Comic book historian and novelist Les Daniels passed on 5 November at the age of 68. The cause was a heart attack.
Les Daniels was born on 27 October 1943 in Danbury, Connecticut. He grew up in Redding, Connecticut. He was only nine years old when the course of his career was determined. It was at that age that his mother threw his comic book collection out. He earned his bachelor's degree at Brown University. He received his master degree as well, writing his master's thesis on pulp horror writer H. P. Lovecraft.
Les Daniels would make his mark as a comic book historian with the book Comix: A History of the Comic Book in America, published in 1971. It was one of the earliest books on the medium, one which traced comic books from the first appearance of Superman to the moral panic over comic books in the early Fifties to the underground comics of the Sixties. In 1975 Mr. Daniels published Living in Fear: A History of Horror in Mass Media. The book covered nearly 1500 yeas of the genre, from Aeschylus' play Oresteia to horror novels and movies of the Seventies.
In 1978 Les Daniels published his first novel, The Black Castle. It was the first in a series of novels featuring Don Sebastian de Villanueva, a Spanish nobleman turned vampire. Mr. Daniels would write four more novels featuring Don Sebastian: The Silver Skull (1979), Citizen Vampire (1981), Yellow Fog (1986), and No Blood Spilled (1991).
Despite the Don Sebastian novels, it would be for his histories of comic books and comic book characters for which he would become best known. In 1991 he published Marvel: Five Fabulous Decades of the World's Greatest Comics, which covered Marvel Comics from its origins in the late Thirties to the late Eighties. DC Comics: Sixty Years of the World's Favourite Comic Book Heroes, published in 1995, chronicled the history of DC Comics from its earliest beginnings. Les Daniels would also write histories of DC Comics' major characters: Superman, the Complete History: The Life and Times of the Man of Steel (1998), The Complete History: The Life and Times of the Dark Knight Batman (1999), and The Complete History: Wonder Woman (2000).
Les Daniels was not the first comic book historian, but he was arguably the greatest. Only two other books ever matched Mr. Daniels Comix: A History of the Comic Book in America: Jim Steranko's two volume History of Comics and Gerard Jones's Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book (2004). As to Mr. Daniels' other comic book histories, there were never anything quite like them. No one but Les Daniels ever covered Superman, Batman, and Wonder Woman in such detail, and no one but Mr. Daniels ever wrote such detailed histories of the two major comic book companies in the industry. That he was also a successful novelist only makes Les Daniels even more impressive.
Indeed, I must confess I owe a great deal to Les Daniels. It is not simply that he wrote histories of a medium I love, comic books, but that he made chronicling pop culture respectable. Without Les Daniels and a few others as examples I might never have started writing about television, movies, music, comic books, and pulp magazines. To a large degree, A Shroud of Thoughts, then, owes its existence to Mr. Daniels. It's for that reason his passing saddens me more than that of many more famous individuals.
Saturday, November 19, 2011
Friday, November 18, 2011
Actress Dulcie Gray R.I.P.

Dulcie Gray was born Dulcie Bailey in Kuala Lumpur, British Malaya (now Maylasia) on 20 November 1915. She attended schools in Wallingford, Oxfordshire; Wokingham, Berkshire; and Swanage, Dorset. After completing her education in England she returned to British Malaya where she worked as a journalist for the Malaya Tribune. Following her father's death she returned to England where she enrolled in Ecoles des Beaux Arts school. Learning she did not excel at art, she enrolled at the Webber Academy of Dramatic Art. It was there she met Michael Denison. The two would eventually marry and would form one of the best known husband and wife acting teams in the United Kingdom. They would be married for 59 years, until Mr. Denison's death.
In 1939 Miss Gray made her professional debut in Hay Fever at His Majesty's Theatre in Aberdeen, Scotland. While Mr. Denison served in World War II, she played with repertories in Edinburgh, Glasgow, and Harrogate. Afterwards she went to London to play in Shakespeare at the Open Air Theatre in Regent Park. It was in 1942 that she made her debut on the West End in Little Foxes. It was her role in the play Brighton Rock that attracted the attention of Gainsborough Pictures, who signed her to a contract.
