Godspeed Guitarist Rowland S. Howard

Australian guitarist Rowland S. Howard passed on December 30, 2009 at the age of 50. The cause was liver cancer.

Rowland S. Howard was born on October 24, 1959 in Melbourne, Victoria, Australia. It was in 1978 that he joined Nick Cave's band The Boys Next Door (later to be renamed The Birthday Party). Howard's addition to the band would be one of the factors which would change its sound. Among other things, he made extensive use of audio feedback. It was in 1980 that The Boys Next Door moved to London and changed their name to The Birthday Party. In the early Eighties The Birthday Party began to disintegrate. By 1985 Rowland S. Howard had left the band to join Crime and the City Solution. It was in 1987 that he formed These Immortal Souls with Genevieve McGuckin.  The band would release four albums.

Rowland S. Howard released a solo album, Teenage Snuff Film, in 2000. He followed it up with a second solo album, Pop Crimes, in 2009. In 2007 he toured with Magic Dirt and Beasts of Bourbon. He also appeared on the Magic Dirt EP "White Boy."

Roland S. Howard was an extremely versatile guitarist. He was a master of audio feedback. And he could play anything from jazz riffs to guitar that could have belonged in a song by The Stooges. He was also a talented songwriter, contributing songs to The Birthday Party and These Immortal Souls. He will be missed.

It's "Twenty Ten"

It has been nine years since the turn of the Millennium. The years that have followed have generally been termed "two thousand ____." Of course, this was a shift from the way years were called at the beginning of the 20th Century. Even today, we say "nineteen oh one," or even "nineteen aught one," not "one thousand, nine hundred one." While part of the change in the way we refer to years may well have been because of the new millennium, it seems most of the reason may well rest with a decision regarding the title of a movie made over forty years ago.

It was over forty years ago that Stanley Kubrick made the film 2001: A Space Odyssey. Among the many details Kubrick worried over with regards to a very complex film was the pronunciation of its name. He considered whether it should be pronounced "two thousand and one" or "twenty oh one," much as people referred to 1901 as "nineteen oh one." He discussed the pronunciation of the title with technical advisor Frederick Ordway. Together they decided it should be "two thousand and one," on the basis that it sounded better. Both men pondered whether it would have an impact on the language in the 21st Century.

It seems likely that it did have an impact on the English language in the 21st century. Indeed, it would seem that the fact that the "2001" in 2001: A Space Odyssey was pronounced "two thousand and one" did have an impact on the language. After all, there is no other explanation why 2001 should be pronounced "two thousand and one" instead of "twenty oh one," as years  have been in the past.

Of course, now we have reached the year 2010. And while some have insisted on pronouncing the last year in the first decade of the 21st century as "two thousand and ten," it seems to me that it is time we dispense with such and start referring to the year as "twenty ten." My reasoning is simple. First, "twenty ten" is easier to say than "two thousand ten," having one less syllable. Second, at least to my ear, it sounds better. Third, it would provide a link to earlier years. After all, for the whole of the Twentieth Century, years were pronounced "nineteen ____," not "one thousand, nine hundred, and ____." For the sake of continuity, it would simply seem better to say "twenty ten," than "two thousand and ten."

Regardless, it would seem that one very successful film from forty years ago did indeed have an impact on the English language. If the title of 2001: A Space Odyssey had been pronounced differently or had a different title, we might well have pronounced 2001 "twenty oh one."