Saturday, April 19, 2025

Some Thoughts on the 90th Anniversary of Bride of Frankenstein (1935)

Most everyone who knows me knows that I love the Hammer horrors. When I think of Dracula, it's Sir Christopher Lee who comes to my mind. I have seen most of the classic Hammer horror movies multiple times. It might then surprise some to discover that my favourite horror movie of all time was made by Universal. It is Bride of Frankenstein (1935), and it's not only my favourite horror movie, but I consider it the greatest horror movie ever made. It opened on this day in Chicago, New York City, and Portland, Oregon.

I wrote an in-depth post on Bride of Frankenstein ten years ago, which you can read here, but I thought I would discuss the impact the film has had upon me. Like most Gen Xers I saw it when I was young. It would be the movie that cemented my love for the old Universal horror movies. I enjoyed Frankenstein (1931) a good deal, but I found Dracula (1930) a bit dull (my apologies to the movie's fans). Bride of Frankenstein impressed me in a way that Frankenstein and Dracula hadn't. It seemed much more modern in both its attitudes and its execution that the other Universal monster movies I had seen.

Indeed, even though it was released after the Pre-Code Era had ended, it seemed as if director James Whale got way with more in Bride of Frankenstein than he had in the first movie or Tod Browning had in Dracula. I was not very old when I realized that Dr. Pretorius could be a coded homosexual, a feat made easy by Ernest Thesiger's overly camp performance. There is also a good deal of religious symbolism in the movie, including one point in the movie where the villagers capture Frankenstein's creature and tied him to a pole in a cruciform pose. It honestly seems to me that there is more violence in Bride of Frankenstein than some of Universal's Pre-Code movies.

As grim as Bride of Frankenstein can be, it also has a good deal of humour. Much of this comes through Dr. Pretorius's wit, although there is outright comedy to be found in Una O' Connor and E. E. Clive. The presence of humour alongside horror in Bride of Frankenstein put it more in line with later horror movies than earlier ones, this even as it dealt with themes which even the Pre-Code horrors rarely bothered to touch.

Ultimately, it would be Bride of Frankenstein that would lead me to seek out other Universal horrors, from James Whale's The Dark Old House (1932) to The Black Cat (1934). Along with the soap opera Dark Shadows and the Hammer horror movies, the Universal monster movies would make me a fan of the horror genre. It was Bride of Frankenstein that helped me along a path that would lead me to such authors as Stephen King, Ramsey Campbell, and Clive Barker and directors such as John Carpenter, David Cronenberg, and Wes Craven. To me it's still the greatest horror movie of all time.

Friday, April 18, 2025

Godspeed Jean Marsh


Jean Marsh, who co-created the classic TV show Upstairs, Downstairs and played parlourmaid Rose Buck on the show, died on April 13 at the age of 90 from complications from dementia.

Jean Marsh was born on July 1 1934 in London. As  a child she had Bell's palsy. Her mother sent her to dance school in the hope that it would strengthen her. As a young girl Miss Marsh also spent much of her time reading books. She attended the Aida Foster Theatre School. She made her acting debut in Pardon My Claws opposite Sonnie Hale.

/Jean Marsh made her film debut in a bit part in The Life and Adventures of Nicholas Nickleby in 1947. In the Fifties she appeared in the movies Will Any Gentleman...? (1953), The Limping Man (1953), and The Love Lottery (1954). She appeared in television shows on both sides of the Atlantic. She guest starred on the shows ITV Television Playhouse, Omnibus, The Third Man, and The Twilight Zone. She made her Broadway debut in 1959 in Much Ado About Nothing.

In the Sixties she played Joanna in the Doctor Who serial "The Crusade" and Sara Kingdom in the Doctor Who serial "The Daleks' Master Plan" she was a regular on the British show The Informer. She guest starred on the shows Danger Man, Walt Disney's Wonderful World of Color, ITV Play of the Week, The Edgar Wallace Mystery Theatre, The Saint, ITV Sunday Night Drama, Gideon's Way, I Spy, Adam Adamant Lives!, Detective, The Wednesday Play, Thirty-Minute Theatre, The Expert, Department S, The Root of All Evil?, UFOm, and ITV Saturday Night Theatre. She appeared in the films Call Me Genius (1961), The Roman Spring of Mrs. Stone (1961), Cleopatra (1963), Unearthly Stranger (1963), Face of a Stranger (1964), Charles Bubbles (1967), The Limbo Line (1968), and Jane Eyre (1970). She appeared on stage in The Bird of Time at the Royal Court Theatre in Liverpool and the Savoy Theatre in Westminster, London.

