Most everyone who knows me knows that I love the Hammer horrors. When I think of Dracula, it's Sir Christopher Lee who comes to my mind. I have seen most of the classic Hammer horror movies multiple times. It might then surprise some to discover that my favourite horror movie of all time was made by Universal. It is Bride of Frankenstein (1935), and it's not only my favourite horror movie, but I consider it the greatest horror movie ever made. It opened on this day in Chicago, New York City, and Portland, Oregon.
I wrote an in-depth post on Bride of Frankenstein ten years ago, which you can read here, but I thought I would discuss the impact the film has had upon me. Like most Gen Xers I saw it when I was young. It would be the movie that cemented my love for the old Universal horror movies. I enjoyed Frankenstein (1931) a good deal, but I found Dracula (1930) a bit dull (my apologies to the movie's fans). Bride of Frankenstein impressed me in a way that Frankenstein and Dracula hadn't. It seemed much more modern in both its attitudes and its execution that the other Universal monster movies I had seen.
Indeed, even though it was released after the Pre-Code Era had ended, it seemed as if director James Whale got way with more in Bride of Frankenstein than he had in the first movie or Tod Browning had in Dracula. I was not very old when I realized that Dr. Pretorius could be a coded homosexual, a feat made easy by Ernest Thesiger's overly camp performance. There is also a good deal of religious symbolism in the movie, including one point in the movie where the villagers capture Frankenstein's creature and tied him to a pole in a cruciform pose. It honestly seems to me that there is more violence in Bride of Frankenstein than some of Universal's Pre-Code movies.
As grim as Bride of Frankenstein can be, it also has a good deal of humour. Much of this comes through Dr. Pretorius's wit, although there is outright comedy to be found in Una O' Connor and E. E. Clive. The presence of humour alongside horror in Bride of Frankenstein put it more in line with later horror movies than earlier ones, this even as it dealt with themes which even the Pre-Code horrors rarely bothered to touch.
Ultimately, it would be Bride of Frankenstein that would lead me to seek out other Universal horrors, from James Whale's The Dark Old House (1932) to The Black Cat (1934). Along with the soap opera Dark Shadows and the Hammer horror movies, the Universal monster movies would make me a fan of the horror genre. It was Bride of Frankenstein that helped me along a path that would lead me to such authors as Stephen King, Ramsey Campbell, and Clive Barker and directors such as John Carpenter, David Cronenberg, and Wes Craven. To me it's still the greatest horror movie of all time.
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Saturday, April 19, 2025
Friday, April 18, 2025
Godspeed Jean Marsh
Jean Marsh, who co-created the classic TV show Upstairs, Downstairs and played parlourmaid Rose Buck on the show, died on April 13 at the age of 90 from complications from dementia.
Jean Marsh was born on July 1 1934 in London. As a child she had Bell's palsy. Her mother sent her to dance school in the hope that it would strengthen her. As a young girl Miss Marsh also spent much of her time reading books. She attended the Aida Foster Theatre School. She made her acting debut in Pardon My Claws opposite Sonnie Hale.
/Jean Marsh made her film debut in a bit part in The Life and Adventures of Nicholas Nickleby in 1947. In the Fifties she appeared in the movies Will Any Gentleman...? (1953), The Limping Man (1953), and The Love Lottery (1954). She appeared in television shows on both sides of the Atlantic. She guest starred on the shows ITV Television Playhouse, Omnibus, The Third Man, and The Twilight Zone. She made her Broadway debut in 1959 in Much Ado About Nothing.
In the Sixties she played Joanna in the Doctor Who serial "The Crusade" and Sara Kingdom in the Doctor Who serial "The Daleks' Master Plan" she was a regular on the British show The Informer. She guest starred on the shows Danger Man, Walt Disney's Wonderful World of Color, ITV Play of the Week, The Edgar Wallace Mystery Theatre, The Saint, ITV Sunday Night Drama, Gideon's Way, I Spy, Adam Adamant Lives!, Detective, The Wednesday Play, Thirty-Minute Theatre, The Expert, Department S, The Root of All Evil?, UFOm, and ITV Saturday Night Theatre. She appeared in the films Call Me Genius (1961), The Roman Spring of Mrs. Stone (1961), Cleopatra (1963), Unearthly Stranger (1963), Face of a Stranger (1964), Charles Bubbles (1967), The Limbo Line (1968), and Jane Eyre (1970). She appeared on stage in The Bird of Time at the Royal Court Theatre in Liverpool and the Savoy Theatre in Westminster, London.
Jean Marsh and her best friend, fellow actress Eileen Atkins, co-created Upstairs, Downstairs. She appeared in all five series of the show as Rose Buck. She guest starred on the TV shows ITV Saturday Night Theatre, The Persuaders!, Play for Today, The Befrienders, The Rivals of Sherlock Holmes, Camera Three, The Waltons,and Hawaii Five-O. She appeared in the movies Frenzy (1972), Dark Places (1974), The Eagle Has Landed (1976)), and The Changeling (1980). She appeared on Broadway in Habeas Corpus and Whose Life is It Anyway?.