Dulcie Gray made her film debut in a small part in Banana Ridge in 1942. She went onto appear in such films as Two Thousand Women (1944), A Place of One's Own (1945), They Were Sisters (1945), Mine Own Executioner (1947), A Man About the House (1947), and The Glass Mountain.
In the Fifties Miss Gray made her debut on television in an adaptation of the play Milestones in 1951. Throughout the decade she appeared on such shows as Rheingold Theatre, Alfred Marks Time, BBC Sunday Night Theatre, and ITV Play of the Week. She appeared in such films as The Franchise Affair (1951), Angels One Five (1952), and There Was a Young Lady (1953). In the Sixties Dulcie Gray appeared in the movie A Man Could Get Killed (1966) and the TV series ITV Playhouse. In the Seventies she appeared on the TV series Crown Court and BBC Playhouse of the Month.
In the Eighties Miss Gray was a regular on the series Howard's Way, on which she played Kate Harvey. She appeared on the shows Play for Today, Agatha Christie's Partners in Crime, Rumpole of the Bailey, and Three Up Two Down,. In the Nineties she appeared on the shows Tales From the Crypt and Doctors. In 1996 she and Michael Denison appeared on Broadway for the first time in a revival of Oscar Wilde's An Ideal Husband.
In addition to being an actress and singer, Dulcie Gray was also a mystery novelist. Her first novel, Murder on the Stairs, was published in 1957. She would go onto write around two dozen mystery novels, most of them featuring the character of Inspector Cardiff. She also wrote eight radio plays and many short stories. One, "The Fur Brooch," was adapted as an episode of Night Gallery. Miss Gray was also one of the foremost experts on butterflies. In 1978 she published the scholarly study Butterflies on My Mind.
As an actress it is difficult to separate Miss Gray's career from that of her husband, Michael Denison. As a team Mr. Denison and Miss Gray acted together many, many times. As an individual actress she was often compared to Googie Withers. That having been said, Dulcie Gray was actually quite talented as an actress. In They Were Sisters she appeared without her husband, playing opposite James Mason as the wife he destroys. It was an impressive and sensitive performance and one of the stand out performances in the film. Of course, Miss Gray was more than an actress. As a mystery novelist she wrote popular books, some of which are in print to this day. She was also quite knowledgeable as a lepidopterist. Butterflies on My Mind won the Times Senior Information Book Award. Although Dulcie Gray was not the best known of the Gainsborough Girls, she was certain a woman of multiple and considerable talents.
Thursday, November 17, 2011
Actor Sid Melton Passes On
Sid Melton, best known for playing Charlie Halper on Make Room for Daddy and Alf Monroe on Green Acres, passed on 2 November 2011 at the age of 94.
Sid Melton was born Sidney Meltzer in Brooklyn, New York on 22 May 1917. His father was Isidor Meltzer, a well known performer in Yiddish theatre. His brother Lewis Meltzer was a screenwriter who worked on such movies as The Man with the Golden Arm (1955) and High School Confidential (1958). He made his film debut in a small part in New York Town in 1941. He would go on to appear in such film as Shadow of the Tin Man (1941), Blondie Goes to College (1942), Cario (1942), Girls in Chains (1943), George White's Scandals (1945), Suspense (1946), White Heat (1949), and On the Town (1949).
In the Fifties Sid Melton appeared in such films as The Lemon Drop Kid (1951), Leave It to the Marines (1951), The Naked Street (1955), Edge of Hell (1956), Public Pigeon No. One (1957), Designing Woman (1957), The Tunnel of Love (1958), and The Buccaneer (1958). Like many actors of the era, Mr. Melton's career increasingly shifted to television in the Fifties. He was a regular as Ichabod "Ikky" Mudd on Captain Midnight and played the night club owner Charlie Halper on Make Room for Daddy starting in 1959. He guest starred on such shows as Our Miss Brooks, Adventures of Superman, Cheyenne, Date with the Angels, The Jack Benny Programme, The Thin Man, Alfred Hitchcock Presents, Dragnet, December Bride, The Lucy-Desi Comedy Hour, Peter Gunn, and Bachelor Father.