Jean Marsh and her best friend, fellow actress Eileen Atkins, co-created Upstairs, Downstairs. She appeared in all five series of the show as Rose Buck. She guest starred on the TV shows ITV Saturday Night Theatre, The Persuaders!, Play for Today, The Befrienders, The Rivals of Sherlock Holmes, Camera Three, The Waltons,and  Hawaii Five-O. She appeared in the movies Frenzy (1972), Dark Places (1974), The Eagle Has Landed (1976)), and The Changeling (1980). She appeared on Broadway in Habeas Corpus and Whose Life is It Anyway?.

In the Eighties Jean Marsh was a regular on the sitcom 9 to 5, based on the movie of the same name. She guest starred on the shows Trapper John, M.D.; The Love Boat; Tales from the Darkside; and Doctor Who. She appeared in the mini-series Goliath Awaits, Master of the Game, and Act of Will. She appeared in the movies Return to Oz (1985) and Willow (1988). She appeared on stage in Let Us Go Then You and I at the Lyric Theatre in Westminster, London.

In the Nineties Jean Marsh co-created the TV series The House of Elliott with Eileen Atkins. She was a semi-regular on The All New Alexei Sayle Show and a regular on The Ghost Hunter. She guest starred on the shows Screen One; Murder, She Wrote; The Tomorrow People; Dangerfield; and Kavanagh QC. She appeared on stage in The Chalk Garden at the King's Head Theatre in London.

In the Naughts Jean Marsh continue to appear on The Ghost Hunter. She reprised her role as Rose Buck on the revival of Upstairs, Downstairs. She appeared in the mini-series Sensitive Skin and Sense and Sensibility. She guest starred on the shows Holby City, Doctors, Julian Fellowes Investigates: A Most Mysterious Murder, and Crooked House. She appeared in the movie The Heavy (2009).  She appeared on stage in The Old Country at various locations, Boeing, Boeing in the Comedy Theatre in Westminster, London, and The Portrait of a Lady at the Theatre Royal, Bath and the Rose Theatre Kingston.

In the Teens she continued to appear in the revival of Upstairs, Downstairs. She guest starred on the show Grantchester.

I am guessing Jean Marsh will always be best remembered as the prim, proper, pragmatic, and yet ultimately cheerful Rose Buck on Upstairs, Downstairs, as well as one of the show's creators. The show itself would have a lasting influence, inspiring such shows as The Duchess of Duke Street,; m You Rang, M'Lord?; Beacon Hill; and on down to Downton Abbey. Of course, Jean Marsh also had close ties to Doctor Who, appearing in three different serials. In "The Crusade" she played Princess Joanna, the sister of King Richard the Lionheart. In "The Daleks' Master Plan" she played Sara Kingdom, a Space Security Agent helping the Doctor in his fight against the Daleks. In "Battlefield" she played a role well removed form either Princess Joanna or Sara Kingdom, Morgaine, better known as Morgan le Fay.

Beyond Upstairs, Downstairs and Doctor Who she appeared in a number of shows on both sides of the Atlantic. She was an android created as a companion for a man exiled to an asteroid in the Twilight Zone episode "The Lonely." On The Waltons she played the Baldwin sisters' cousin who had married a German citizen and is now worried about the Nazi regime given her husband is Jewish. In movies she played everything from Octavia in the film Cleopatra to Queen Bavmorda in Willow. As a television show creator Jean Marsh was brilliant and she was brilliant as an actress as well. She played a number of different roles throughout her career.

