors for years. The American Indian Registry for Performing Arts was founded to advocate for Native American actors, and published a directory of Native Americans in the entertainment industry.

Will Sampson was still speaking out for Native American actors and Native Americans in general only a few years before his death. In an article from the June 8 1984 issue of The Rapid City Journal, he made he point that American Indian stereotypes could still be seen in movies and TV shows, stating, "It's a slow process. Those stereotypes started way back when. The cowboy and Indian movies are what got the (motion picture) industry going, and that wasn't too long after the Indian wars."

In addition to being a groundbreaking actor, Will Sampson was also a talented painter. His artwork can be found in the Creek Council House Museum in Okmulgee, Oklahoma, and has been shown in such venues as the Pierson Gallery, the Gilcrease Museum, and the Philbrook Museum of Art.

In demanding not to play stereotypes and speaking out against such stereotypes, Will Sampson challenged Hollywood to do better by American Indians. In playing characters with dignity, such as William Halsey in Buffalo Bill and the Indians and Crazy Horse in The White Buffalo, he changed the sorts of roles Native Americans were expected to play. While a good deal of progress still has to be made, the portrayal of Native Americans on film and the opportunities Native American actors now have might not exist if it had not been for Will Sampson.

Thursday, November 23, 2023

Happy Thanksgiving 2023

Chances are good that if you have paid attention to the news the past many years, you probably know that many Native Americans do not care for the holiday of Thanksgiving. And as someone who is part Cherokee, in some ways I am ambivalent about Thanksgiving myself.  If one knows American history, this should come as no surprise. The Wampanoag, who legend has it dined with the Pilgrims, suffered greatly for their contact with the British colonists. It is for that reason that many Native Americans view Thanksgiving as a celebration of the genocide of Native Americans at the hands of European settlers and observe it as a day of mourning. As I see it, the problem is that the mythology of Thanksgiving has traditionally been tied to that of Thanksgiving celebrated by the Pilgrims in Plymouth, Massachusetts. Indeed, contrary to popular belief, the Thanksgiving celebrated by the Pilgrims was not even the first Thanksgiving celebrated in North America. Among British colonists, a Thanksgiving was celebrated at Berkeley Hundred in Virginia two years before the Pilgrims celebrated their Thanksgiving. And before that, in 1541, Spanish explorer Francisco Vasquez de Coronado and his men observed a Thanksgiving. Of course, before Europeans ever arrived on North American soil, many indigenous peoples had their own Thanksgivings. For example, the Seneca have Thanksgiving rituals that last four days, and other Iroquois nations have their own Thanksgiving rituals as well.

For me then, the answer is not to do away with the holiday of Thanksgiving, but to divorce it from the imagery of the Pilgrims. We should stop celebrating the Pilgrims, who ultimately brought grief to the Wampanoag. Ultimately, my point of view on the holiday is best expressed by Wilma Mankiller, the first woman to serve as Principal Chief of the Cherokee Nation, who said of the holiday, "We celebrate Thanksgiving along with the rest of America, maybe in different ways and for different reasons. Despite everything that's happened to us since we fed the Pilgrims, we still have our language, our culture, our distinct social system. Even in a nuclear age, we still have a tribal people." I think it is important to set aside a day to express gratitude. We just have to make sure that we are not celebrating genocide when we do so.

Anyway, I know most of you probably want to see the various vintage pinups I post every holiday, so without further ado, here they are.

First up is Leila Hyams and a friend.


And here is Joan Leslie taking her turkey for a walk.


And here Peggy Diggins is cuddling a turkey.


Fay Webb apparently prefers eating turkey to making pets out of them.


As does Frank Sinatra.


And it wouldn't be Thanksgiving without Ann Miller!

Happy Thanksgiving!