In the Sixties Sid Melton was a semi-regular on Green Acres as carpenter Alf Monroe. He reprised his role as Charley Halper in the sequel series to Make Room for Daddy, Make Room for Grandaddy. He guest starred on such shows as The Joey Bishop Show, The Munsters, The Dick Van Dyke Show, The Andy Griffith Show, Run Buddy Run, The Danny Thomas Hour, That Girl, Petticoat Junction, Daktari, Gomer Pyle U.S.M.C., and I Dream of Jeannie.
In the Seventies Sid Melton guest starred on such shows as The Chicago Teddy Bears, Love American Style, The New Dick Van Dyke Show, The Doris Day Show, and Rhoda. He appeared in the films Lady Sings the Blues (1972), Hit! (1973), That Lady from Peking (1975), and Game Show Models (1977). In the Eighties Mr. Melton played the recurring role of Sophia's late husband on The Golden Girls. He guest starred on such shows as The Fall Guy and Hunter. In the Nineties he guest starred on Major Dad, Nurses, Blossom, Empty Nest, and Dave's World.
Perhaps no actor was as good at comedy relief as Sid Melton. It was the role he played in the majority of films and television shows in which he appeared. Even in the films noir and science fiction features in which he appeared, Mr. Melton was usually the comic relief. The reason for this is quite simply that he was very good at it. Very few supporting actors in movies or TV shows could be as funny as Sid Melton. What is more, he did not play simply one sort of character. He was equally adept at playing stressed out, nervous nightclub owners (Charlie Halper) as he was clumsy, inept carpenters (Alf Monroe) and small time con men (Friendly Freddy, his recurring character on Gomer Pyle U.S.M.C.). It is because Mr. Melton was so good that his career boasts a unique honour: he appeared as a regular on semi-regular on three classic sitcoms (Make Room For Daddy, Green Acres, and The Golden Girls). When it came to comedy relief, they didn't maek them any better than Sid Melton.
Sid Melton was born Sidney Meltzer in Brooklyn, New York on 22 May 1917. His father was Isidor Meltzer, a well known performer in Yiddish theatre. His brother Lewis Meltzer was a screenwriter who worked on such movies as The Man with the Golden Arm (1955) and High School Confidential (1958). He made his film debut in a small part in New York Town in 1941. He would go on to appear in such film as Shadow of the Tin Man (1941), Blondie Goes to College (1942), Cario (1942), Girls in Chains (1943), George White's Scandals (1945), Suspense (1946), White Heat (1949), and On the Town (1949).
In the Fifties Sid Melton appeared in such films as The Lemon Drop Kid (1951), Leave It to the Marines (1951), The Naked Street (1955), Edge of Hell (1956), Public Pigeon No. One (1957), Designing Woman (1957), The Tunnel of Love (1958), and The Buccaneer (1958). Like many actors of the era, Mr. Melton's career increasingly shifted to television in the Fifties. He was a regular as Ichabod "Ikky" Mudd on Captain Midnight and played the night club owner Charlie Halper on Make Room for Daddy starting in 1959. He guest starred on such shows as Our Miss Brooks, Adventures of Superman, Cheyenne, Date with the Angels, The Jack Benny Programme, The Thin Man, Alfred Hitchcock Presents, Dragnet, December Bride, The Lucy-Desi Comedy Hour, Peter Gunn, and Bachelor Father.
In the Sixties Sid Melton was a semi-regular on Green Acres as carpenter Alf Monroe. He reprised his role as Charley Halper in the sequel series to Make Room for Daddy, Make Room for Grandaddy. He guest starred on such shows as The Joey Bishop Show, The Munsters, The Dick Van Dyke Show, The Andy Griffith Show, Run Buddy Run, The Danny Thomas Hour, That Girl, Petticoat Junction, Daktari, Gomer Pyle U.S.M.C., and I Dream of Jeannie.