Thursday, April 17, 2025

There Was a Time I Enjoyed Spring

When I was a lad I actually enjoyed spring, particularly right before Easter as it is now. Good Friday meant a day off from school and then Easter itself would mean lots of candy. Of course, the weather was always mild then as it is now. Being spring, it was not too hot and too muggy (as it always is in the summer) or too cold (as it sometimes is in the winter).

Unfortunately, for me April doesn't just mean spring, but also tree pollen season. As an adult I developed allergies to various tree pollen around here, and I have never enjoyed spring since that time. This is particularly true the past few years, when climate change has meant tree pollen season begins earlier and as a result there is even more pollen in the air. Right now I am just hoping for September, when tree pollen season is a distant memory and the heat of summer is beginning to fade. Anyway, I hope tomorrow to get back to making posts as usual on this blog.

Tuesday, April 15, 2025

"The KKK Took My Baby Away" by The Ramones

I had been planning to eulogize actress Jean Marsh today, but I have found myself sidelined by the seasonal allergies that hit me every April. In hope that I will feel better tomorrow, I will then leave you with a shorter post. Keeping in mind it was 24 years ago that Joey Ramone died, here is my favourite Ramones song of all time, "The KKK Took My Baby Away."

Saturday, April 12, 2025

The Ten Commandments (1956) on Television

Tonight the American Broadcasting Company (ABC) is once more airing The Ten Commandments (1956), Cecil B. DeMille's biblical epic starring Charlton Heston. For decades it has been an annual tradition on ABC, and an annual tradition for many viewers. I have seen most airings of the film on ABC since my childhood.

The Ten Commandments (1956) made its television premiere on ABC on Sunday, February 18 1973. Just as it does today, ABC showed the movie in its entirety that night. For the most part ABC has always aired the film in its entirety on a single night, although there have been at least two instances in which ABC divided The Ten Commandments into two parts. The first time was upon its second airing in 1974, when the first part aired on Sunday, February 17 and the second part on Monday, February 18. A second instance in which The Ten Commandments aired in two parts was in 1997, when it aired on Sunday, March 30 and Monday, March 31.

Since its television debut, ABC has changed the time of year when they air The Ten Commandments. Although today the movie is associated with Passover and Easter, it made its television debut on Presidents Day weekend in 1973 and it aired in conjunction with President's day in 1974 as well. It was in 1975 that The Ten Commandments began airing on Easter Sunday. The Ten Commandments aired on Sunday nights until 2006, when it was moved to Saturday might. Since then, with but a few exceptions, it has aired on the Saturday before Easter. Among the exceptions to this was 2023, when it aired on April 1, eight days before Palm Sunday, because the 2025 Stanley Cup Playoffs fell on the Saturday before Easter that year.

Since The Ten Commandments made its television debut in 1973, there has been only one year in which ABC did not air it. That year was 1999, when ABC decided that they did not want to disrupt their Sunday night lineup (which included the hit show The Practice). As a result ABC received a number of phone calls from irate viewers for whom watching The Ten Commandments had become a family tradition. ABC has aired it once a year ever since.I have to think it will continue to air annually as long as there are broadcast networks.

Friday, April 11, 2025

10 Years Ago I Was on Turner Classic Movies


It was ten years ago today that I had the honour of introducing A Hard Day's Night (1964) with Ben Mankiewicz on Turner Classic Movies. This was part of the TCM Fan Favourites series that the channel was doing in 2014-2015. In the Fan Favourites segments, TCM fans got to discuss favourite films with Ben Mankiewicz. The first batch of Fan Favourites segments aired in November 2014 and included Aurora--better known as Citizen Screen (who introduced Meet Me in St. Louis), TCM Party co-founder  Paula Guthat (who introduced The Lemon Drop Kid),  Miguel Rodriguez of the Horrible Imaginings Podcast (who introduced The Thing from Another World), and TCM Party regular Joel Williams (who introduced Butch Cassidy and the Sundance Kid).

I was part of the second batch of Fan Favourites, which aired on April 11 2015. The day begin with Christina Rinaldi introducing Footlight Parade (1933), followed by myself introducing A Hard Day's Night. After me there was Donna D'Andrea with The Way We Were (1973) and Steve Zeoke wtih The Defiant Ones (1958). Steve and Christina and I would become friends following our appearances on TCM.

