With Tuxes, Scott Fivelson casts a wide net, satirizing not only the rich, the State of Texas, the formalwear industry, and corporate America, but the class system, counterculture, and American entertainment, among other things. In many ways the novel is reminiscent of such Sixties satirical movies as Dr. Strangelove (1964), The Loved One (1967), and How to Succeed in Business Without Really Trying (1967), taking aim at multiple targets and showing little in the way of mercy towards any of them. Indeed, in Tuxes the same traits that would make for a successful caveman are the same traits that would make for a successful corporate executive.
What makes Tuxes successful as a satire is that its characters, while exaggerated, are so convincing that readers can easily believe they are real. At the centre of it all is Bundleworth patriarch Price, who finds his life turned upside down. And while Price is arguably the central character in Tuxes, his family, employees, and yet other characters have their own hopes and dreams. Much of the humour in Tuxes comes from how the characters’ hopes and dreams succeed or fail often for reasons that are sometimes downright preposterous. In Tuxes the characters are often not the captains of their fates so much as they are merely passengers aboard a ship in an at times stormy sea.
Kevn Costner as John Dutton III in Yellowstone |
Tuxes is a clever book that evokes such primetime soap operas centred on wealthy families as Dallas and Dynasty, and quite currently, the Yellowstone/Taylor Sheridan Universe, while at the same time evoking such satirical movies as Dr. Strangelove and The Loved One. Ultimately it is a fun read that will keep any reader thoroughly entertained.
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