In the Seventies Sid Melton guest starred on such shows as The Chicago Teddy Bears, Love American Style, The New Dick Van Dyke Show, The Doris Day Show, and Rhoda. He appeared in the films Lady Sings the Blues (1972), Hit! (1973), That Lady from Peking (1975), and Game Show Models (1977). In the Eighties Mr. Melton played the recurring role of Sophia's late husband on The Golden Girls. He guest starred on such shows as The Fall Guy and Hunter. In the Nineties he guest starred on Major Dad, Nurses, Blossom, Empty Nest, and Dave's World.
Perhaps no actor was as good at comedy relief as Sid Melton. It was the role he played in the majority of films and television shows in which he appeared. Even in the films noir and science fiction features in which he appeared, Mr. Melton was usually the comic relief. The reason for this is quite simply that he was very good at it. Very few supporting actors in movies or TV shows could be as funny as Sid Melton. What is more, he did not play simply one sort of character. He was equally adept at playing stressed out, nervous nightclub owners (Charlie Halper) as he was clumsy, inept carpenters (Alf Monroe) and small time con men (Friendly Freddy, his recurring character on Gomer Pyle U.S.M.C.). It is because Mr. Melton was so good that his career boasts a unique honour: he appeared as a regular on semi-regular on three classic sitcoms (Make Room For Daddy, Green Acres, and The Golden Girls). When it came to comedy relief, they didn't maek them any better than Sid Melton.
Friday, November 11, 2011
Actress Margaret Field R.I.P.
Actress Margaret Field passed on 6 November 2011 at the age of 89. The cause was cancer. She was the mother of actress Sally Field.
Margaret Field was born on Houston on 10 May 1922. During World War Ii she moved to Pasadena, California. There she was discovered by talent scout Milton Lewis, and she was signed to a contract with Paramount Pictures. Margaret Field made her screen debut in 1945 in a bit part in The Little Witch. Over the next several years she appeared in such films as Double Rhythm (1946), The Perils of Pauline (1947), The Paleface (1948), My Friend Irma (1949), and Samson and Delilah (1949). In 1949 she made her debut on television in a guest appearance on The Lone Ranger.
In the Fifties Miss Field appeared in such films as The Man From Planet X (1951) and Captive Women (1952). Her career largely shifted to television, and she guest starred ons such shows as Racket Squad, Fireside Theatre, The Range Rider, Death Valley Days, The Lone Wolf, Climax, King's Row, Make Room for Daddy, The Loretta Young Show, Wagon Train, M Squad, Westinghouse Desliu Playhouse, The Rebel, The Westerner, The Untouchables, and Perry Mason.
In the Sixties she appeared on such shows as Lawman, The Dick Powell Theatre, The Twilight Zone, Bonanza, Adam-12, and My Three Sons. In the early Seventies she retied from acting to concentrate on raising her family.
Margaret Field was born on Houston on 10 May 1922. During World War Ii she moved to Pasadena, California. There she was discovered by talent scout Milton Lewis, and she was signed to a contract with Paramount Pictures. Margaret Field made her screen debut in 1945 in a bit part in The Little Witch. Over the next several years she appeared in such films as Double Rhythm (1946), The Perils of Pauline (1947), The Paleface (1948), My Friend Irma (1949), and Samson and Delilah (1949). In 1949 she made her debut on television in a guest appearance on The Lone Ranger.
In the Fifties Miss Field appeared in such films as The Man From Planet X (1951) and Captive Women (1952). Her career largely shifted to television, and she guest starred ons such shows as Racket Squad, Fireside Theatre, The Range Rider, Death Valley Days, The Lone Wolf, Climax, King's Row, Make Room for Daddy, The Loretta Young Show, Wagon Train, M Squad, Westinghouse Desliu Playhouse, The Rebel, The Westerner, The Untouchables, and Perry Mason.
In the Sixties she appeared on such shows as Lawman, The Dick Powell Theatre, The Twilight Zone, Bonanza, Adam-12, and My Three Sons. In the early Seventies she retied from acting to concentrate on raising her family.