Anyway, It was in January 2015 that Turner Classic Movies announced in posts on Google+, Instagram, and Facebook that they were looking for four more fans for their next Fan Favourites segment. While the first time Turner Classic Movies asked fans to submit ten different films they would like to introduce, in January TCM asked fans to select one film and tell why they chose that film. In my case, I replied to their post on Google+ and explained why I would choose A Hard Day's Night (which should come to no surprise to those who know me well). Much to my surprise I was chosen as one of the four viewers for Fan Favourites almost immediately. Steve Zeoke always thought that TCM had wanted me from the very beginning, as I was one of TCMParty's original members.  Anyway, those of us who took part in the Fan Favourite segments were sworn to secret until the month they were about to air. I cannot tell you how hard it was not to tell everyone I was going to be on Turner Classic Movies!

For those of you unfamiliar with the Fan Favourite segments, they were accomplished using video chat. That is, when we did my introduction, Ben was in TCM's studios in Atlanta, while I was at home. Before my chat with Ben, I had two practice chats with  Courtney, Associate Producer at Turner Classic Movies, and Mardy, the sound engineer at TCM, to work out any technical difficulties.  As to the actual shooting itself, the introductions were shot in the order in which they will appear, which meant that I went on second. 

Turner Classic Movies sent each of us took part in my class of Fan Favourite segments a DVD with our segments. I never have watched mine as I cannot stand to look at myself in photos or in videos. If you are wondering why there are so few pictures of me, that is why. In the nearly ten years I have had the DVD, I have never watched it.

Sadly, I think TCM only did about one or two more Fan Favourites. I know my friends Annette and Meaghan introduced films in September 2015. I really enjoyed doing it myself. At the time I did worry about how I would come off on television, but all of my friends thought I did well and, most importantly, Vanessa still thought I was cute.  I really wish they had continued with the segments, as I thought they were fun. I have always enjoyed seeing other fans talk about their favourite movies, and often the fans know more about their favourite movies than some of the experts. Introducing A Hard Day's Night on TCM will remain one of my favourite memories.

Thursday, April 10, 2025

Three Songs from Blondie

The soundtrack to my life when I was in my middle teens included such bands as Cheap Trick, The Cars, The Knack, The Ramones, and Blondie. It is for that reason that I was particularly saddened by Clem Burke's death. Aside from being the drummer of one of my favourite band and one of the best drummers ever, Clem Burke's death spells the end of Blondie for me. It's hard to see the band continuing with only Deborah Harry and Chris Stein, particularly given Chris Stein's health has not been good of late. Anyway, I have been listening to Blondie more than usual and I thought I would share three of my favourite songs from the group.

First up is my all-time favourite Blondie song, "Atomic." The song was written by keyboardist Jimmy Destri and Debbie Harry. It originated as his attempt to doing something along the line of Blondie's earlier song "Heart of Glass," but evolved into something else. Amazingly enough, while "Atomic" is one of Blondie's best known songs, it only went to no. 39 on the Billboard Hot 100 when it was released in 1979.


Like "Atomic,' "Dreaming" is also from the Blondie album Eat to the Beat. It was written by Chris Stein and Debbie Harry. The song grew out the line "dreaming is free," which occurred to Chris Stein. Debbie Harry then worked out the rest of the lyrics from there. I have always thought that "Dreaming" was one of Blondie's more purely power pop songs, power pop being my favourite subgenre of rock music.Though I don't think it is remembered as well as "Atomic," it actually did better on the Billboard Hot 100, going all the way to no. 27.



While "Atomic" and "Dreaming" were both singles, "Petty Baby" was an album track from Parallel Lines. The song was supposedly inspired by Brooke Shields in the movie Pretty Baby (1978), While I have no doubt that this is true, I have always had trouble wrapping my head around it because of the line "petite ingenue." Supposedly by the time she was 13 she was already 5' 4", which I really wouldn't describe as "petite." Maybe Debbie Harry underestimated Brooke Shields's height or simply liked the line. Regardless, I do love the song and there is no denying it is catchy.