In the Eighties Jean Marsh was a regular on the sitcom 9 to 5, based on the movie of the same name. She guest starred on the shows Trapper John, M.D.; The Love Boat; Tales from the Darkside; and Doctor Who. She appeared in the mini-series Goliath Awaits, Master of the Game, and Act of Will. She appeared in the movies Return to Oz (1985) and Willow (1988). She appeared on stage in Let Us Go Then You and I at the Lyric Theatre in Westminster, London.
In the Nineties Jean Marsh co-created the TV series The House of Elliott with Eileen Atkins. She was a semi-regular on The All New Alexei Sayle Show and a regular on The Ghost Hunter. She guest starred on the shows Screen One; Murder, She Wrote; The Tomorrow People; Dangerfield; and Kavanagh QC. She appeared on stage in The Chalk Garden at the King's Head Theatre in London.
In the Naughts Jean Marsh continue to appear on The Ghost Hunter. She reprised her role as Rose Buck on the revival of Upstairs, Downstairs. She appeared in the mini-series Sensitive Skin and Sense and Sensibility. She guest starred on the shows Holby City, Doctors, Julian Fellowes Investigates: A Most Mysterious Murder, and Crooked House. She appeared in the movie The Heavy (2009). She appeared on stage in The Old Country at various locations, Boeing, Boeing in the Comedy Theatre in Westminster, London, and The Portrait of a Lady at the Theatre Royal, Bath and the Rose Theatre Kingston.
In the Teens she continued to appear in the revival of Upstairs, Downstairs. She guest starred on the show Grantchester.
I am guessing Jean Marsh will always be best remembered as the prim, proper, pragmatic, and yet ultimately cheerful Rose Buck on Upstairs, Downstairs, as well as one of the show's creators. The show itself would have a lasting influence, inspiring such shows as The Duchess of Duke Street,; m You Rang, M'Lord?; Beacon Hill; and on down to Downton Abbey. Of course, Jean Marsh also had close ties to Doctor Who, appearing in three different serials. In "The Crusade" she played Princess Joanna, the sister of King Richard the Lionheart. In "The Daleks' Master Plan" she played Sara Kingdom, a Space Security Agent helping the Doctor in his fight against the Daleks. In "Battlefield" she played a role well removed form either Princess Joanna or Sara Kingdom, Morgaine, better known as Morgan le Fay.
Beyond Upstairs, Downstairs and Doctor Who she appeared in a number of shows on both sides of the Atlantic. She was an android created as a companion for a man exiled to an asteroid in the Twilight Zone episode "The Lonely." On The Waltons she played the Baldwin sisters' cousin who had married a German citizen and is now worried about the Nazi regime given her husband is Jewish. In movies she played everything from Octavia in the film Cleopatra to Queen Bavmorda in Willow. As a television show creator Jean Marsh was brilliant and she was brilliant as an actress as well. She played a number of different roles throughout her career.
Thursday, April 17, 2025
There Was a Time I Enjoyed Spring
When I was a lad I actually enjoyed spring, particularly right before Easter as it is now. Good Friday meant a day off from school and then Easter itself would mean lots of candy. Of course, the weather was always mild then as it is now. Being spring, it was not too hot and too muggy (as it always is in the summer) or too cold (as it sometimes is in the winter).
Unfortunately, for me April doesn't just mean spring, but also tree pollen season. As an adult I developed allergies to various tree pollen around here, and I have never enjoyed spring since that time. This is particularly true the past few years, when climate change has meant tree pollen season begins earlier and as a result there is even more pollen in the air. Right now I am just hoping for September, when tree pollen season is a distant memory and the heat of summer is beginning to fade. Anyway, I hope tomorrow to get back to making posts as usual on this blog.
Unfortunately, for me April doesn't just mean spring, but also tree pollen season. As an adult I developed allergies to various tree pollen around here, and I have never enjoyed spring since that time. This is particularly true the past few years, when climate change has meant tree pollen season begins earlier and as a result there is even more pollen in the air. Right now I am just hoping for September, when tree pollen season is a distant memory and the heat of summer is beginning to fade. Anyway, I hope tomorrow to get back to making posts as usual on this blog.
Tuesday, April 15, 2025
"The KKK Took My Baby Away" by The Ramones
I had been planning to eulogize actress Jean Marsh today, but I have found myself sidelined by the seasonal allergies that hit me every April. In hope that I will feel better tomorrow, I will then leave you with a shorter post. Keeping in mind it was 24 years ago that Joey Ramone died, here is my favourite Ramones song of all time, "The KKK Took My Baby Away."