Thursday, November 10, 2011
Television Writer and Director Hal Kanter Passes On
Television producer, director, and writer Hal Kanter passed on 6 November 2011 at the age of 92. Mr. Kanter had worked such shows as The George Gobel Show and the ground breaking sitcom Julia.
Hal Kanter was born in Savannah, Georgia on 18 December 1918. His father, Albert Kanter, would become famous as the creator of the long running comic book series Classics Illustrated. Mr. Kanter was a writer from a very young age. He was only 11 when he sold his first article to a newspaper. He was only 16 when he worked as a full-fledged newspaper writer. It was in the late Thirties that Mr. Kanter broke into radio when one of Eddie Cantor's writers hired him to write jokes for only $10 a week. He would go onto write for Bob Hope on The Pepsodent Show Starring Bob Hope and the anthology show Grand Central Station. During his service in World War II Hal Kanter worked as a writer for Armed Forces Radio. Following the war Mr. Kanter worked on such radio programmes Amos and Andy, Beulah, Philco Radio Time (which starred Bing Crosby), and The Danny Kaye Show.
It was 1949 that Hal Kanter broke into television as head writer on The Ed Wynn Show. He would go on to write and produce The George Gobel Show. In 1964 he created, wrote, and produced the sitcom Valentine's Day. It was in 1968 that Hal Kanter created the series Julia. The sitcom starred Diahan Carroll in the title role. Julia was historic as the first American television show to star an African American woman in a role that was not that of a stereotype. He would go onto create and write for The Jimmy Stewart Show. He also wrote episodes of All in the Family, and Chico and the Man. He also wrote for several Academy Awards ceremonies.
Hal Kanter also worked in film as well. He wrote screenplays for such films as Two Tickets to Broadway (1951), Road to Bali (1952), Casanova's Big Night (1954), Artists and Models (1955), Blue Hawaii (1961), Pocketful of Miracles (1961), Move Over, Darling (1963), and Dear Brigitte (1965). Mr. Kanter also directed a few films, including Loving You (1957), I Married a Woman (1958), and Once Upon a Horse (1958).
As a comedy writer Hal Kanter's gift was his razor sharp wit. He could had a talent for coming up with incredibly funny lines, a talent that served him well not only in the many radio shows and TV shows on which he worked, but as a co-writer on Academy Awards ceremonies as well. It was a talent that was very much on display in many of the films on which he worked, particularly Road to Bali and Move Over, Darling. Of course, he was also very much a pioneer. In creating Julia Mr. Kanter gave American television its first female, African American character who was not only not a domestic or a stereotype, but a professional woman (Julia was a nurse). Like I Spy before it, Julia opened new doors for African Americans in television. As a very funny man with a sharp wit and a true pioneer in television, Hal Kanter will be remembered.
Hal Kanter was born in Savannah, Georgia on 18 December 1918. His father, Albert Kanter, would become famous as the creator of the long running comic book series Classics Illustrated. Mr. Kanter was a writer from a very young age. He was only 11 when he sold his first article to a newspaper. He was only 16 when he worked as a full-fledged newspaper writer. It was in the late Thirties that Mr. Kanter broke into radio when one of Eddie Cantor's writers hired him to write jokes for only $10 a week. He would go onto write for Bob Hope on The Pepsodent Show Starring Bob Hope and the anthology show Grand Central Station. During his service in World War II Hal Kanter worked as a writer for Armed Forces Radio. Following the war Mr. Kanter worked on such radio programmes Amos and Andy, Beulah, Philco Radio Time (which starred Bing Crosby), and The Danny Kaye Show.
It was 1949 that Hal Kanter broke into television as head writer on The Ed Wynn Show. He would go on to write and produce The George Gobel Show. In 1964 he created, wrote, and produced the sitcom Valentine's Day. It was in 1968 that Hal Kanter created the series Julia. The sitcom starred Diahan Carroll in the title role. Julia was historic as the first American television show to star an African American woman in a role that was not that of a stereotype. He would go onto create and write for The Jimmy Stewart Show. He also wrote episodes of All in the Family, and Chico and the Man. He also wrote for several Academy Awards ceremonies.
Hal Kanter also worked in film as well. He wrote screenplays for such films as Two Tickets to Broadway (1951), Road to Bali (1952), Casanova's Big Night (1954), Artists and Models (1955), Blue Hawaii (1961), Pocketful of Miracles (1961), Move Over, Darling (1963), and Dear Brigitte (1965). Mr. Kanter also directed a few films, including Loving You (1957), I Married a Woman (1958), and Once Upon a Horse (1958).
As a comedy writer Hal Kanter's gift was his razor sharp wit. He could had a talent for coming up with incredibly funny lines, a talent that served him well not only in the many radio shows and TV shows on which he worked, but as a co-writer on Academy Awards ceremonies as well. It was a talent that was very much on display in many of the films on which he worked, particularly Road to Bali and Move Over, Darling. Of course, he was also very much a pioneer. In creating Julia Mr. Kanter gave American television its first female, African American character who was not only not a domestic or a stereotype, but a professional woman (Julia was a nurse). Like I Spy before it, Julia opened new doors for African Americans in television. As a very funny man with a sharp wit and a true pioneer in television, Hal Kanter will be remembered.
Wednesday, November 9, 2011
Bil Keane R.I.P.
Cartoonist Bil Keane, best known as the creator of The Family Circus, passed on 8 November 2011 at the age of 89. The cause was congestive heart failure.
Bil Keane was born in 5 October 1922 in Philadelphia, Pennsylvania. He grew up in the Philadelphia suburb Crestville, Pennsylvania. It was while he was at Northeast Catholic High School in Philadelphia that he began drawing, mimicking the style of cartoons in The New Yorker. His first cartoon was published in 1936 in the pages of The Philadelphia Daily News. It was while he was still in high school and publishing an amateur magazine titled The Saturday Evening Toast with friends that he dropped the second "l" from "Bill" so that his name would stand out. As neither he nor his parents could afford art school, he went to work as a messenger for The Philadelphia Bulletin. While there he watched the newspaper's artists and learned all he could from them.
During World War II Bil Keane served in the United States Army, where he worked on Yank and Stars and Stripes. It was while he was stationed in Australia that he met and married his wife Thelma, the inspiration for the mother in The Family Circus. After the war Mr. Keane returned to The Philadelphia Bulletin, this time as an artist. It was there that he created his first comic strip, Silly Philly. In 1954 he created his first nationally syndicated comic strip, Channel Chuckles. It was a single panel strip that drew upon television for its humour. It ran until 1976.
It was on 29 February 1960 that The Family Circus debuted. The Family Circus is a single panel comic strip that was based on Bil Keane's own family. The characters are all fictional versions of Mr. Keane, his wife, and his children. Throughout the years none of the characters have aged, with the exception of the baby, P. J. The Family Circus would prove extremely successful. Many book collections of the strip have been released throughout the years. In the late Seventies and early Eighties three television specials were based on the strip. The strip still appears in 1500 newspapers worldwide, making it possibly the widely syndicated comic strip in the world.
From 1981 to 1983 Mr. Keane collaborated on the comic strip Eggheads with his son Jeff Keane.
Like many The Family Circus forms fond memories for myself since childhood. The comic strip was very rarely what one would call "laugh out loud funny," but it had a gentle, heartfelt humour that served it well. There can be little doubt that parents and even children reading The Family Circus could glimpse parts of their own family in the fictional family of the strip. And I have little doubt that most of us could glimpse truths about our own families from time to time in The Family Circus. This was Bil Keane's gift in life, to draw upon his own experiences as a father and husband to create a comic strip with which most of us could identify. While I cannot say The Family Circus is my favourite comic strip or even close to it, it is a comic strip of which I have always been very fond.
Bil Keane was born in 5 October 1922 in Philadelphia, Pennsylvania. He grew up in the Philadelphia suburb Crestville, Pennsylvania. It was while he was at Northeast Catholic High School in Philadelphia that he began drawing, mimicking the style of cartoons in The New Yorker. His first cartoon was published in 1936 in the pages of The Philadelphia Daily News. It was while he was still in high school and publishing an amateur magazine titled The Saturday Evening Toast with friends that he dropped the second "l" from "Bill" so that his name would stand out. As neither he nor his parents could afford art school, he went to work as a messenger for The Philadelphia Bulletin. While there he watched the newspaper's artists and learned all he could from them.
During World War II Bil Keane served in the United States Army, where he worked on Yank and Stars and Stripes. It was while he was stationed in Australia that he met and married his wife Thelma, the inspiration for the mother in The Family Circus. After the war Mr. Keane returned to The Philadelphia Bulletin, this time as an artist. It was there that he created his first comic strip, Silly Philly. In 1954 he created his first nationally syndicated comic strip, Channel Chuckles. It was a single panel strip that drew upon television for its humour. It ran until 1976.
It was on 29 February 1960 that The Family Circus debuted. The Family Circus is a single panel comic strip that was based on Bil Keane's own family. The characters are all fictional versions of Mr. Keane, his wife, and his children. Throughout the years none of the characters have aged, with the exception of the baby, P. J. The Family Circus would prove extremely successful. Many book collections of the strip have been released throughout the years. In the late Seventies and early Eighties three television specials were based on the strip. The strip still appears in 1500 newspapers worldwide, making it possibly the widely syndicated comic strip in the world.
From 1981 to 1983 Mr. Keane collaborated on the comic strip Eggheads with his son Jeff Keane.
Like many The Family Circus forms fond memories for myself since childhood. The comic strip was very rarely what one would call "laugh out loud funny," but it had a gentle, heartfelt humour that served it well. There can be little doubt that parents and even children reading The Family Circus could glimpse parts of their own family in the fictional family of the strip. And I have little doubt that most of us could glimpse truths about our own families from time to time in The Family Circus. This was Bil Keane's gift in life, to draw upon his own experiences as a father and husband to create a comic strip with which most of us could identify. While I cannot say The Family Circus is my favourite comic strip or even close to it, it is a comic strip of which I have always been very fond.
Saturday, November 5, 2011
Happy Bonfire Night 2011
It was on 5 November 1605 that a conspiracy led by Robert Catesby planned to blow up the House of Lords during the State Opening of England's Parliament. Fortunately for Parliament, English authorities learned of the plan and at midnight on 4 November 1605 Guy Fawkes was found guarding 36 barrels of gunpowder beneath Parliament. It was in January 1606 that Parliament passed the Observance of 5th November Act 1605. As a result the tradition of Bonfire Night or Guy Fawkes Night was instituted. It has been remembered with bonfires and fireworks ever since.
Besides bonfires and fireworks, the Gunpowder Plot has come to be remembered with various rhymes. The most popular may well be the one below, which was repeated in both the graphic novel and the motion picture V For Vendetta:
Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the Gunpowder Treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, t'was his intent
To blow up the King and Parli'ment.
Three-score barrels of powder below
To prove old England's overthrow;
By God's providence he was catch'd (or by God's mercy*)
With a dark lantern and burning match.
Holla boys, Holla boys, let the bells ring.
Holloa boys, holloa boys, God save the King!
And what should we do with him? Burn him!
Below is a clip from the film V For Vendetta, which quotes the first few verses of the rhyme:
Happy Bonfire Night, everyone!
Besides bonfires and fireworks, the Gunpowder Plot has come to be remembered with various rhymes. The most popular may well be the one below, which was repeated in both the graphic novel and the motion picture V For Vendetta:
Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why the Gunpowder Treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, t'was his intent
To blow up the King and Parli'ment.
Three-score barrels of powder below
To prove old England's overthrow;
By God's providence he was catch'd (or by God's mercy*)
With a dark lantern and burning match.
Holla boys, Holla boys, let the bells ring.
Holloa boys, holloa boys, God save the King!
And what should we do with him? Burn him!
Below is a clip from the film V For Vendetta, which quotes the first few verses of the rhyme:
Happy Bonfire Night, everyone!
Subscribe to:
Posts (Atom)